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Martha Wells

1964-
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Martha Wells
The Death of the Necromancer
was a finalist for the Nebula Award. Martha Wells has also had short fiction published in Realms of Fantasy, Black Gate Magazine, Lone Star Stories, and the Tsunami Relief anthology, Elemental. Read excerpts, short stories, and the complete text of The Element of Fire at Martha Wells' website.



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The Ile-Rien Stories — (1993-2005) The last three books are known collectively as The Fall of Ile-Rien. Publisher: The kingdom of Ile-Rien is in peril, menaced by magical threats and court intrigue. As the weak King Roland, misled by treacherous companions, rules the country, only his ruthless mother, the Dowager Queen Ravenna, truly guards the safety of the realm. But now Urbain Grandier, the dark master of scientific sorcery, has arrived to plot against the throne and Kade, bastard sister of the king, has appeared unexpectedly at court. The illegitimate daughter of the old king and the Queen of Air and Darkness herself, Kade's true goals are cloaked in mystery. Is she in league with the wizard Grandier? Or is she laying claim to the throne? It falls to Thomas Boniface, Captain of the Queen's Guard and Ravenna's former lover, to sort out who is friend, who is foe in a deadly game to keep the Dowager Queen and the kingdom she loves from harm.


Martha Wells fantasy book reviews The Ile-Rien Stories: 1. The Element of Fire 2. The Death of the Necromancer 3. The Wizard Hunters 4. The Ships of Air 5. The Gate of Gods
Martha Wells fantasy book reviews The Ile-Rien Stories: 1. The Element of Fire 2. The Death of the Necromancer 3. The Wizard Hunters 4. The Ships of Air 5. The Gate of Gods
The Fall of Ile-Rien
Martha Wells fantasy book reviews The Ile-Rien Stories: 1. The Element of Fire 2. The Death of the Necromancer 3. The Wizard Hunters 4. The Ships of Air 5. The Gate of GodsMartha Wells fantasy book reviews The Ile-Rien Stories: 1. The Element of Fire 2. The Death of the Necromancer 3. The Wizard Hunters 4. The Ships of Air 5. The Gate of GodsMartha Wells fantasy book reviews The Ile-Rien Stories: 1. The Element of Fire 2. The Death of the Necromancer 3. The Wizard Hunters 4. The Ships of Air 5. The Gate of Gods

fantasy book reviews Martha Wells The Death of the Necromancer Ile-RienThe Death of the Necromancer: Intricate steam-and-sorcery mystery

Martha Wells fantasy book reviews The Ile-Rien Stories: 1. The Element of Fire 2. The Death of the Necromancer 3. The Wizard Hunters 4. The Ships of Air 5. The Gate of GodsNicholas Valiarde is a man obsessed. Expertly assisted by a coterie of talented yet honorable thieves, he's all but completed his master plan of revenge against Count Montesq, a corrupt nobleman who orchestrated the execution of Nicholas's foster father on the basis of a false charge of necromancy. Nicholas's plan is interrupted, however, by the appearance of the mysterious Dr. Octave, a professed medium who may or may not be a fraud, but who is somehow connected with the strange, magical spheres on which the false charge against Nicholas's foster father was based. And as Nicholas and his allies slowly unravel the dark cloak around Octave, their fingers touch the bones of an ancient and implacable evil lurking beneath the streets and sewers of their unsuspecting city ...

The Death of the Necromancer is a rich, complex, stand-alone novel set in the gaslit city of Ile-Rien; and even though this reviewer is discovering it a decade after its publication, its earning of a Nebula Award nomination for Martha Wells is unsurprising. Ms. Wells has created a wonderful setting — complete with pistols, trains, vile-smelling sewers and catacombs, and numerous other Victorian touches — and populated it with realistic characters, who reveal much of themselves on the page and yet give the impression of unplumbed depths in their personalities. In particular, Madeline (a steel-spirited actress and Nicholas's lover) and Arisilde (a powerful sorcerer fallen into opium addiction) are two of the most finely drawn characters I can recall in a fantasy novel. Ms. Wells's writing competently and often vividly supports the weight of the novel's Byzantine plot. (I only have three quibbles with her writing style: unusual punctuation; frequent perception/filtering tags such as "He saw that one of Spot's paws was blue" instead of "One of Spot's paws was blue"; and a sense of confusion as to exactly what was happening in certain action scenes, though perhaps that was an intentional reflection of the scenes occurring in darkness?)

