Sandy Ferber

SANDY FERBER, on our staff since April 2014 (but hanging around here since November 2012), is a resident of Queens, New York and a product of that borough's finest institution of higher learning, Queens College. After a "misspent youth" of steady and incessant doses of Conan the Barbarian, Doc Savage and any and all forms of fantasy and sci-fi literature, Sandy has changed little in the four decades since. His favorite author these days is H. Rider Haggard, with whom he feels a strange kinship -- although Sandy is not English or a manored gentleman of the 19th century -- and his favorite reading matter consists of sci-fi, fantasy and horror... but of the period 1850-1960. Sandy is also a devoted buff of classic Hollywood and foreign films, and has reviewed extensively on the IMDb under the handle "ferbs54." Film Forum in Greenwich Village, indeed, is his second home, and Sandy at this time serves as the assistant vice president of the Louie Dumbrowski Fan Club....

The Land of the Lost: A cause for celebration

The Land of the Lost  by Roy Norton

A little while back, I had some words to say concerning Roy Norton’s 1919 novel The Glyphs, the Kewanee, Illinois native’s fourth and final novel containing fantastic content, in a career highlighted by numerous Western novels as well. The Glyphs, as I mentioned, was a compact affair, and a pleasing one, dealing with a sextet of adventurers and their explorations of a lost Mayan city in northern Guatemala. It was a novel that had gone OOP (out of print) for 95 years, until the fine folks at Armchair Fiction chose to resurrect it in the autumn of 2020 for a new generation to discover. Well, now I am here to tell you about still another novel by Norton, another lost-race affair that went OOPs for a full ... Read More

The Glyphs: A highly credible lost-world adventure

The Glyphs by Roy Norton

Beginning in the middle of the 19th century, explorations began in the ancient Mayan city complex known as Tikal, in a remote and inaccessible area of northern Guatemala. In the 1880s, a systematic clearing of the area commenced, as well as a recording of the manifold marvels that were being discovered in this centuries-old site. (And when I say “centuries,” that is perhaps an understatement, as it has since been established that Tikal’s heyday was from A.D. 200 – 900.) Perhaps stimulated by news reports of this Central American wonder, Kewanee, Illinois-born author Roy Norton sat down to write the lost-world novel entitled The Glyphs, which dealt with a modern-day discovery of another Mayan city, also in northern Guatemala, a fairly unusual setting for this type of tale. Norton had been born in 1869 and so was almost 50 years old when The Glyphs Read More

The Golden Fetich: Batonca Toy

The Golden Fetich by Eden Phillpotts

As I believe I have mentioned elsewhere, the influence that English author H. Rider Haggard had on his fellow writers was an enormous one. During his first 20 years as a novelist, Haggard came out with no fewer than 25 pieces of fiction, starting with 1884’s Dawn and up to 1903’s Pearl-Maiden. Of those 25, a good 14 were set in the Africa that Haggard knew so well, and of that number, around half could be set into that category that the author helped to popularize to such a marked degree: the lost world/lost race novel. His imitators were indeed legion, although very few that I have so far encountered came close to matching H. Rider’s skill in this department. One writer who I had never previously experienced, another Englishman with the curious name Eden Phillpotts Read More

The Fugitive: One of the finest dramas of all time

The Fugitive

Viewers who tuned in to ABC at 10 PM on Sept. 17, 1963, a Tuesday, to try out the brand-new show entitled The Fugitive could have no idea that the program they were about to watch would soon develop into one of the true glories of 1960s television. Today, of course, The Fugitive needs no introduction, and you hardly need me to tell you of what a quality and timeless entertainment it remains to this day. Its story line has since become something of a classic, and you would need to have been living in a cave for the past half century not to be familiar with it. The program has since been transformed into a megahit 1993 film starring Harrison Ford, been reimagined into several more television programs, and been the subject of at least a half a dozen books, several conventions, and a lively Facebook fan page. Even those who have never seen or read any of the above probably know, merely by cultural osmosis, that the original TV program,... Read More

The Women of Weird Tales: Some of the Weird Tales ladies get their due

The Women of Weird Tales by Greye La Spina, Everil Worrell, Mary Elizabeth Counselman and Eli Colter

