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David Wellington

aka David Chandler
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David Wellington David Wellington was born in Pittsburgh, Pennsylvania, where George Romero shot his classic zombie films. He attended Syracuse University and Penn State and is working towards a degree in Library Science at the Pratt Institute. Mr. Wellington is most famous for his free online serialized zombie and vampire novels. He lives in New York City with his wife. Read some of his work at David Wellington's website.


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Monster Novels — (2006-2007) Publisher: It's one month after a global disaster. The most "developed" nations of the world have fallen to the shambling zombie masses. Only a few pockets of humanity survive — in places rife with high-powered weaponry, such as Somalia. In New York City, the dead walk the streets, driven by an insatiable hunger for all things living. One amongst them is different; though he shares their appetites he has retained his human intelligence. Alone among the mindless zombies, Gary Fleck is an eyewitness to the end of the world — and perhaps the evil genius behind it all. From the other side of the planet, a small but heavily-armed group of schoolgirls-turned-soldiers has come in search of desperately needed medicine. Dekalb, a former United Nations weapons inspector, leads them as their local guide. Ayaan, a crack shot at the age of sixteen, will stop at nothing to complete her mission. They think they are prepared for anything. On Monster Island they will find that there is something worse even than being undead, as Gary learns the true price of survival.

fantasy book reviews David Wellington Monster Island, Monster Nation, Monster Planet fantasy book reviews David Wellington Monster Island, Monster Nation, Monster Planet fantasy book reviews David Wellington Monster Island, Monster Nation, Monster Planet

Vampire Tales — (2007-2008) Publisher: All the official reports say they are dead — extinct since the late '80s, when a fed named Arkeley nailed the last vampire in a fight that nearly killed him. But the evidence proves otherwise. When a state trooper named Caxton calls the FBI looking for help in the middle of the night, it is Arkeley who gets the assignment — who else? He's been expecting such a call to come eventually. Sure, it has been years since any signs of an attack, but Arkeley knows what most people don't: there is one left. In an abandoned asylum she is rotting, plotting, and biding her time in a way that only the undead can. Caxton is out of her league on this case and more than a little afraid, but the fed made it plain that there is only one way out. But the worst thing is the feeling that the vampires want more than just her blood. They want her for a reason, one she can't guess; a reason her sphinxlike partner knows but won't say; a reason she has to find out — or die trying. Now there are only 13 bullets between Caxton and Arkeley and the vampires. There are only 13 bullets between us, the living, and them, the damned.

fantasy book reviews David Wellington Laura Caxton Vampire Tales 1. 13 Bullets 2. 99 Coffins 3. Vampire Zero 4. 23 Hoursfantasy book reviews David Wellington Laura Caxton Vampire Tales 1. 13 Bullets 2. 99 Coffins 3. Vampire Zero 4. 23 Hoursfantasy book reviews David Wellington Laura Caxton Vampire Tales 1. 13 Bullets 2. 99 Coffins 3. Vampire Zero 4. 23 Hoursfantasy book reviews David Wellington Laura Caxton Vampire Tales 1. 13 Bullets 2. 99 Coffins 3. Vampire Zero 4. 23 Hours

Werewolf Tales — (2009-2010) Publisher: For Cheyenne Clark, there's a bad moon on the rise. There's one sound a woman doesn't want to hear when she's lost and alone in the Arctic wilderness: a howl. When a strange wolf's teeth slash Cheyenne's ankle to the bone, her old life ends, and she becomes the very monster that has haunted her nightmares for years. Worse, the only one who can understand what Chey has become is the man — or wolf — who s doomed her to this fate. He also wants to chop her head off with an axe. Yet as the line between human and beast blurs, so too does the distinction between hunter and hunted, for Chey is more than just the victim she appears to be. But once she's within killing range, she may find that — even for a werewolf — it's not always easy to go for the jugular.

David Wellington Werewolf Tales Frostbite, Cursed, Overwinter, Ravaged David Wellington Werewolf Tales Frostbite, Cursed, Overwinter, Ravaged David Wellington Werewolf Tales Frostbite, Cursed, Overwinter, Ravaged

David Wellington Cursed, FrostbiteFrostbite (Cursed in the US)

David Wellington Werewolf Tales Frostbite, Cursed, Overwinter, Ravaged Cursed (Frostbite in the US) is the tale of Cheyenne Clark, a twenty-something we meet while she is struggling through the Northwest Territories of the Canadian Arctic. “Most people’s lives change very slowly, more slowly than the seasons. Some people are born into the life they’re going to lead and nothing much ever comes along to force them to change. For Cheyenne Clark, change came about in the space of thirty very bad seconds.” She is hunting for something, but it seems like something is hunting her too...

