Michael Flynn
(1947- )
Michael Flynn, sometimes published as Michael F. Flynn, works full time as a statistician and writes science fiction as a sideline. Nearly all of Flynn’s work falls under the category of hard science fiction, although his treatment of it can be unusual since he has applied the rigor of hard science fiction to “softer” sciences such as sociology in works such as In the Country of the Blind. Much of his short fiction has appeared in Analog Science Fiction and Fact.
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January Dancer
January Dancer — (2008-2013) Publisher: A triumph of the New Space Opera: fast, complicated, wonder-filled! Hugo Award finalist and Robert A. Heinlein Award–winning SF writer Michael Flynn now turns to space opera with stunningly successful results. Full of rich echoes of space opera classics from Doc Smith to Cordwainer Smith, The January Dancer tells the fateful story of an ancient pre-human artifact of great power, and the people who found it. Starting with Captain Amos January, who quickly loses it, and then the others who fought, schemed, and killed to get it, we travel around the complex, decadent, brawling, mongrelized interstellar human civilization the artifact might save or destroy. Collectors want the Dancer; pirates take it, rulers crave it, and they’ll all kill if necessary to get it. This is a thrilling yarn of love, revolution, music, and mystery, and it ends, as all great stories do, with shock and a beginning.
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The January Dancer by Michael Flynn
The January Dancer is a very good space opera… I wish it had tipped over into great. There is a lot going on here to love: a sufficiently deep future history created through the liberal use of allusion that references any number of existing earth cultures (heavily relying on Celtic and cultures from the Indian subcontinent) along with some pretty swell creations of Flynn’s own (the Hounds, ‘those of Name’, the Terran Corners, the Rift, the People of Sand & Iron, etc.) in which the diaspora of humanity has settled across the cosmos, making use of an intriguingly pseudo-scientific explanation for FTL travel; a cast of varied and interesting characters of disparate parts coming together, as though by chance, to solve the mystery of a powerful pre-human artifact; and perhaps most of all the well-crafted prose of Michael Flynn that pr... Read More
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Eifelheim by Michael Flynn
Eifelheim is one of those transcendent science fiction stories where an author is able to treat very human and Earth-bound issues with a well-reasoned and fascinating gloss of aliens and science. Author Michael Flynn's alien mythos and capabilities are believable and seamlessly integrated into the very real history of plague-era Germany.
I picked up Eifelheim because I love a good story of first contact. I find myself continually drawn to the classics in this science fiction genre, but also the classic tales of first contact of the very terrestrial kind: human exploration and discovery. Both Hernán Cortés and his first Aztec meetings as well as Pizarro and the Incas hold special fascination for me, as do much of that era... Read More
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The Hugo-nominated novelettes are, as a general rule, better than the Hugo-nominated short stories. As was true of the short stories, however, none of the nominees is a story I would place among the best of the year.
“Championship B’tok” by Edward M. Lerner is a fragment of something more, not a stand-alone novelette. It opens well, with a repairman traveling a billion klicks to see why a roboship broke down; he has no one for company except an artificial intelligence, which beats him at game after game of chess. Lerner uses his first chapter to explain that robots are not powered by artificial intelligences, which remain bodiless by design, suggesting that this story will be about artificial intelligences struggling for autonomy. But the repairman disappears after the first chapter, as does the suggested theme. Instead, this becomes the ta... Read More
