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Nick Harkaway

Nick Harkaway is the author of Gnomon, as well as The Gone-Away World, Angelmaker (for which he won the Oxfam Emerging Writers Prize and the Kitschies’ coveted Red Tentacle) and Tigerman. He has been described variously as ‘J. G. Ballard’s geeky younger brother’, ‘William Makepeace Thackerary on acid’ and ‘a British mimetic speculative godgame novelist’. The Blind Giant, his only full length non-fiction work, examines the interaction of technology and humanity and how best to live in a world where gadgets have become fundamental.

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The Gone-Away World: Relentlessly ironic, digressive, and clever

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The Gone-Away World by Nick Harkaway

The Gone-Away World (2008) is a post-apocalyptic comedy/tragedy about our world before and after the Gone-Away Bombs have wiped up out much of humanity and the world we know. It is about Gonzo Lubitsch and his nameless best friend, who work for a special crew that is assigned to put of a fire along the Jorgmond pipeline, which produced the special material “Fox” that can eliminate the Stuff, the matter that is left over after gone-away bombs have removed the information from matter so that it no longer can form coherent form and structure. Stuff takes on the shape of the thoughts of people near it — nightmarish monsters, ill-formed creatures, and “new people.” Nightmares become real, and the world itself is a nightmare of sorts.

And very soon after the story begins, we are wrenched back into Gonzo and his friend’s ... Read More

Angelmaker: Zany mashup of thriller, doomsday device, and whimsy

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Angelmaker by Nick Harkaway

Angelmaker (2012) is Nick Harkaway’s second book, after his exuberant, clever, digressive and exhausting debut The Gone-Away World. It shares the same qualities with that wild and free-wheeling tale, with relentlessly clever dialogue, quirky and in-depth characters, an intricate but playful doomsday plot, more flashbacks than most readers can handle, and chock-a-block with clever and ironic observations of the weirdly-unique world he has created, and by extension our own less colorful one.

The story skips back and forth in time just like its predecessor, to a degree some readers will get irritated by, as we learn a great deal about the back s... Read More