If I were to ask you to name some of the famous writers who had work published in the pages of the legendary pulp magazine Weird Tales, odds are that you might reply with some of the following: H. P. Lovecraft, whose Cthulhu stories sprung up in Weird Tales; Robert E. Howard, who placed his Conan stories therein; Robert Bloch, Henry Kuttner, perhaps Clark Ashton Smith. Readers who are ... Read More

The Bishop of Hell and Other Stories: Historical horror done to a turn

The Bishop of Hell and Other Stories by Marjorie Bowen

At the tail end of my recent review of D. K. Broster’s Couching at the Door, I mentioned that I so enjoyed this volume of creepy stories that I was minded to immediately begin another book from British publisher Wordsworth Editions’ Tales of Mystery & the Supernatural division … and I’m so glad that I followed through on that! My latest discovery from this wide-ranging series is Marjorie Bowen’s The Bishop of Hell and Other Stories, and in retrospect the two books have happily paired quite well together. Both were released in the 1940s (1942 for the Broster book, 1949 for the Bowen) and are the products of British authoresses more well known for their historical fi... Read More

Couching at the Door: Another winner from Wordsworth Editions

Couching at the Door by D.K. Broster

Once again, I find myself thankful to the British publisher Wordsworth Editions, and in particular its Tales of Mystery & the Supernatural division, for turning me on to an author who I may not have ever discovered otherwise. In the past, I have written here of several other writers brought to my attention by this extensive and wonderful series of economically priced books: Ambrose Bierce in Terror By Night, Alice and Claude Askew in Aylmer Vance: Ghost-Seer, and May Sinclair in Read More

The Dark Chamber: Grandisonant and venust

The Dark Chamber by Leonard Cline

Just recently, I had some words to say concerning British author J. B. Priestley’s chilling second novel, Benighted, which was released in 1927. But, as it turns out, that was not the only atmospheric and genuinely unnerving horror exercise to come out that year. On the other side of the pond, Michigan-born author Leonard Cline, in his third novel, The Dark Chamber, would create a work so very macabre that it would later earn enthusiastic praise in H. P. Lovecraft’s renowned essay entitled “Supernatural Horror in Literature.” Cline, who was 34 when this novel was released, would ultimately gain some minor renown as the author o... Read More

Benighted: Book vs. film

Benighted by J.B. Priestley

While growing up in the 1960s, I used to love whenever one of the local TV channels would show one of British director James Whale’s Big 3 horror movies, all from Universal Studios: Frankenstein (1931), The Invisible Man (1933) and, perhaps best of all, the eternal glory that is Bride of Frankenstein (1935). What I was unaware of back then was the fact that there was a fourth Universal horror film directed by Whale, and that bit of youthful ignorance was not entirely my fault. Whale’s The Old Dark House (1932) was, for many years, considered a lost film, and it was not until 1968 that Curtis Harrington (himself the director of such horror gems as Queen of Blood, What’s the Matter With Helen? and Read More

The Bat Woman: A middling horror novel in a sloppy presentation

The Bat Woman by Cromwell Gibbons

As some of you may have discerned, my favorite type of reading matter these days has been the science fiction, fantasy and horror books from the period 1900 - 1950, and so I am always on the lookout for modern-day publishers issuing new editions of these often out-of-print works. Case in point: Bruin Books, from Eugene, Oregon, which, a few years back, made it possible for me to finally obtain a reasonably priced copy of Paul Bailey’s wonderful horror novel Deliver Me From Eva (1946). I was thus happy to read that Bruin has recently released a whole slew of horror works under its new Bruin Asylum label, and choosing at random, I selected the book in question, Cromwell GibbonsThe Bat Woman (193... Read More

Abel Salazar Triple Feature: Three doozies from south of the border

Abel Salazar Triple Feature directed by Chano Urueta and Rafael Baledon

Are you ready to settle in with an absolutely dynamite and horrifying triple feature one weekend this autumnal season? Well, then, have I got a doozie for you! These three terror treats from south of the border, all made in the early 1960s, may come as a stunning surprise for the jaded horror viewer who thinks he/she has seen it all. The Mexican filmmakers in the late ‘50s and early ‘60s were enjoying a kind of Golden Age, certainly as regards as the horror film, and the three pictures that I have chosen to spotlight here, all from producer/actor Abel Salazar — and all to varying degrees influenced by the Universal horror outings of the 1940s — are some of the very best of the bunch. I will give my brief thoughts on these three wonderful films in the order that I first saw them, which also happens to mean that I will be discussing the least of the three first, and the film that I dee... Read More

Thoughtful Thursday: What’s your favorite scary movie?

