Consider Phlebas by Iain M. Banks
Consider Phlebas, the first of Iain M. Banks’s CULTURE novels, introduces readers to the Culture, a machine-led intergalactic civilization that offers its biological humanoids a carefree, utopian lifestyle. Though most centuries are free from worry, Consider Phlebas takes place in the middle of the Idiran-Culture War.
The Culture is an intergalactic utopia, but readers should not come to Consider Phlebas expecting dystopian narrative. The machines, led by their brilliant and sentient Minds, are benevolent and they seek to offer a paradise to the humanoids in their care. The novel is not even a dystopian narrative in the way Thomas More’s Utopia often seems disturbing in its stringent rules and guidelines. Readers are meant to envy life in the Culture.
The Culture is perfect, or almost, but the universe is not. The Cultur... Read More
Iain M. Banks(1954-2013)
Iain M. Banks came to widespread and controversial public notice with the publication of his first novel, The Wasp Factory, in 1984. Consider Phlebas, his first science fiction novel, was published under the name Iain M. Banks in 1987. He is now acclaimed as one of the most powerful, innovative, and exciting writers of his generation. Iain Banks lived in Fife, Scotland. He died on June 9, 2013. Learn more at Iain Bank’s website.
Culture — (1987-2012) Publisher: The war raged across the galaxy. Billions had died, billions more were doomed. Moons, planets, the very stars themselves, faced destruction, cold-blooded, brutal, and worse, random. The Idirans fought for their Faith; the Culture for its moral right to exist. Principles were at stake. There could be no surrender. Within the cosmic conflict, an individual crusade. Deep within a fabled labyrinth on a barren world, a Planet of the Dead proscribed to mortals, lay a fugitive Mind. Both the Culture and the Idirans sought it. It was the fate of Horza, the Changer, and his motley crew of unpredictable mercenaries, human and machine, actually to find it, and with it their own destruction.
Consider Phlebas by Iain M. Banks
This is useful as an introduction to the CULTURE, but not necessary. The plot is often exciting and there are some awesome set pieces which would make a great movie, but there are no characters to root for (they seem to be created as anti-heroes) and the plot, which feels incohesive, takes much too long to accomplish. There are also fewer of the “big ideas” I’ve come to expect from Banks. I would love to see this condensed and produced as a movie. ~Kat Hooper
The Player of Games by Iain M. Banks
The Player of Games is the second of Iain M. Banks’s Culture novels. Jernau Morat Gurgeh is a famous game player from the protective, machine-run Culture. Like everyone else that lives in the Culture, Gurgeh has never known fear, pain, or greed. He wants little beyond the thrill offered by the games and the respect he earns from winning them until he meets Mawhrin-Skel, a drone that blackmails Gurgeh into traveling to the distant Empire of Azad and representing the Culture in a tournament.
The Empire of Azad is founded upon the principles and consequences of its game, Azad. Title and status are dependent upon one’s performance in the game, as is political influence. Advanced players are required to register their political and ethical stances, which are reported to the rest of the civilization. Though Azad provides a stable structure that has guided the Empire through the ag... Read More
This is a unique story in Banks’ fascinating CULTURE, a society where everyone is comfortable and lacks for nothing. The hero, Gurgeh, goes to play a game on a world where this game is thought to mirror life. Whoever wins the game, must be a “winner” and gets to be the emperor. This is much different from life in the CULTURE which, as Gurgeh says, is “not a heroic age.” Besides watching the personal obsession of a gamer, there are some interesting ideas here such as the importance of potential loss for the ultimate feeling of fulfillment, and the idea that an empire is similar to a living organism that wants to preserve itself. I also loved the volcano planet. That was awesome. ~Kat Hooper
Use of Weapons by Iain M. Banks
Iain M. Banks’s Use of Weapons is the third CULTURE novel. For those not in the know, the Culture is an intergalactic paradise run by its extremely sophisticated machines. Its people are augmented so that they are able to control and enhance every function their body serves. Life in the Culture is pretty great, and so stories are rarely set there.
Fortunately for Banks, things occasionally get a little hairy on the distant edges of the Culture when it is forced to interact with other societies. When those moments of contact go poorly, the Culture relies upon Special Circumstances to figure things out.
Enter the drone Skaffen-Amtiskaw, the Special Circumstances agent Diziet Sma, and Cheradinine Zakalwe, our hero and their agent on the ground. Before Special Circumstances recruited him, Zakalwe was a soldier on a distant world. Usually when someone writes “enter the ... Read More
Excession by Iain M. Banks
Let’s skip the highty-flighty, atmospheric float of intros and get right to the point. Iain M. Banks’ 1996 Excession is gosh-wow, sense-wunda science fiction that pushes the limits of the genre as far into the imagination — and future — as any book has. The AI ship-minds, post-human world-is-your-oyster humanity, and incredible roster of engine speeds, galaxies, drones, weaponry, biological possibilities, planets, orbitals, etc., etc. of previous books have been topped. Banks took a look at the savory milieu of the Culture, cocked his head and asked: “How can I up the ante?” The titular ‘excession’ is the answer.
