White Zombie directed by Victor Halperin

As I mentioned in my recent review of the 1936 nonthriller Revolt of the Zombies, this film was a belated follow-up of sorts (it is hardly a sequel, as many claim) to 1932’s White Zombie, the original zombie picture, but whereas that original had been an artfully constructed wonder, the latter film was something of a labor to sit through; a movie about the revivified living dead featuring terrible editing, laughable thesping, risible special effects and, worst of all, not a single scary moment to be had. The contrast between the two films, despite the fact that both were products of the Halperin brothers (Arkansas-born director Victor and producer Edward), is a striking one; a contrast that was only strengthened for this viewer yesterday, after watching the 1932 film once again. Released in July of that year, Whit... Read More

The Couch directed by Owen Crump

In November 1960, filmgoers were presented with a very unique film, Girl of the Night. In it, we meet a call girl/prostitute named Bobbie Williams, played by the great Anne Francis in the screen role that she would go on to cite as her personal favorite of all her many performances. We learn about Bobbie via her visits to the psychiatrist (Lloyd Nolan) who is treating her, and these intimate encounters are alternated with glimpses of the young woman’s sordid daily life. Flash forward around 15 months, and another film would be released with very much the same modus operandi, but in this later film, the subject was male, and his life is shown to be more disturbing, as well as a lot more dangerous to the populace at large, than Bobbie’s ever was. That film was indeed The Couch, a little-discussed film today (not to be confused with the Andy Warhol film of 1964 that was simply entitled Couch) ... Read More

Love Me Deadly directed by Jacques Lacerte

When C. M. Eddy, Jr.’s infamous short story “The Loved Dead” first appeared in the April/May/June 1924 issue of Weird Tales magazine, with its necrophilic protagonist, it so shocked and scandalized readers that — or so it is told — sales of the beleaguered pulp magazine rose dramatically, thus rescuing it from financial failure. The better part of a century later, the subject of necrophilia is no less taboo and discomfiting. I have reviewed several films on various film sites that I have almost been embarrassed to admit having watched (such as The Worm Eaters, The Double-D Avenger and Please Don't Eat My Mother, among many others), and I initially thought that the necrophilia horror film Love Me Deadly,... Read More

It’s Alive Trilogy directed by Larry Cohen

The birth of a child is usually the high point of any parent’s life; one of the most blessed moments that he or she could ever imagine. The blessed newborn is a little adorable bundle from heaven, one that is showered with instant and eternal love by the doting mother and father. But what if that newborn is not all that one could have hoped for … is, in fact, a killer mutant monstrosity, with a very nasty and homicidal temper, to boot? That was the premise of Larry Cohen’s ingenious 1974 offering It’s Alive!, a film that turned out to be so popular that it resulted in no fewer than two sequels. Here, for your one-stop, monster-baby shopping needs, are some brief thoughts on each of the films in this three-part affair. And no, you will NOT be needing formula or talcum powder as we proceed…

IT’S ALIVE!

Lots of parents call their children “little monsters,” but few o... Read More

Allison V. Harding: The Forgotten Queen of Horror by Allison V. Harding

Unless you are an aficionado of the famous pulp magazine Weird Tales, or have read some of the many anthology collections derived from its pages, the chances are good that you are not familiar with the author Allison V. Harding. This reader had previously encountered the author in the 1988 collection Weird Tales: The Magazine That Never Dies, which contained what is probably Harding’s most famous story, “The Damp Man.” I had hugely enjoyed this chilling tale and wanted to read more by this nearly forgotten writer, but there was one problem: No collection of Harding’s work had ever been compiled, and her appearances in various collections are few and far between. And this is somewhat surprising, given that, during the peri... Read More

Bug directed by William Friedkin

As I sat down to watch a movie in my living room last night, my hometown of NYC — not to mention the rest of America and around 180 countries around the globe — was in the middle of the Great COVID-19 Pandemic of 2020. As of yesterday evening, there were around 67,000 cases in my city, over 1 million worldwide, and almost 60,000 deaths internationally. The peak has not yet been reached here, and fear and uncertainty reign, with no end to the scourge in sight. And, of course, the inevitable paranoia and conspiracy theories are beginning to emerge, with all kinds of crackpots coming out and declaring the virus to be some kind of foreign plot, and with NIAID head Dr. Anthony Fauci even requiring a security detail to guard against various wackadoodle threats. This, then, was the backdrop in which I sat down to watch some escapist entertainment last night. And what a film I chose for my evening’s leisure: Bug, in which ... Read More