An oversized radioactive octopus wrestling with a mad scientist in a mudpit… that is the earliest image that I have of any horror movie. This B&W scene somehow made a huge impact on my 5-year-old mind, as I sat watching it on a grainy TV screen, and was in part responsible for setting me on the road of horror filmdom.

Today, I have come to realize that the scene in question was just a snippet from – of all things – Ed Wood’s notorious 1955 cheapie Bride of the Monster, a film that elicits mainly laughter in the adult me, instead of scares and awe. But oh, what an impression it made on my kindergarten self back then!

During the intervening decades, my tastes in the arena of horror have matured a bit, and the films that I deem scary these days are a bit more sophisticated in nature. (You can find some thoughts on 22 recent horror watches of mine in this month’s annual Shocktober Film column.)

For me, the most chilling h... Read More

The Devil’s Hand: The Hole shebang

The Devil’s Hand directed by William J. Hole, Jr.

In the 1943 film The Seventh Victim, just one of nine brilliant horror films produced by Val Lewton for RKO that decade, a character played by Kim Hunter comes to NYC to look for her missing sister, and discovers that that sister has joined a secretive, devil-worshipping cult in the heart of Greenwich Village. It is a superior horror outing, as are all the other Lewton horror outings, featuring wonderful acting, a sharp and compact script, and – typical for these Lewton affairs – a deliciously eerie atmosphere throughout. Flash forward 18 years, and we find still another film dealing with a secret devil cult hidden away in the heart of a great American metropolis, but with nowhere near the previous film’s artful skill and enduring class. That later film is The Devil’s Hand, which was shot in 1959 but not distributed until two years later. Originally released as part of a double bill th... Read More

The Robot vs. The Aztec Mummy: Diez perfecto on the fun scale

The Robot vs. The Aztec Mummy directed by Rafael Portillo

It was at NYC’s legendary Thalia Theater on W. 95th St. in Manhattan where I first saw the Mexican wonder known as The Wrestling Women vs. the Aztec Mummy (1964), paired with the Ed Wood-scripted The Bride and the Beast (1958) to make for one truly mind-boggling double feature. Ah, what a great theater that was! OK, time for Tales From My Misspent Youth, chapter 135: The Thalia, back when (I’m talking about the late ‘70s/very early ‘80s here), was a wonderful place to see a double feature of this sort, its rear section (a “balcony” reached by climbing one or two steps, if memory serves) permitting smoking…of all manner of dry goods. As for the first film on the bill, my main recollection of that showing was the stoned-out audience laughing uproariously every time one of the characters therein mentioned the word “codex,” an object that served as the Hitchcockian MacGuffi... Read More

Wolfen: There goes the neighborhood…

Wolfen directed by Michael Wadleigh

I well remember loving Whitley Strieber’s 1978 novel The Wolfen, back when it was first released. The book was atmospheric as could be and managed to do something that all good horror novels of its ilk should do: make the reader believe in the possibility of the supernatural. The book was most assuredly unsettling, and one that this reader has not forgotten, even 40+ years after experiencing it. But despite my love of that book, somehow, I never got around to seeing the film that was made from it, three years later. Released in July ’81, Wolfen (why the name was changed is a matter best asked of the Hollywood production team that doubtless spent hours wondering if the dropped “The” would lead to more ticket sales) turned out to be something of a box office flop, pulling in only $10 million after being produced for $17 million. Today, the viewer can only wonder why, as it is most assur... Read More

