Kaaron Warren

The Glass Woman — (2007) Publisher: Subtle depictions of future worlds, of stark contemporary settings and alternate realities are some of the wonders of Warren's imagination. From science fiction to fantasy and eerie, soul-shaking horror. Warren's words will reverberate in all of us. What is there to enjoy in this collection? A profound vision of a future, perhaps dismal without hope, horror that makes your spine feel pierced by hundreds of rings, a smattering of bodily fluids, a few feminist themes, a clear and penetrating vision, the clarity of which is unearthly. Clever, sometimes funny, morbid and at times racy. You'll find all of this in Kaaron Warren's work.

Slights — (2009) Publisher: Stevie is a killer. When she kills people she asks them: "WHAT DO YOU SEE?" She's about to find out... After an accident in which her mother dies, Stevie has a near-death experience, and finds herself in a room full of people — everyone she's ever pissed off. They clutch at her, scratch and tear at her. But she finds herself drawn back to this place, again and again, determined to unlock its secrets. Which means she has to die, again and again. And she starts to wonder whether other people see the same room! when they die. The most disturbing novel of 2009. Read it if you dare. FILE UNDER: Horror [Real-Life Terror / Damaged Lives / Family Secrets / Beyond Death]

Walking the Tree — (2010) Publisher: An extraordinary island fantasy from the author of Slights. The island is the world, and the centre of the island is the Tree. When they are 18, each person must leave their home and walk the Tree. Years later, when they return — if they return — they will be changed. When Lillah embarks on her own journey, however, she never expected to deviate from the sacred path! and enter the Tree.

Walking the Tree

Walking the Tree is the second novel by Kaaron Warren. Previously, my only experience with Warren was her short story in Lavie Tidhar’s The Apex Book of World SF, which I thought one of the weaker pieces of the collection. The concept of Walking the Tree appealed to me a lot, though, so I decided to give it a try. It is an interesting book in many ways, but not without a few structural problems.

The novel is set on the island of Botanica. The island is huge, but almost all available space is taken up by one gigantic tree. Around the base of the tree, small scattered communities of people known as Orders live on whatever the tree and the ocean provide. To prevent inbreeding and provide an understanding of the wider world for their children, a five-year journey around the tree (did I mention it was a really big tree?) is part of their upbringing. They are accompanied by a select group of healthy, intelligent women who are supposed to find a place in the world that is right for them (and mate as far away from home as possible). The entire group is referred to as a school and the process is known as Walking the Tree.

The main character, Lillah, is one of the teachers to leave her Order of Ombu. It has been her dream to undertake the journey as a teacher, and after a nerve-wracking selection procedure she is selected. On the eve of her departure, however, a nasty surprise is sprung on her. One of the children she will be accompanying is suspected to carry a disease known as Spikes, an affliction that almost drove humanity to extinction in generations past. The mere suspicion of having the disease is reason enough for the unlucky person to have to undergo "the treatment." How exactly a person is treated varies from Order to Order but the result is always the same. Death. Lillah is asked to care for the boy, but if she is found hiding a diseased child, she too will be killed.

Warren has created a very interesting setting for Walking the Tree. She goes into detail about the various communities on the island and shows us their individual mix of beliefs and superstitions. Some of them appear close to utopia while others are dark indeed. What the teachers need to do is look beyond the surface of each community to find out if they fit in. Their society is also interesting in the sense that it is the women that move away from the community to find a place elsewhere. We're more used to thinking the other way around. Personally I think this way of organizing things would result in some pretty intense testosterone-fuelled violence; but for the taboo on breeding too close to your own Order, the temptation to not allow teachers to go on must be pretty bad in some places. With one notable exception, this does not seem to be happening. It would of course mean the collapse of the entire system and a return to a situation where fertile women are protected rather than encouraged to travel; it seems like a fragile system to me.

Violence is one of the more interesting parts of this novel. There does not seem to be much competition over resources. With communities separated by weeks of travel, in some cases even months, war is unnecessary and impractical. That is not to say there isn't any violence, though. In several instances we witness swift and brutal action being taken against individuals, often from their own community and with very little provocation. Most of the communities have a distinct dark side. The way they deal with disease and malformed children is the most apparent outlet, but sometimes it is more subtle. The vivid and peaceful images of open sky, the huge tree, the beach and the ocean can turn on the reader quickly, and some scenes are downright unsettling. The way Warren casts a shadow over what appears to be a peaceful community is very well done indeed.

I was less impressed by the progress of the plot itself. The novel takes a bit to get going, which in itself is not a problem. However, once the threat to Lillah's happiness has been made clear, her charge disappears into the background for something like 200 pages. He is mentioned once in a while, we get a few hints that he may or may not carry the disease, but other than that, it is business as usual for the school. It is presented as something that is always in the back of Lillah's mind, but she is rarely forced to confront the situation. When it does come to a head, the problem is dealt with quite quickly, and even more attention is drawn away from the characters by revealing a whole new layer of life on Botanica. It left me with the impression that perhaps the author has been carried away by her own world just a little bit.

On the whole I found Walking the Tree to be a very interesting read. Themes such as the way the Orders rely on oral traditions for passing on knowledge and how travelling changes the main character and makes her grow are skillfully depicted by the author. The different communities with their different outlook on life make the reader constantly reassess the culture on Botanica. I think this comes at the expense of the main story line to an extent, and some readers may be bothered by this. It is easy to be carried away to Botanica, however, and if you let yourself be, Walking the Tree is a great journey full of strange, fantastical places and unfamiliar cultures. I think there is room for improvement, but all things considered it is a very good effort by Kaaron Warren. —Rob Weber (guest)
FanLit thanks Rob Weber from Val's Random Comments for contributing this guest review.

Mistification — (2010) Publisher: An intriguing modern fantasy from the award-winning writer of "Slights". Marvo is a stage magician. His magic is real. Marvo grows up without knowing his parents, without knowing his heritage, without knowing much about life. The magicians have always been with us, since the beginning of civilisation. They fill our heads with the mist, keeping us from witnessing the stark reality of existence. But are things so bad that Marvo will bring it down on all of us, forever? Marvo begins to understand those around him, and his place in the world; he discovers that his remarkable powers can be put to good, or to evil. He only has to choose.