The Strangler directed by Bart Topper

I might be giving away my age here, but I am old enough to remember, young although I was at the time, the panic and news stories that were attendant during the scourge of the so-called Boston Strangler. Between June 1962 and January ’64, no fewer than 13 women, ages 19 all the way up to 85, were slain and, in some cases, sexually molested by the mad fiend. Finally, in October ’64, that fiend was apprehended and later confessed; a 33-year-old named Albert de Salvo. The incidents that shocked Beantown and the rest of the country would later be turned into a film, October 1968’s The Boston Strangler, starring Tony Curtis as de Salvo. But that had not been the only film inspired by the dreadful doings. In April ’64, a half year before de Salvo’s arrest and at the height of the Boston panic, another film was released that perfectly captured the unease of the period. That film was simply called The... Read More

The Cabin in the Woods directed by Drew Goddard

When The Cabin in the Woods was released in April 2012, it almost immediately became something of a sensation, a hit both with the critics and the public, ultimately going on to gross around $67 million at the box office, after having been produced for $30 million. Despite all that, however, and despite the fact that I am an old fan of a good horror movie, well told, I managed to miss the film when it was first run, and only caught up with it very recently, at home. And now, I am most regretful that I did not run to the theaters back when, as this really is a film that would have benefited from being seen on the big screen. It is an eye-popping film, loaded with suspense, action, scares, laughs, and amazing special FX; one that would have been ideal for seeing with a good audience. Not since 1996’s Scream, perhaps, has a motion picture so knowingly and winkingly toyed with the conventions of the... Read More

Spider Baby directed by Jack Hill

When I was a wee lad, many decades ago, there were two female images that would inevitably give me the jitters as I lay down to sleep at night. The first was that of Vampira’s ghoulish character, advancing toward the camera with arms extended, in a nighttime graveyard, in the film that I much later realized was none other than Ed Wood’s notorious Plan 9 From Outer Space (1959). (This image was apparently frightening to other viewers besides myself; it was later used in the opening credits of the great television program Chiller Theatre back in the mid-‘60s!) And the other image that used to give the young me the willies was that of Carol Ohmart’s recently deceased Annabelle Loren character, noose around her neck and floating at the window, in William Castle’s baby-boomer favorite House on Haunted Hill (1959 again). Even today, decades later, those two images can manage to give me the... Read More

Anaconda directed by Luis Llosa

The unvarnished facts regarding the anaconda, the world’s largest and heaviest snake, are disconcerting enough … particularly the one species of the four known as the giant, or green, anaconda, aka Eunectes murinus. These monsters can grow to a length of nearly 30 feet and weigh in excess of over a quarter of a ton. They live for around 10 - 12 years in the wild, mainly in the watery regions near the Amazon and Orinoco Rivers in South America, and subsist on a diet of fish, turtles, pigs, jaguars, deer and other wildlife … up to 40 lbs. of small wildlife a day, one solid meal satisfying them for weeks. Of course, for most people, the most salient and scarifying feature concerning these beasts is their ability to constrict the life out of their victims, after which they consume their dainties whole. Truly, a creature to be feared and avoided, despite their nonpoisonous nature. And, to be sure, an animal that would ma... Read More

Innocent Blood directed by John Landis

It strikes me that your garden-variety vampires, as depicted on the big screen, usually have very few scruples as regards their diet of necessity, and the victims that they utilize to assuage those nutritional needs. Typically, vampires are shown sucking on the necks of any likely victim to come along … especially when that victim might be an especially lovely and, um, toothsome female. Ethical considerations and qualms of remorse hardly ever figure with these conscienceless creatures of the night. Thus, offhand, I cannot recall another vampire in cinema history who has chosen his or her prospective victims utilizing such clearly defined moral guidelines, only to regret one of those resultant food choices later on, as Marie, the French vampiress in John Landis’ hugely entertaining, very sexy and often remarkably gory Innocent Blood.

