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SFF Author: Silvia Moreno-Garcia

Mexican by birth, Canadian by inclination, Silvia Moreno-Garcia’s collection This Strange Way of Dying was a finalist for The Sunburst Award for Excellence in Canadian Literature of the Fantastic. Signal to Noise, about magic, music and Mexico City, is her debut novel. She tweets @silviamg and blogs at silviamoreno-garcia.com.
Click here for more stories by Silvia Moreno-Garcia.



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Signal to Noise: Mixtapes and magic

Signal to Noise by Silvia Moreno-Garcia

In Silvia Moreno-Garcia’s debut novel Signal to Noise, the 1980s are almost over, and Meche is a teenager in Mexico City doing all those random stupid teenager things we all did back then: listening to music all night, riding around on the back of friends’ motorcycles, and casting magic spells in dilapidated factories.

Meche’s dad is trying to make a living as a musician, which in practice works out to spending too much time in bars and not enough time with his family.


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Certain Dark Things: I thought I was tired of vampires; then I read this

Certain Dark Things by Silvia Moreno-Garcia

I’ve gotten tired of vampires. All too often, their social models are those of decadent, louche aristocrats with their courts and their bloodsucking royalty, or mafia-like crime lords. There isn’t much new about the process of drinking blood, either; they host a demon; or they are demons, or they have a virus. (Yawn.) I didn’t think anyone could make vampires interesting for me again until I read Silvia Moreno-Garcia’s Certain Dark Things. Her vampires are crime lords,


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The Beautiful Ones: The true magic is that of the human heart

The Beautiful Ones by Silvia Moreno-Garcia

Silvia Moreno-Garcia’s 2017 novel The Beautiful Ones is an historical romance, a comedy of manners set in an alternate world. This world has the social mores and the esthetic of Europe’s Belle Époque (the late 19th century). Certain people in the world of The Beautiful Ones have telekinetic abilities, but while these abilities do play an important part in the story, this is not a story of magic unless it’s the magic of the human heart.


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Gods of Jade and Shadow: Romantic fantasy set in 1920s Mexico

Gods of Jade and Shadow by Silvia Moreno-Garcia

Casiopeia Tun is the poor relation of the Leyva family, put to work as a servant to her grandfather, aunts, uncles, and cousins. It’s established early, though, that she’s not one to take easily to subservience. Sure, she’ll probably do what she’s told — eventually — but it won’t be with a smile. She cherishes a few modest dreams of the things she’d see and do if she could only escape the family home and the dusty little town of Uukumil. When the family leaves her out of an outing as punishment,


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Mexican Gothic: A creepy gothic novel featuring fungus

Mexican Gothic by Silvia Moreno-Garcia

Noemí Taboada is a 22-year-old flighty socialite living in Mexico City. She loves to dress up in beautiful gowns and high heels and go to parties with handsome young men. One evening she’s called home from a party early. Her wealthy father has received a strange letter from Catalina, Noemí’s recently married cousin. Catalina thinks she’s in danger from her new husband’s family and is begging for help. Is Catalina really imperiled, or is she suffering a mental breakdown?

Noemí’s father asks her to visit her cousin at High Place,


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The Daughter of Doctor Moreau: A lush SF melodrama

The Daughter of Doctor Moreau by Silvia Moreno-Garcia

It’s 1877, and on a decaying rancho deep in the Yucatán peninsula, Carlota Moreau’s sheltered life — and world — is about to change. Carlota’s father, Doctor Moreau, conducts experiments on human-animal hybrids, with a stated goal of improving humanity. When his patrons, the Lizalde family, threaten to withdraw their support, catastrophic events are set in motion with Carlota at their center.

“Melodrama” has a bad reputation, but when it’s done intentionally and well, it is a high-quality entertainment form. In the hands of a prose stylist as good as Moreno-Garcia,


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Magazine Monday: The Dark, Issues 2 through 7

I was excited by the first issue of The Dark, which I reviewed in 2013. The following issues fulfill the promise of the first, containing lovely and mysterious stories of dark fantasy. Reading the sweep of the magazine from Issue 2 to Issue 7 reveals that a particular type of story is likely to catch the editors’ eyes: stories that are often elliptical, gentle, hinting at more than they say, and rich in poetic language.

Issue 2 is as wonderful as was Issue 1.  “Our Lady of Ruins” by Sarah Singleton opens prosaically,


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Next SFF Author: Christine Morgan
Previous SFF Author: Simon Morden

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