Unbury Carol (2018) is billed as a Weird West story, and Josh Malerman has staged it in a world that has the trappings of the mythical American West — stagecoaches, outlaws, “triggermen” and a perilous Trail the outlaws ride. Malerman’s prose is elegant and he manages to create, at least with the character of Sheriff Opal, an authentic sense of rhythm and regional speech. Moments of bizarre imagery startled me and captured my imagination. Overall, though, the many intricately carved pieces just didn’t fit into a congruent whole for me.
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