The Beast Within: Born on the bayou

The Beast Within directed by Philippe Mora

In the February 1974 TV movie A Case of Rape, Ronny Cox portrayed a man whose wife, played by Elizabeth Montgomery, is raped and beaten not once, but twice by the same man. The film was an enormous success, and indeed remains the most-watched TV film in NBC history. But few could have foreseen that almost precisely eight years later, Cox would again play the part of a husband whose wife undergoes a violent rape, but this time with far more dire results. The film in question is The Beast Within, which was initially released in February 1982. This film, far from being a hit, was something of a flop at the box office, pulling in a mere $8 million, and has gone on to be critically reviled ever since. Thus, it was with a sense of what I like to call “cinematic masochism” that I sat down to watch this film just the other night for the first time. And after all the bad word of mouth, including the esteeme... Read More

Horror Rises From the Tomb & Panic Beats: Talking head

Horror Rises From the Tomb & Panic Beats directed by Carlos Aured & Paul Naschy

Looking for a good creepy double feature to help you pass the time one stormy October evening? I’ve got a doozy for you. Hang tight!

HORROR RISES FROM THE TOMB

As if to prove the old adage "you can't keep a good man down," the 1973 Spanish film Horror Rises From the Tomb gives us the story of 15th century Satanist Alaric du Marnac. When we first encounter this demonic figure, he and his consort, Mabille de Lancre (Helga Line), are about to be executed by torture and decapitation in the France of 1454. (This opening scene, it must be noted, almost seems an homage to the similar opening in Mario Bava's classic Black Sunday, except here, we have a male Satanist and a female helper, instead of the other way around.) Flash forward 520 years or so, and Alaric's blood descendant (also played by the film's screenwriter, Paul ... Read More

The Babadook: The horror from Down Under

The Babadook directed by Jennifer Kent

When the Australian horror film The Babadook was released here in the U.S. in November 2014, 10 months after its premiere at the Sundance Film Festival, it was moderately successful at the box office and received almost universal praise from the critics. Somehow, I managed to miss the film back then (I happen to miss most new releases, actually, in my quest to see as many great classic/old films on the big screen as possible at NYC’s several revival houses), but have wanted to see it ever since, especially inasmuch as the film holds an almost unprecedented 98% approval rating on the Rotten Tomatoes website! A recent showing on one of the Showtime stations has finally enabled me to catch up with this truly frightening picture, however; one that has grown into something of a cult item and cause célèbre since its release six years ago. I knew absolutely nothing about the film when I sat down to watch it t... Read More

Whoever Slew Auntie Roo?: Psycho biddy, qu’est-ce que c’est?

Whoever Slew Auntie Roo? directed by Curtis Harrington

Ever since the Brothers Grimm recorded the fairy tale forever known afterward as “Hansel and Gretel,” way back in 1812, its story has been well known to successive generations. We have heard the story since childhood: how the two poor children are lured into the witch’s gingerbread house and trapped therein, only to be fed all kinds of goodies by the evil witch to fatten them up, and of how the two kids ultimately turn the tables on the evil crone, stealing her treasure and burning her alive in her own oven. Flash forward around 160 years, and the world was given what is in essence a modern-day retelling of this classic tale, in the British film Whoever Slew Auntie Roo? A horror story that manages to keep a fairly light tone throughout, never really rising to the level of shocks that one might hope for and expect, the film yet manages to please, largely by dint of its talented players and a co... Read More

The Entity: A nerve-racking horror wringer

The Entity directed by Sidney J. Furie

According to the Department of Justice’s National Crime Victimization Survey of 2016, a full 80 percent of all rapes in the U.S.A. go unreported. When asked to account for this staggering statistic, 20 percent of all victims surveyed said that the reason for this lack of reporting was a fear of retaliation; 13 percent said they felt the police would be ineffective at helping them; another 13 percent said that it was a personal matter that they wished to keep private; 8 percent seemed to feel that it was no big deal (!); and, stunningly, 7 percent did not wish to get their attacker into trouble with the law. The net result is that out of every 1,000 rape attacks in this country, only five of the perpetrators ever wind up going to jail. And these statistics, as I say, are from just four years ago. So one can only imagine the stigma that a rape victim might have endured 40 years ago, and the hesitancy that that victim might ... Read More

Demons and Demons 2: Show me Demoni!