The Death of the Necromancer is one of the best books I've read this year, and the strength of its characters and setting brings to mind other ornate, urban works (such as Kushner's Swordspoint; Wolfe's Shadow of the Torturer; and Moorcock's Gloriana).  Highly recommended for enthusiasts of post-medieval fantasy and mystery.  Four bright gaslight sconces. —Rob Rhodes


book review Martha Wells The Wizard HuntersThe Wizard Hunters

Martha Wells fantasy book reviews The Ile-Rien Stories: 1. The Element of Fire 2. The Death of the Necromancer 3. The Wizard Hunters 4. The Ships of Air 5. The Gate of GodsThe Wizard Hunters has a great opening line. Unfortunately, it never quite lives up to the promise so tantalizingly held out to us. The good news is the character we meet in that first line, Tremaine, holds up well throughout the book. In general, the characterization is one of the book's stronger points. The story premise is also a highlight, offering up an unusual meshing of cultures — one with magic and science/technology working side by side, another where technology has yet to form and magic is evil, and yet a third (the Gardier), set on invading the first two through a malevolent combination of science and magic. The side-by-side use of modern technology and magic adds a welcome freshness to the fantasy, as does the conflict between two cultures, one employing magic and one fearing it, that seemingly must unite to face a common foe. That conflict and alliance is played out on a small scale in The Wizard Hunters, focusing on a small band of characters thrown together into hostile territory.

As mentioned, characterization is strong throughout and the main character is especially well-drawn and an enjoyable presence. A few characters could use some more depth, as could the entire Gardier, a weakness Wells addresses in the next book (The Ships of Air). The major flaws in Hunters belong to the plot. It is at times a bit repetitive, but the smooth flow, often breezy tone, and likeable characters make this a relatively minor fault. A larger one is the overreliance on deus ex machina (literally) through Tremaine's use of the mysterious sphere given to her as a child. It too often pops out just when needed, lessening the sense of tension at some of the more climatic moments. Happily, this happens much less in the sequel which is overall I think a better book.

The Wizard Hunters is a solid start to an interesting set-up and if the improvement between the first and second book is any sign, the series should only get better. A solid recommendation with a nod to the idea of reading ahead to the next book. —Bill Capossere


book review Martha Wells The Ships of AirThe Ships of Air: Promising improvement

Martha Wells fantasy book reviews The Ile-Rien Stories: 1. The Element of Fire 2. The Death of the Necromancer 3. The Wizard Hunters 4. The Ships of Air 5. The Gate of GodsThe Ships of Air, the second book in The Fall of Ile-Rien, builds upon the strengths of the first while also improving several of the first book's flaws. As in The Wizard Hunters, the main character's depth and likeability is a major strength. Tremaine is a complex character, displaying a variety of emotions and pursuing a variety of actions, some of them not so clearly understood by those around her or even herself. Several of the side characters from The Wizard Hunters whose characterization suffered a bit from shallowness deepen into more three-dimensional creations here, enriching the overall flavor of the novel and allowing Wells the luxury of dipping into several enjoyable side-stories. The writing moves along crisply and often humorously, another positive carried over from book one.

Where the first book suffered somewhat from repetitive plot, villains painted in too-shallow pictures, and an over-reliance on Tremaine's sphere as a deus ex machina, Ships of Air suffers from none of these. The villains, the Gardier, are explained more fully from inside and out. The storyline finds excitement though expanding existing tensions and adding new points of contention/crisis rather than simply repeating a pattern of capture/escape/capture/escape. And the sphere plays a relatively minor role to the advantage of both character and plot.

Some of the foreshadowing from book one is resolved here and, as is expected of a bridge novel in a series, new questions arise to tantalize the reader. If anything, these new questions are more intriguing than the old ones. This, combined with the improvements in plot and character, make this not only a better written book than Wizards, but also a much stronger lure into continuing with the series. A good recommendation. —Bill Capossere

Stand-alone novel:

martha wells wheel of the infiniteWheel of the Infinite — (2000) Publisher: Every year, the Wheel of the Infinite must be painstakingly remade to ensure peace and harmony. And every hundred years, the Wheel and the world become one. But now a black storm ravages the beautiful mandala, and a woman with a shadowy past — an exile, murderer, and traitor — has been summoned back to put the world right. For if Maskelle and the swordsman Rian cannot stop the Wheel's accelerating disintegration — then all that is what and will be... will end.


The Cloud Roads — (2010) Publisher: Moon has spent his life hiding what he is — a shape-shifter able to transform himself into a winged creature of flight. An orphan with only vague memories of his own kind, Moon tries to fit in among the tribes of his river valley, with mixed success. Just as Moon is once again cast out by his adopted tribe, he discovers a shape-shifter like himself... someone who seems to know exactly what he is, who promises that Moon will be welcomed into his community. What this stranger doesn't tell Moon is that his presence will tip the balance of power... that his extraordinary lineage is crucial to the colony's survival... and that his people face Martha Wells The Cloud Roadsextinction at the hands of the dreaded Fell! Now Moon must overcome a lifetime of conditioning in order to save and himself... and his newfound kin.