When we first encounter Marie (played by French actress Anne Par... Read More

The Thing directed by John Carpenter

It is a debate that my buddy Jack and I have been having for decades now: Which is the better version of The Thing? The original classic from 1951, actually entitled The Thing From Another World and directed by Christian Nyby (and, it is conjectured, Howard Hawks), OR the 1982 remake directed by John Carpenter? People who know me, and of my love for all things pertaining to 1950s sci-fi, as well as my dislike of unnecessary remakes, will perhaps be surprised to learn that I have always been the champion of the latter film. The original, I have long maintained, is a slow-moving, overly talky affair that is only sporadically punctuated by a few bursts of excitement. Its overlapping dialogue, although realistic, is often incomprehensible, and its central monster something of a letdown, as played by James Arness with clawed hands. But perhaps my central attack on the film is the fact that it is hardly in keeping... Read More

It's Shocktober! As is our custom, Sandy will be providing a horror review every weekday morning.

The Amityville Horror directed by Stuart Rosenberg

I pass through it every time I take the Long Island Railroad to visit friends in Lindenhurst … the town of Amityville, which lies between the stops for Massapequa Park and Copiague, 66 minutes from Manhattan’s Penn Station. It is a charming little suburban town of some 10,000 people, with beautiful private homes and much greenery. But ever since 1974, the word “Amityville” has also been synonymous with one thing: horror. In November of that year, 23-year-old Ronald DeFeo took a rifle and murdered six members of his family. Thirteen months later, the house in which this tragedy occurred was finally resold to George and Kathy Lutz, who moved in with their three kids, fully aware of what had transpired there previously. ... Read More

Before Adam by Jack London

Today, more than a century after Jack London’s passing in 1916, most people probably remember the San Francisco-born author for his books of rugged adventure, such as his third novel, The Call of the Wild (1903), his fifth, The Sea-Wolf (1904), and his seventh, White Fang (1906). Fewer will recall that amongst London’s 23 novels, 21 short story collections, three memoirs, three plays, 22 books of nonfiction and 45 poems – all written during a life span of only 40 years – this most superhumanly prolific of authors also produced four books that must be classified as either fantasy or sci-fi. I have already written here of London’s 13th novel, The Scarlet Plague... Read More

The Time Stream by John Taine

After eight novels dealing with such venerable science fiction themes as lost races, weapons of superscience, the transmutation of elements, dinosaurs, devolution, crystalline life-forms and the creation of a superman, Scottish-American author John Taine finally tackled one of the most revered sci-fi tropes of them all, namely time travel, in his ninth novel, The Time Stream. Today, this book comes freighted with a double-edged reputation, as it is said to be the author’s strangest novel of the 16 he wrote between 1924 and ’54, as well as his finest; an irresistible combination for those who are game. The novel was released just two months after Taine’s Seeds of Life had appeared complete in the October... Read More

Seeds of Life by John Taine

In the 1956 sci-fi “B movie” Indestructible Man, hardened criminal Butcher Benton, played by the always wonderful Lon Chaney, Jr., is put to death by the state, but is later revivified by a mad scientist using 300,000 volts of electricity. Benton becomes not only possessed of superhuman strength but is also, as events show, impervious to bullets. But if a certain novel of 25 years earlier can be believed, this was not the first time that a human being was subjected to a massive dose of juice, and with astonishing results. The book in question was Scottish-American author John Taine’s ninth novel, Seeds of Life, which features not only one scientist suffering from the side effects of a 2 million-volt exposure, but anot... Read More

White Lily by John Taine

For fans of mathematician Eric Temple Bell, who wrote science fiction under the pen name John Taine, the acquisition of titles in this modern era can be somewhat problematic: Of the author’s 16 sci-fi books, only three of them are currently in print. This reader had previously experienced Taine’s first novel, The Purple Sapphire (1924), as well as his fifth, The Greatest Adventure (’29), had hugely enjoyed them both and wanted to read more … lots more. I had also managed to lay my hands on Taine’s final novel, the marvelous... Read More

The Radio Planet by Ralph Milne Farley

THE RADIO MAN trilogy, by Massachusetts-born author Ralph Milne Farley, was a series that I discovered quite by accident. I had heard of neither the three novels nor their author before finding the first book, The Radio Man (1924), in a highly collectible 1950 Avon paperback edition, at the Greenwich Village Antiquarian Book Fair a few years back. This first novel introduced readers to radio engineer Myles Cabot, who had accidentally transported himself to the planet Venus and helped the winged and antenna-sporting Cupian humanoids there to overthrow their antlike Formian oppressors. I’d enjoyed this first installment so much that I later expressed a desire to read Book 2, a wish that was gran... Read More

Odd John by Olaf Stapledon

Just recently, I had some words to say regarding Olaf Stapledon’s superlative novel entitled Sirius (1944), which featured as its protagonist a German shepherd/border collie mix who, thanks to his owner’s experiments in genetic engineering and hormonal supplements, winds up a canine with the mentality of a human genius. It was the first book that I had experienced by this British author, and I loved it so much that I immediately began reading an earlier Stapledon novel, Odd John (1935), which can happily be found in the same 1972 Dover edition as the 1944 work.