It is desperately hard to synopsise this novel without giving too much away about the plot (which is why I have kept it as sparse as possible) — and I feel as though part of the strength of Cursed comes from watching the mystery about Chey unfold. To start with, she is merely a girl in danger of her life, and I enjoyed being given little hints and tips about her back story and what she is really doing in the Canadian Arctic.

In recent times many books involving werewolves have made these creatures soft and cuddly, taking away the animal quality from them. David Wellington more than makes up for this in Cursed. In fact, his werewolves are another strong element of the novel. We are able to see the world from the perspective of the wolf — almost a separate entity from the person — and it is a fearsomely hard world to live in. The sequences with the wolf reminded me of nothing so much as books like White Fang by Jack London. It is extremely clear that Wellington has worked hard on representing a realistic picture of what it would be like to turn into a wolf night after night.

Wellington presents the bleak world of the far north with great depth and passion. The details about the landscape and the moonrise/moonset are inserted perfectly, so that it never feels as though we are being handed a lesson in the natural world.

The characterisation is spartan but effective. Chey is a character you want to sympathise with — you know she has her secrets, but her reactions to learning about the wolf are honest and genuine. Powell is a darkly enigmatic man, who takes a very pragmatic approach to life in the frozen north. By far my favourite character though was the mysterious Dzo, and I’m hoping he returns in all his odd glory in the second book by Wellington.

In fact, I only had a couple of minor problems with Cursed. The main one was the fact that Wellington left the details of his world fairly blank: it was clear that I was dealing with a version of Earth, but in this version lycanthropes, shapeshifters and werewolves (interchangeable terms?) were known as being real. Apart from that, Wellington gave us nothing. In other novels I’m used to being handed far too many details about a world (which creates a whole other problem of boredom), and I think a balance needs to be struck between that approach and that of Wellington. I could have done with a little more background.

That aside, Cursed is a compulsive read — chilling, dark and fatalistic for much of its duration, but containing an element of hope to take onward to the second book in the series. Chey and Powell are characters that I want to journey with, and I found this ultra-realistic take on the werewolf myth a very effective addition to the canon of lycanthropy. Highly recommended. —Amanda Rutter

As David Chandler:

The Ancient Blades — (2011-2012) Publisher: Born and raised in the squalid depths of the Free City of Ness, Malden became a thief by necessity. Now he must pay a fortune to join the criminal operation of Cutbill, lord of the underworld — and one does not refuse the master... and live. The coronet of the Burgrave would fulfill Malden’s obligations, though it is guarded by hungry demons that would tear the soul from any interloper. But the desperate endeavor leads to a more terrible destiny, as Malden, an outlaw knight, and an ensorcelled lady must face the most terrifying evil in the land.

fantasy book reviews David Chandler The Ancient Blades 1. Den of Thievesfantasy book reviews David Chandler The Ancient Blades 1. Den of Thieves 2. A Thief in the Nightfantasy book reviews David Chandler The Ancient Blades 1. Den of Thieves 2. A Thief in the Night 3. Honor Among Thieves

fantasy book reviews David Chandler The Ancient Blades 1. Den of ThievesDen of Thieves

fantasy book reviews David Chandler The Ancient Blades 1. Den of ThievesFORMAT/INFO: Den of Thieves is 480 pages long divided over a Prologue, four titled Parts, and 100 chapters. The book also includes a map of the Free City of Ness and an excerpt from A Thief in the Night, book two of The Ancient Blades trilogy. Narration is in the third person, mostly via the thief Malden and the knight Sir Croy, while minor POVs include Cythera. Den of Thieves is self-contained, but is the first volume in The Ancient Blades trilogy, which will be followed by A Thief in the Night in September 2011 and Honor Among Thieves in November 2011.

July 26, 2011 marks the North American Mass Market Paperback publication of Den of Thieves via Harper Voyager. The UK edition was published on July 7, 2011 via Harper Voyager UK.

ANALYSIS: When I first started reading Den of Thieves, I thought I was reading David Chandler’s debut novel. Soon after, I learned that David Chandler was actually a pen name for David Wellington, a writer of numerous horror novels including the Monster trilogy, the Vampire series and the Werewolf Tales. I’ve never actually read any of David Wellington’s books, but I do own several of the author’s novels because they sound right up my alley. Factor in comparisons to George R.R. Martin, Joe Abercrombie and Scott Lynch, and I admit I let my expectations run a little wild. So I’m partly to blame for my disappointment with Den of Thieves.