Martha Wells The Cloud RoadsThe Cloud Roads

FORMAT/INFO: The Cloud Roads is 288 pages long divided over 20 numbered chapters. It also includes two Appendixes, one about the Raksura and one about the Fell. Narration is in the third-person, exclusively via the protagonist Moon. The Cloud Roads is self-contained, but a sequel titled The Serpent Sea will be published in 2012. March 2011 marks the Trade Paperback publication of The Cloud Roads via Night Shade. The eye-catching cover art is provided by Matthew Stewart.

ANALYSIS: The Cloud Roads by Martha Wells is a novel that immediately grabbed my attention because of the cover artwork, but the real reward is the book itself with its rich and inventive world-building, seasoned writing, and entertaining story.

World-building is by far the novel’s most striking attribute. Teeming with exotic wildlife (vargit, draughtbeasts, lopers, cloud-walkers), plants (grenilvine, greenroot, three-leafed purple bow) and intelligent species (Cordans, Sericans, the golden-skinned, white-haired Islanders; Dwei), not to mention sky-islands, wind-ships and a rotating city, the Three Worlds is a fascinating place to explore. Vividly brought to life by Martha Wells’ descriptive prose and vibrant creativity, the highlights of this imaginative fantasy milieu are the Raksura and the Fell.

Raksura are shape-shifters who can shift between a groundling form and a scaly, long-tailed form with “retractable claws” and “manes of flexible spines and soft frills,” and are part of an interesting society in which roles (teachers, hunters, soldiers, mentors, warriors, consorts, queens) are determined by breed (flightless Arbora, winged Aeriat) and bloodlines. The Fell are a shape-shifting race somewhat similar to the Raksura in appearance and their different classes (male rulers, female progenitors, kethel, dakti), except they are considerably more beastly and like to “prey on other intelligent species,” thus making the Fell hated and feared throughout the Three Worlds. Appendixes on the two species are provided at the back of the book, which are helpful because the entire novel is basically centered around the conflict between the Raksura and the Fell.

Plot-wise, the story in The Cloud Roads is fairly straightforward and predictable with a number of familiar plot devices and fantasy tropes utilized throughout the book — the traitor whose identity is hidden by misdirection, the protagonist’s forgotten past come back to haunt him, the orphan who discovers his “extraordinary lineage”, et cetera. Furthermore, the themes explored during the story are common ones, which include topics like the lonely outsider trying to fit in, acceptance, social status, love and self-preservation. Yet, for all of its familiarity and predictability, The Cloud Roads is a well-told novel thanks to crisp pacing, exciting action — specifically the battles between the Raksura and the Fell — and deft storytelling.

Unfortunately, The Cloud Roads does have a few flaws, starting with the novel’s characterization. While Moon — the solitary Raksuran with no clan — is likable and sympathetic as the main protagonist, Martha Wells doesn’t do a very convincing job explaining or expressing the reasons and motivations behind Moon’s thoughts and actions: why Moon is so reluctant to join the Indigo Cloud Court when it’s all he’s searched for his whole life, or what changed his mind about joining the Raksuran clan, or what caused him to fall in love, and so on. From a general sense, I can understand why these things happened because of my familiarity with this kind of story and themes, but Moon’s thoughts and actions were unconvincing when seen from his perspective.

To make matters worse, the supporting cast (Stone, Chime, Flower, Jade, Pearl, etc.) is largely one-dimensional with little to differentiate one character from another apart from their different classes — Stone is a consort, Chime is a warrior, Flower is a mentor and both Jade & Pearl are queens. However, I felt the Fell made interesting villains, partly because of their relationship to the Raksura, and partly because their actions had a purpose behind them that was not completely evil and unsympathetic. At the same time, other elements that did not work so well in the novel included dialogue that felt unnatural and out-of-place at times, and weak attempts at humor.

CONCLUSION: I’ll be honest. I had never heard of Martha Wells before and actually thought The Cloud Roads was her debut novel. So it was a little surprising to learn that Martha Wells was actually the author of several novels and short stories, with her first published fiction dating back all the way to 1995. The real surprise though is how I could have overlooked the author in the first place. If The Cloud Roads is any indication, then Martha Wells is a very talented and creative writer, someone I should have been reading all of these years. It’s a mistake I plan on correcting as soon as possible. In the meantime, I urge anyone who has never read or heard of Martha Wells before to give The Cloud Roads a look. Even with its issues regarding characterization, dialogue and humor, The Cloud Roads is a terrific fantasy novel that stands out due to imaginative world-building, accomplished writing and engaging storytelling. For everyone else, The Cloud Roads is a proud example of what the genre is capable of producing.
Robert Thompson

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