Next Author: Lavie Tidhar
Previous Author: Rob Thurman

Karin Tidbeck

Karin Tidbeck is originally from Stockholm, Sweden, and has been based in Malmö since 2007. She writes speculative fiction in Swedish and English. When she’s not busy producing fiction, she teaches creative writing and does occasional work as a text consultant. She’s an alumna of Clarion SF & Fantasy Workshop at UCSD. Learn more at Karin Tidbeck’s website.

CLICK HERE FOR MORE BY KARIN TIDBECK.

Jagannath: Stories: One of the best books of 2012

Readers’ average rating:

Jagannath: Stories by Karin Tidbeck

Strange. Disturbing. Unimaginable, but imagined. Weird. Karin Tidbeck’s first collection of short stories, Jagannath: Stories, can be so described, but one must also include compelling. It is not usual for me to want to read story after story in a single-author collection in a single sitting, but here each story was better than the last, and I stayed up long into the night reading. This Swedish author, who translated her own work into English, has an odd mind that produces odd stories, stories that every lover of weird fiction needs to read.

My fascination with this collection started with the first story, “Beatrice.” It is about a man who falls in love with an airship — not in the way a man normally falls in love with a complicated piece of machinery, not as in, “He loves his 1964 Mustang,... Read More

Amatka: Defies conventions, with mixed results

Readers’ average rating:

Reposting to include Bill's new review.
Amatka by Karin TidbeckKarin Tidbeck’s Amatka (2017) almost reads as a callback to the experimental and dystopian science fiction of the 1970s: a slim novel, packed with examination of the self as an individual unit within a larger social machine and the cost-benefit analysis thereof, with strange imagery and twisting narrative threads, and no easy answers to be found. Once, generations back, a group of people mysteriously found themselves in a new place, and were unable to make their way back home. They formed five colonies (though there are now only fou... Read More

Magazine Monday: Weird Tales Is Weird

Readers’ average rating:

I am happy to report that Weird Tales has grown weirder since Ann VanderMeer has taken the helm as Editor-in-Chief. This is to be expected of the co-anthologist (with her husband, Jeff VanderMeer) of The New Weird, an collection of tales essential to the library of everyone who loves the truly strange; and the co-anthologist of an enormous anthology d... Read More

Magazine Monday: Weird Tales, Summer 2011

Readers’ average rating:

The nonfiction in the Summer 2011 issue of Weird Tales is interesting and informative, telling readers a good deal about a number of diverse topics. Genevieve Valentine offers “A Sweet Disorder in the Dress,” the title taken from a Robert Herrick poem, about the fashion of Alexander McQueen, and especially his Spring 2010 collection, Plato’s Atlantis. This collection was famous, or perhaps infamous, for the huge shoes -- a foot high! -- that looked like lobster claws, and much of the fashion on display fell into the “who would wear that?!” category (the answer: Lady Gaga, but almost no one else). Seen through the lens of fantasy, however, the collection begins to take on an intellectual shape and texture to match that of the garments. Valentine calls ... Read More

The Year’s Best Science Fiction & Fantasy 2014: An enjoyable collection

Readers’ average rating:

The Year’s Best Science Fiction & Fantasy 2014 edited by Rich Horton

I've been reading a lot of anthologies lately, including another of the several "Year's Best" collections (the Jonathan Strahan one). I was pleased to find that, unlike some of the others, this one matched my tastes fairly well for the most part.

I enjoy stories in which capable, likeable or sympathetic characters, confronted by challenges, confront them right back and bring the situation to some sort of meaningful conclusion. I was worried when I read the editor's introduction and saw him praising Lightspeed and Clarkesworld magazines, because they can often be the home of another kind of story, in which alienated, passive characters are... Read More