Of course, unfulfilled expectations are not the only reason David Chandler’s "debut" let me down. For starters, Malden is not very compelling as a protagonist, especially when compared to the likes of Locke Lamora from Scott Lynch’s Gentleman Bastard sequence, Mildmay the Fox from Sarah Monette’s The Doctrine of Labyrinths, and Drothe from Douglas Hulick’s Among Thieves. All similar heroes/anti-heroes. The problem with Malden, besides a dry narrative voice that is devoid of personality, is the author’s failure to capture the charm and cleverness that Malden supposedly possesses. Plus, for someone who believes there is no honor among thieves, Malden is curiously honorable for a thief.

Sir Croy, the novel’s other main protagonist, is much more likable than Malden for the first three-fifths of the book, but then the knight’s naiveté takes center stage, transforming his admirable qualities — honor, chivalry, loyalty, duty — into annoyances. Then there’s Cythera. Cythera, the daughter of a witch, is an important figure in Den of Thieves because of her curse, her connection to the sorcerer Alebron Hazoth, and the fact that Malden and Sir Croy are both in love with her. As a character, however, it’s hard to sympathize with Cythera, much the way it’s hard to sympathize or care about Malden and Sir Croy. In fact, minor characters like Cutbill, the master of thieves; the card sharp Kemper, whose curse gives him a unique ability; and Murdlin, envoy of the Dwarf Kingdom, were much more interesting in my opinion, and I wish they had been featured more prominently in the novel. Especially Murdlin with his amusing manner of speech: “This way, most hurriedly, like a rabbit making love.” / “Stop standing there manipulating yourself in an erotic fashion.” / “Into the hay that itches like pubic lice.”

Secondly, Den of Thieves is oddly tame considering how much experience David Wellington possesses as a horror fiction author. Sure, there’s the Lovecraftian-inspired guardian of the Burgrave’s crown, Hazoth’s demon child, and various other atrocities, not to mention the violence and rare profanity, but overall, I was disappointed by how PG-13 the novel turned out to be. Particularly when the book is mentioned in the same breath as George R. R. Martin, Joe Abercrombie, and Scott Lynch, whose novels are known for their realism and grittiness. If only that was the case with David Chandler’s novel. Instead, Den of Thieves is much more fantastical and over-the-top, having more in common — based on what I’ve heard — with its other comparisons in R.A. Salvatore and Raymond E. Feist. Not a bad thing if you’re a fan of those authors, but not what I was expecting.

Third, the writing in Den of Thieves is disappointingly uneven. The story’s pacing may be engaging, the prose polished, and the action scenes entertaining and well-written, but I expected more from someone with ten novels under his belt. Because Den of Thieves is David Wellington’s first foray into fantasy, I can forgive the lackluster world-building, which primarily focuses on the Free City of Ness, its charter with the King of Skrae, Ancient Blades, and the Bloodgod Sadu, while including such familiar tropes as dwarves, elves and ogres. I can also overlook the lack of imagination found in the book’s magic system, which features curses, summoning demons, magic swords, paying a price to use sorcery, etc. What I cannot forgive or overlook is the novel’s aforementioned shallow characterization and a story that suffers from predictability, weak plotting, and flimsy rationalizations. Like the whole reason the Burgrave’s crown was stolen in the first place!? Or Hazoth’s motives — if the sorcerer is so powerful, why would he even worry about the King of Skrae? Or anyone else for that matter?

Not only that, but was it really necessary for the author to spell out the novel’s various twists, especially considering how easy it was to figure things out beforehand? Also, is there any reason I should continue reading The Ancient Blades trilogy? The first book ties things up so neatly, I have no motivation to pick up the sequel. What’s the overarching story arc? The conflict? The end goal? Worst of all, Den of Thieves could have been so much better. What if the book was darker and grittier? What if the main characters were charming and sympathetic? What if the story was cunningly plotted and full of unexpected twists and surprises? What if...

Despite my obvious disappointment with the book, Den of Thieves is not nearly as bad as I’m making it sound. It may not offer fully developed characters, in-depth world-building, creative ideas, or clever plotting, but thanks to swift pacing and non-stop sword & sorcery action, Den of Thieves does provide lots of fun and thrills. Keeping expectations lowered though is the key to enjoying this novel. Because of the thief protagonist, the plot involving the Burgrave’s crown, and various other factors, I can see why Den of Thieves has drawn comparisons to Martin, Abercrombie, and Lynch. Unfortunately, neither the book nor the author is anywhere close to that level. In fact, Den of Thieves is not even on the same level as Douglas Hulick’s Among Thieves, a similar yet far superior fantasy debut that was released this same year. However, as long as readers understand what kind of book they’re getting, then Den of Thieves has plenty to offer... —Robert Thompson


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