As it turns out, the two make for a supremely well-matched double feature, as Odd John also deals with the subje... Read More

Sirius by Olaf Stapledon

For all those folks out there who hold conversations with their pet dog and know for certain that Fido/Fifi understands every word; for those who have gotten a tad “verklempt” at the conclusion of such novels as The Call of the Wild and Old Yeller; for people who believe that canines just cannot get any smarter than Lassie, Rin Tin Tin or Benji, all of whom starred in innumerable motion pictures; and, well, really, for anybody with a soft spot in his or her heart for man’s best friend, have I got a book for you! That book is none other than British philosopher/author Olaf Stapledon’s Sirius, which, as I write these words, is in the running to win a Retro Hugo Award for Best Novel, 1944. Originally released as a hardcover volume by the English pu... Read More

Away and Beyond by A.E. van Vogt

As I believe I have mentioned elsewhere, it was one of my high school English teachers, Mr. Miller, who first got me interested in literary sci-fi. This was back in the late ‘60s, when my high school was hip enough to actually offer a course in science fiction, taught by Mr. Miller; a very popular course, need I even mention? One of the earliest books that Miller required us to read, as I recall, was A.E. (Alfred Elton) van Vogt’s 1946 novel Slan, which had originally appeared as a four-part serial in the Sept. - Dec. 1940 issues of John W. Campbell’s Astounding Science... Read More

King Kull by Robert E. Howard & Lin Carter

There’s a reason why I never lend out books anymore, even to my closest friends; namely, the fact that when I used to loan them out, I never got them back in the same good condition, or, even worse, never got them back at all. Cases in point: three paperbacks from one of my old favorite writers, Texas-born Robert E. Howard. Back in the mid-‘60s, Lancer Books released all of Howard’s Conan the Barbarian stories in a now-classic series of 12 paperbacks, as well as a beautiful paperback of another legendary Howard character, King Kull. I owned all 13 of those wonderful volumes, and made the big mistake of lending the first two Conan books out (both featuring gorgeous cover artwork by Frank Frazetta), as well as the Kull (feat... Read More

Lysbeth by H. Rider Haggard

In the summer of 1897, English author H. Rider Haggard took a short vacation in Holland, and just as his winter holiday to the Holy Land in 1900 would inspire him to pen no fewer than three works — the nonfiction book A Winter Pilgrimage (1901), Pearl-Maiden (1903) and The Brethren (1904) — this sojourn to the land of the Dutch would also bear literary fruit. Thus, in 1899, Haggard began writing his new novel, provisionally entitled The Secret of Sword Silence. By the time this tale of the Dutch first appeared in The Graphic (a British weekly newspaper, in existence from 1869 to 1932, that dealt with news items of the day, as well as the arts, s... Read More

The Clockwork Man by E.V. Odle

Just recently, I had some words to say about an English dystopian novel from 1920, The People of the Ruins by Edward Shanks. This book had been brought back into print in 2012 by HiLo Books as part of its wonderful Radium Age Science Fiction Series, the goal of which was to unearth neglected works from the period 1904 - 1933 for the modern generation. Now, I am here to tell you of another novel from this same series that I have just enjoyed. The book in question is The Clockwork Man, which was the creation of another British author, E.V. (Edwin Vincent) Odle. This novel was or... Read More

The People of the Ruins by Edward Shanks

The publisher known as HiLo Books had a wonderful thing going back in 2012 with its Radium Age Science Fiction Series, the mission of which was to bring back into print the neglected works from the period 1904 - 1933. This reader had previously enjoyed several of the titles in this series via volumes from other publishers – novels such as Jack London’s The Scarlet Plague (1912), William Hope Hodgson’s The Night Land (1912), Read More