PLOT SUMMARY: In 8th century Baghdad, a stranger pleads with the vizier to safeguard the door pull he carries, but is murdered before he can explain. Charged with solving the puzzle, the scholar Dabir soon realizes that the door pull may unlock secrets hidden within the lost city of Ubar, the Atlantis of the sands. When the door pull is stolen, Dabir and Captain Asim are sent after it, and into a life and death chase through the ancient Middle East.
Stopping the thieves — a cunning Greek spy and a Magian who commands fire — requires a desperate journey into the desert, but first Dabir and Asim must find the lost ruins of Ubar and contend with a mythic, sorcerous being known as the Keeper of Secrets. Yet the greatest challenges that Dabir and Asim may have to overcome are choosing where their loyalties lie, resisting a forbidden love, and following the path that fate has written…
FORMAT/INFO: The Desert of Souls is 320 pages long divided over twenty numbered chapters. Narration is in the first person, exclusively via Asim el Abbas, the captain of Jaffar’s guard. The Desert of Souls is self-contained, but promises future adventures starring Captain Asim and the scholar Dabir. February 15, 2011 marks the North American Hardcover publication of The Desert of Souls via Thomas Dunne.
ANALYSIS: What immediately attracted me to Howard Andrew Jones’ The Desert of Souls was the following description: “A thrilling, inventive cross between One Thousand and One Nights and Sherlock Holmes.” Throw in comparisons to Robert E. Howard and a blurb by one of my favorite authors in Glen Cook, and I was completely sold.
For the most part, the publisher and author blurbs had it right. The Desert of Souls is like an old-school Robert E. Howard sword & sorcery tale set against an Arabian Nights backdrop, complete with rousing swashbuckling adventure and dire magic. The Sherlock Holmes comparison is a bit misleading because of the novel’s lack of mystery, but Dabir’s cleverness and gifted intellect possessed more than a passing resemblance to the famous detective, while the relationship between Dabir and Captain Asim is not unlike that of the friendship between Holmes and Watson.
Story-wise, The Desert of Souls is not going to win any awards for originality. Between a fortune teller, bandits, rescuing the kidnapped Sabirah, searching for treasure in a fabled city, the young woman who wishes to marry for love instead of political advantages, the villain seeking revenge, overcoming impossible odds and many other familiar ideas, The Desert of Souls is rife with tried-and-true fantasy conventions. Fortunately, it’s not the content that matters so much as the stylish manner in which Howard Andrew Jones tells the story, which includes energetic pacing, Asim’s engaging narrative voice, well-timed surprises, and a balanced blend of breathtaking action, witty humor and thoughtful insight.
The magic in The Desert of Souls is also lacking in the creative department with djinn, a city of ghosts, an ancient feathered serpent, and sorcerers who can control fire or command the dead the most obvious examples — the Keeper of Secrets and its project is the main exception. Just like the story though, Howard Andrew Jones overcomes this shortcoming with his writing, specifically the exciting flair in which magic is woven into the novel.
Honestly, I was surprised by how polished The Desert of Souls turned out to be, especially for a debut novel. Of course, after finishing the book, I learned that Howard Andrew Jones has been writing short fiction for several years now, and that The Desert of Souls is hardly the first time he has written about Dabir and Captain Asim. In fact, the author even incorporates one of his older short stories, “Whispers from the Stone,” into the novel. With this knowledge, it’s easy to see why The Desert of Souls was such a well-written novel. It also explain the author’s familiarity with Dabir and Captain Asim, which is evident by their undeniable likability, the convincing friendship the two develop, and the way they carry the novel. Negatively, the supporting characters (Jaffar, Sabirah, Hamil the Poet, Firouz, etc.) are one-dimensional, parts of the story could have benefited from tighter execution, and I wish greater detail had been used to explain some of Dabir’s actions and reasonings over the course of the novel. For the most part though, The Desert of Souls is the result of an author who knows what he’s doing.
CONCLUSION: Howard Andrew Jones’ debut novel may utilize a number of recognizable ideas from the likes of Robert E. Howard, One Thousand and One Nights, and Sir Arthur Conan Doyle’s Sherlock Holmes, but blended together, The Desert of Souls offers a fantasy experience that is fresh, fun and absolutely riveting. Best of all, The Desert of Souls is only the beginning of Dabir and Captain Asim’s remarkable adventures together, and I can only hope that there will be many more adventures yet to come…