Paul Stewart

The Edge Chronicles — (1998- ) Ages 9-12. Publisher: Young Twig lives in the Deepwoods, among the Woodtrolls, but he isn’t one of them. In a brave attempt to find out where he belongs, Twig wanders into the mysterious, dangerous world beyond the Deepwoods. He meets a collection of odd companions, such as his wise guardian, the Caterbird; the Slaughterers, a peaceful race who butcher animals for their livelihood; and the vicious, bile-swilling Rotsucker. Always watching out for the horrible Gloamglozer, whose presence haunts the thoughts of all the inhabitants of The Edge, Twig steadfastly pursues his quest until he discovers his roots, not among the trees, but in the skies...
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Beyond the Deepwoods: Weak start to series but improves in second book

Beyond the Deepwoods is the start to the long-running Edge Chronicles. This first book does what one would expect, introduces the world, the major characters, and the major conflicts, but it does so in such shallow fashion that one might be hard-pressed to consider reading on. I don't know how the rest of the series goes, but I can say that the second novel, Stormchaser, improves in many ways upon the first.

Beyond the Deepwoods, aimed obviously at a younger audience, is highly episodic, following the breakneck adventures of Twig, a young boy brought up until now by a family of trolls, as he is sent out into the woods to avoid being picked up by Skypirates. As mentioned, the book moves at breakneck speed as Twig is rushed from one crisis to another, usually involving meeting up with a horrible deepwoods dweller-trolls, goblins, bloodoaks, etc. The problem is that each encounter is so brief, each creature so quickly met and dispatched or left behind that none of them ever really linger in the reader's mind; they fare only slightly better than if they had been listed in a glossary at the back. It reminded me of nothing so much as a group of dungeons and dragons guys sitting around trying to come up with odd monsters to add to their personal monster manual. Some of the creatures are highly inventive, others somewhat dull. Their names are consistently the best part of all, wonderfully Lewis Carroll-like and just begging to be read aloud. Older readers may tire of the "cuteness" by the end, but younger kids are sure to enjoy just repeating the names out loud to themselves again and again.

The end is pretty formulaic and anti-climatic and isn't really earned by what has come before. What saves the book somewhat are its brevity, the likability of the main character, and the occasional flashes of inventiveness that showcase the series' potential. What saves it even more is the fact that the second book is much more focused, has much more of a sense of narrative, and delves more into Twig's character as well as others. Though it still suffers a bit from shallow side-characters and some moments of weak plotting, it is much better written, more compelling, and finally gives the reader a real reason to continue. I wouldn't recommend Deepwoods if it stood alone, but as the necessary entry into the better second novel, it's a required step that won't hurt too much. One final note, while the book will appeal on many levels to young readers, it can turn dark at times. Death does occur and much more frequently and gorily in the second book. —Bill Capossere

Stormchaser: Large improvement over the first book

Stormchaser is the second book of the Edge series and it is a vast improvement over book one — Beyond the Deepwoods. The book picks up a few years after Twig's adventures in Beyond the Deepwoods. He is now sailing aboard the skyship of his recently-discovered sky-pirate father and has exchanged the monster-horrors of the Deepwoods with the more human horrors of city-life, pollution, and corruption (though monsters still make the occasional appearance).

Whereas Beyond the Deepwoods suffered from being overly episodic, plunging Twig into one-unrelated confrontation after another, Stormchaser is much more focused and has a much better sense of narrative. The famed sky city Sanctaphrax is at risk of breaking its mooring and taking off forever unless it manages to replenish the rare substance that keeps it from sailing away. The same substance, in a mysterious alternative form, has also kept the waters that feed Undertown drinkable and the shortage is leading to an ecological and social disaster. For various reasons, Twig's father is the one sent out on a quest for this rare material and various adventures ensue.

While there is still an episodic sense to the story, it's mostly confined to the book's second half when Twig and others are forced to march through the Twilight Woods and the Mire. Even here though, the encounters are still related to the overall arc of the story, making each encounter more significant and more memorable in comparison to Twig's one-monster-after-another adventures in book one. The plot is also improved by the move away from conflict based simply on threatened violence (usually in the form of being eaten) to one based on politics, corruption, and intrigue among all types of characters (though being eaten remains a threat now and then). Characters are also delved into more deeply. We learn more about Twig's father — what forced him into becoming a pirate, why he refuses to acknowledge himself as Twig's father publicly, more about his motivations and personality traits. Twig is given more opportunities to grow, but these seem a bit contrived and, as in the first one, somewhat formulaic and unearned at times, though not as baldly as in Beyond the Deepwoods. A few of the side characters have moments of depth, but overall remain shallow figures.

There is a lot of death in this one, some of it quite grisly, though it is never lingered on, having more the feel of an uncensored Brothers Grimm tale rather than a modern-day slasher flick. Overall, while Stormchaser still suffers from a few of the first book's flaws, mainly some shallow characterization and some formulaic coming-of-age "growth" events, it is a major improvement on the first and bodes well for the rest of the series. —Bill Capossere

Midnight Over Sanctaphrax: Better than first, not as good as second

Midnight Over Sanctaphrax falls into the middle of the first three books of the series. While Twig's character is enlarged upon and other interesting ones added, the book falls too easily into the same episodic nature of the first book, where one peril follows closely upon another with none of them ever explored in enough depth so that they truly feel dangerous or suspenseful. The nature of the basic plot, Twig searching for his lost crew after his skyship explodes and hurls them in different directions, also unfortunately lends itself to a sense of dull repetition as he searches, finds, sends off for safekeeping, and searches once again with the same results.

At times the plot of Midnight Over Sanctaphrax is somewhat contrived and at others may call for a bit too much suspension of disbelief, but overall it's imaginative and energetic, moving along in quick if repetitive fashion. It also, like the second, improves on the first by adding other levels of depth beyond simple fear of being killed/eaten (though as in all three, there is a fair amount of both). Here issues of slavery and class rear their heads and if they are handled a bit sketchily, they do deepen the book's complexity and pleasure. Recommended, though a bit disappointing as it seems to regress a bit from the second book. —Bill Capossere