Demons and Demons 2 directed by Lamberto Bava

Originally released in October 1985 under the Italian title Demoni, Lamberto Bava’s fifth film enjoyed a marginal success in the director’s native Italy, and the following year was released in the U.S. under the title Demons. The film was popular enough to spawn a sequel, 1986’s Demoni 2, which was very much in keeping with its predecessor; a perfect follow-up, really. Here are some brief thoughts on both of these cult items, for your one-stop Demons shopping … just in case you are thinking to yourself now “Show me Demoni!”

DEMONS

Old-fashioned horror fans who still esteem such cinematic virtues as characterization, logic and explanations may come away from director Lamberto (son of Mario) Bava's first film, Demons (1985), a trifle disappointed, as this film contains ... well, none of those attributes. This loud, ... Read More

White Zombie: The original zombie film

White Zombie directed by Victor Halperin

As I mentioned in my recent review of the 1936 nonthriller Revolt of the Zombies, this film was a belated follow-up of sorts (it is hardly a sequel, as many claim) to 1932’s White Zombie, the original zombie picture, but whereas that original had been an artfully constructed wonder, the latter film was something of a labor to sit through; a movie about the revivified living dead featuring terrible editing, laughable thesping, risible special effects and, worst of all, not a single scary moment to be had. The contrast between the two films, despite the fact that both were products of the Halperin brothers (Arkansas-born director Victor and producer Edward), is a striking one; a contrast that was only strengthened for this viewer yesterday, after watching the 1932 film once again. Released in July of that year, Whit... Read More

The Couch: A chip off the ol’ Bloch

The Couch directed by Owen Crump

In November 1960, filmgoers were presented with a very unique film, Girl of the Night. In it, we meet a call girl/prostitute named Bobbie Williams, played by the great Anne Francis in the screen role that she would go on to cite as her personal favorite of all her many performances. We learn about Bobbie via her visits to the psychiatrist (Lloyd Nolan) who is treating her, and these intimate encounters are alternated with glimpses of the young woman’s sordid daily life. Flash forward around 15 months, and another film would be released with very much the same modus operandi, but in this later film, the subject was male, and his life is shown to be more disturbing, as well as a lot more dangerous to the populace at large, than Bobbie’s ever was. That film was indeed The Couch, a little-discussed film today (not to be confused with the Andy Warhol film of 1964 that was simply entitled Couch) ... Read More

Love Me Deadly: Daddy’s girl meets the Deadheads

Love Me Deadly directed by Jacques Lacerte

When C. M. Eddy, Jr.’s infamous short story “The Loved Dead” first appeared in the April/May/June 1924 issue of Weird Tales magazine, with its necrophilic protagonist, it so shocked and scandalized readers that — or so it is told — sales of the beleaguered pulp magazine rose dramatically, thus rescuing it from financial failure. The better part of a century later, the subject of necrophilia is no less taboo and discomfiting. I have reviewed several films on various film sites that I have almost been embarrassed to admit having watched (such as The Worm Eaters, The Double-D Avenger and Please Don't Eat My Mother, among many others), and I initially thought that the necrophilia horror film Love Me Deadly,... Read More

The It’s Alive Trilogy: Mama’s little bundle of Hell

It’s Alive Trilogy directed by Larry Cohen

The birth of a child is usually the high point of any parent’s life; one of the most blessed moments that he or she could ever imagine. The blessed newborn is a little adorable bundle from heaven, one that is showered with instant and eternal love by the doting mother and father. But what if that newborn is not all that one could have hoped for … is, in fact, a killer mutant monstrosity, with a very nasty and homicidal temper, to boot? That was the premise of Larry Cohen’s ingenious 1974 offering It’s Alive!, a film that turned out to be so popular that it resulted in no fewer than two sequels. Here, for your one-stop, monster-baby shopping needs, are some brief thoughts on each of the films in this three-part affair. And no, you will NOT be needing formula or talcum powder as we proceed…

IT’S ALIVE!

Lots of parents call their children “little monsters,” but few o... Read More

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