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H.P. Lovecraft

H.P. Lovecraft(1890-1937)
H.P. Lovecraft’s short stories have been a major influence on many modern horror and fantasy writers. We’ll present several collections of his stories. For more information about H.P. Lovecraft, see this website dedicated to him.

The collected stories of H.P. Lovecraft

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Horrible Monday: At the Mountains of Madness and Other Tales of Terror: Difficult to engage with

If you start your week off with a horror novel, maybe you’ll feel like your life really isn’t so bad after all.

At the Mountains of Madness and Other Tales of Terror by H.P. Lovecraft

Fans of Stephen King take note: This work and other tales of H.P. Lovecraft were among King’s main inspirations. Lovecraft bases most of his stories out of his Providence, just as King uses small town Maine so often as a setting. Likewise, each utilizes quirks of rural life and old wives’ tales to spin tales of the macabre that never quite fully explain themselves. Ghosts, miasmas, fiery pentagrams, voodoo magic, mysterious deaths, and the other typical plot devices used by horror are never intended to fully connect with reality. Lovecraft himself has said that the major theme underpinning his stories is the inapproachable nature of fear... Read More

Horrible Monday: The Call of Cthulhu and Other Stories by H.P. Lovecraft

The Call of Cthulhu and Other Stories by H.P. Lovecraft

"In his house at R'lyeh, dead Cthulhu waits dreaming."

Ask any writer of horror, fantasy, or weird fiction who their influences were and H.P. Lovecraft’s name is almost sure to come up, especially if they’re over the age of 50. For this reason alone, all true fans of these genres must experience H.P. Lovecraft’s work for themselves. Think of it as “required reading.” Even if you don’t read horror or weird tales, Lovecraft’s Cthulhu mythos pops up regularly in fantasy literature, games, television, music, and art, so it’s a good idea to get a little of it under your belt.

If you want to get a good quick culturally-relevant dose of Lovecraft, I recommend The Call of Cthulhu and Other Stories which is available in several editions. I listened to Naxos AudioBooks’ version read by William Roberts, which I downloa... Read More

Horrible Monday: Weird Tales: 32 Unearthed Terrors

Weird Tales: 32 Unearthed Terrors edited by Stefan R. Dziemianowicz, Robert Weinberg & Martin Greenberg

Though hardly a runaway success in its day, and a publication that faced financial hardships for much of its existence, the pulp magazine known as Weird Tales is today remembered by fans and collectors alike as one of the most influential and prestigious. Anthologies without number have used stories from its pages, and the roster of authors who got their start therein reads like a "Who's Who" of 20th century horror and fantasy literature. During its 32-year run, from 1923-1954, and in its 279 issues, Weird Tales catered to a select readership that could not help but be impressed by early efforts from the likes of ... Read More

The Weird: A Compendium of Strange and Dark Stories

The Weird: A Compendium of Strange and Dark Stories edited by Ann and Jeff VanderMeer

I haven’t actually read every page of The Weird: A Compendium of Strange and Dark Stories, yet I’m giving it my highest recommendation. Edited by Ann and Jeff VanderMeer, Master and Mistress of Weird, The Weird is 1126 pages long and should really be considered a textbook of weird fiction. It contains 110 carefully chosen stories spanning more than 100 years of weird fiction. Here’s what you can expect to find in this massive volume:

A “Forweird” by Michael Moorcock gives us a brief history of the weird tale, discusses how it has defied publishers’ attempts to categorize it into neatly-bordered genres, and gives examples of writers who are revered by modern readers but whose weird fiction caused them to be... Read More

Magazine Monday: Weird Tales No. 360

The owner, publisher and editor of Weird Tales have all changed since the last issue of the magazine, and it shows. No longer innovative, with cutting edge fiction, it is now filled with pastiches of the work of H.P. Lovecraft, a throwback to the early days of the magazine. The Hugo-Award-winning team of fiction editor Ann VanderMeer and editorial and creative director Stephen H. Segal are clearly no longer choosing the fiction or art that used to brighten each issue, and the intelligent nonfiction that completed the magazine is nearly gone, though Kenneth Hite’s exploration of Lovecraft’s work, “Lost in Lovecraft,” continues; the fourteenth entry in the series is in this issue. This change is not for the b... Read More

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