Arthur C. Clarke’s brilliant Rendezvous with Rama sees humanity attempting to quantify and understand a BDO (big dumb object) that comes sailing th... Read More
Inversions by Iain M. Banks
Like Excession, Use of Weapons, and The Player of Games, Iain M. Banks' 1998 Inversions continues to prove that the reader should expect the unexpected because, with Inversions, Banks explicitly aimed to write “a CULTURE novel that wasn’t a CULTURE novel.” It is likely to be categorized as fantasy by someone who knows nothing of the Culture — there is a medieval feel to the royalty, court intrigue, sword fights, beautiful damsels, boys growing up to become men, and a few “supernatural” events that bend the story beyond realism. However, astute readers will recognize something deeper happening beneath the deceptively simple façade and realize that Inversions is something more. That something more is not only the Cu... Read More
Look to Windward by Iain Banks
This is the first book I have read by Iain Banks — and it won’t be the last. His post-human vision of the very distant future, with its closer-to-perfect, but all-too-human AI, is not only plausible but a thought-provoker. And if you read science fiction, don’t you want something thought provoking? The alien cultures, the societal implications, and the use of technology were exactly that. Bucking the trend of throwing everything into a thousand-page tome, literary science fiction gets better in the hands of only a handful of other writers.
Not a mix of tech and storylines that overwhelms (looking at you, Peter F. Hamilton), Look to Windward is science fiction deeper than the storyline. In fact, the SF elements take a backseat to the human and human-esque plights (t... Read More
Matter by Iain M. Banks
Matter is the seventh book in Iain M. Bank’s popular CULTURE series about a utopian society run by a beneficent artificial intelligence organization called The Culture. I haven’t read any of the previous CULTURE novels which, I think, gives me a unique take on Matter. Reading through some of the reviews on Amazon and Goodreads, I see that many CULTURE fans felt like the 620-page Matter was a drastic change in pace and tone. I can’t say if that’s true, but I can say that I loved Matter and can’t wait to read the rest of the CULTURE series. In short, the setting was fascinating, the characters were interesting and fully developed, and the scope of the story was epic.
Most of the plot of Matter takes place on a backward Shellworld called Sursamen. Actually, it’s more correct to say that the story takes place i... Read More
The Hydrogen Sonata by Iain M. Banks
The Gzilt civilization is as old as the Culture, and their technology is roughly equivalent, too. Although the Gzilt were invited to join the Culture when it was created, they declined, in part because of the Book of Truth. The Gzilt are proud of their Book of Truth because, unlike so many other culturally significant texts, theirs actually predicted many technological achievements. So, the Gzilt figured they were special, declined to join the Culture, and now they’re preparing to Sublime.
Sublimation allows a civilization to exist in a higher, largely incomprehensible dimension. No one understands exactly what it is, but a civilization’s people and AIs do leave our space for a better one. Some old Culture ships have returned from the Sublime and mathematicians can prove that it exists. Still, it’s a big step.
And if that’s not clear enough: sublimation is a big-... Read More
The State of the Art by Iain M. Banks
The State of the Art is a collection of short fiction written by Iain Banks between 1984 and 1987. Surprisingly, it is the only such collection the author has published. Given Banks’ fifteen mainstream novels and twelve science fiction novels, one would expect a much larger output of short stories and novellas. The following is a brief summary of the eight stories (most of which are science fiction stories, three which are CULTURE related).
“Road of Skulls” — Not a story in any conventional sense, the collection opens with the bickering of Mc9 and a companion whose name “he’d never bothered to find out” while they sit on the back of a cart being pulled over a road paved with enemy skulls. A short, macabre tribute to storytelling.
“A Gift from the Culture” — Wrobik Sennkil, recently detached from the Culture and at... Read More
The Algebraist by Iain Banks
Over the top villain. Check. Strange and funny alien races. Check. Quest for singular object that leads through space. Check. Multitudes of battlecruisers, space wings, and dreadnaughts converging at a single point. Check. Boxes ticked, Iain M. Banks makes no bones about it: The Algebraist is unabashed space opera, for better and worse.
The Algebraist, the 20th novel and 8th sci-fi offering in Bank’s oeuvre, tells the story of Fassin Taak, a scholar who spends his time in the atmosphere of a gas giant interacting with the native species called Dwellers. A smaller version of the blimp-like floaters Banks created in Look to Windward, the Dwellers live for millions and billions of years, accumulating knowledge, enjoying life, and remaining aloof of the cyclical rise and fall of power humanity and other species experience. W... Read More
Against a Dark Background — (1993) Publisher: Sharrow was once the leader of a personality-attuned combat team in one of the sporadic little commercial wars in the civilization based around the planet Golter. Now she is hunted by the Huhsz, a religious cult which believes that she is the last obstacle before the faith’s apotheosis, and her only hope of escape is to find the last of the apocalyptically powerful Lazy Guns before the Huhsz find her. Her journey through the exotic Golterian system is a destructive and savage odyssey into her past, and that of her family and of the system itself.
Feersum Endjinn — (1993) Publisher: Count Sessine is about to die for the very last time… Chief Scientist Gadfium is about to receive the mysterious message she has been waiting for from the Plain of Sliding Stones… And Bascule the Teller, in search of an ant, is about to enter the chaos of the crypt… And everything is about to change… For this is the time of the encroachment and, although the dimming sun still shines on the vast, towering walls of Serehfa Fastness, the end is close at hand. The King knows it, his closest advisers know it, yet sill they prosecute the war against the clan Engineers with increasing savagery. The crypt knows it too; so an emissary has been sent, an emissary who holds the key to all their futures.