Reposting to include Marion's review of the new SYFY channel adaptation of Nightflyers. You can find it below our reviews of the novella.

Nightflyers by George R.R. Martin

Nightflyers was first published in 1980, won the Locus Award for best novella, and was nominated for a Hugo Award. It was made into an unsuccessful film in 1987. It’s recently been on people’s radars due to the upcoming SYFY series based on the novella. You can purchase it in several new (2018) formats including an illustrated edition, a story collection, and an audio version. I listened to the audio version, which was narrated by a... Read More

Deliver Me From Eva by Paul Bailey

Once again, I am indebted to Stephen Jones and Kim Newman’s excellent overview volume Horror: 100 Best Books for alerting me to the existence of a great read that I probably would never have run across without their assistance. In this case, the novel in question is Paul Bailey’s Deliver Me From Eva, which was chosen for inclusion in that volume by no less a figure than Forrest J. Ackerman — former editor of the beloved magazine Famous Monsters of Filmland, renowned literary agent, and legendary collector of horror and sci-fi movie memorabilia — himself. The book, Ackerman tells us, was one that he first read upon its initial publication in 1946, but had never forgotten, and any reader of this absolutely flabbergasting thrill ride will surely understand why.

Paul Bailey, I should perhap... Read More

Fear by L. Ron Hubbard

The professional reputation of Nebraska-born writer L. Ron Hubbard, it seems to me, has taken a double hit since his heyday in the 1940s. Hubbard, of course, was the founder of the cultish sect known as Scientology, and ever since the release of his initial article on Dianetics in the May 1950 issue of John W. Campbell’s Astounding Science-Fiction, and the founding of the group two years later, his name has been unavoidably linked to this oft-maligned pseudoreligion. And then there was the notorious film version of Hubbard’s 1982 doorstop of a novel Battlefield Earth, featuring Scientologist John Travolta in a picture that most viewers seem to have found dreadful, if not laughable. (Full confession: I have never read the... Read More

Alice Isn’t Dead by Joseph Fink

Alice Isn’t Dead (2018) is a stand-alone novel, adapted from the three-season podcast of the same name, both of which were created by Joseph Fink. Where I would have given the podcast 3.5 stars, the novel is much more cohesive and much more successful at telling this story. Lines like “Earl’s eyes were empty pools of water” and “The subtext of America wasn’t just text here, it was in letters five feet tall” are less awkward, more natural, when delivered by an omniscient narrator rather than a lone woman monologuing over a CB radio to anyone who will listen.

Keisha Taylor wasn’t always a long-haul trucker. But then, her wife Alice wasn’t always dead. (Or is she? It’s certainly up for debate, which is why Keisha’s on the road to begin with.) One day, without any ... Read More

The Woman in Black by Susan Hill

So what does a young actor do after starring in one of the most lucrative franchises in cinema history? That was the precise dilemma facing the 22-year-old Daniel Radcliffe in 2011, upon the completion of his 8th and final Harry Potter film. The Potter series had brought in a whopping $7.7 billion worldwide over its 10-year run, firmly establishing Radcliffe as an international star. And so, the question: What next? Wisely, the young actor’s follow-up project was another in the supernatural/fantasy vein, and one that was also based on an already well-loved source. The film was 2012’s The Woman In Black, another successful film for Radcliffe, having been produced for $15 million and bringing in almost $130 million at the box office. The film was based on English author Susan Hill’s 1983 novel of the sam... Read More

Psycho directed by Alfred Hitchcock

It is not every filmmaker who can manage the difficult trick of coming up with four consecutive masterpieces, but that is just what British director Alfred Hitchcock was able to do as the late 1950s segued into the '60s. His 1958 offering, Vertigo, took time to find its audience but today is recognized by the British Film Institute's Sight and Sound magazine as the single greatest motion picture ever made; 1959's North by Northwest is surely one of the all-time great entertainments; 1960's Psycho practically jump-started the modern-day horror industry all on its own, and remains the director's most well-known film; and 1963's The Birds is still a baby-boomer favorite to this day.

But of those four films, all of which reside on my personal Top 100 Favorite Films list, it is the third, Psycho, that remains my favorite after all these years, and indeed, I person... Read More

Henry: Portrait of a Serial Killer directed by John McNaughton

Loosely based on the real-life exploits of serial killer Henry Lee Lucas, who confessed to the slayings of over 600 people but who was ultimately convicted in the homicide of a "mere" 11, Henry: Portrait of a Serial Killer changes some of the established facts around, yet remains a very strong experience for the viewer. As revealed on a certain Wiki site, the film was shot in just four weeks in 1986, at a cost of around $110,000, but was not released until four years later. Despite its great reputation, it is a film that I had long put off watching, having a suspicion that it would be a rather unpleasant experience for me overall. But lately, I have been exposing myself to a bunch of previously dreaded films (such as Blood Sucking Freaks and 1978's Read More

Short Fiction Monday: Our reviews of free and inexpensive short fiction available on the internet. For this year's Halloween week column, we offer a selection of haunted house stories. (The first story is admittedly pushing the boundaries of that classification, but it was too good to leave out.)

 

“The Man in the Woods” by Shirley Jackson (published 2014, free in The New Yorker)

Christopher, a college student, leaves school one day for reasons he can’t even articulate to himself, and walks for days through towns and fields, eventually making his way into a forest. The trees ominously press in on him, but a cat has joined him on his journey through the forest, giving him some companionship and comfort. Christopher and the cat eventually come across a stone house in the forest. He’s invited i... Read More

The Happening directed by M. Night Shyamalan

Following the inanity of the borderline train wreck that was 2006's Lady in the Water, writer/producer/director M. Night Shyamalan rebounded in a very big way with his next film, 2008's The Happening. His contribution to the type of eco-horror film that was all the rage in the 1960s and '70s — I’m thinking of such films as 1963's The Birds, 1972's Frogs, 1977's Kingdom of the Spiders and 1978's The Swarm ... not to mention the little-seen 1976 Spanish classic Who Can Kill a Child? — the film seems to have divided his fan base and resulted in a bona fide critical flop of sorts. Indeed, the woman who I sit next to at work, a big admirer of film auteur Shyamalan, hated the film, although she professes a love for Lady in the Water, a picture that I found to be ... Read More

Brides of Dracula directed by Terence Fisher

The title is something of a misnomer. As the story goes, following the worldwide success of Hammer Studios' The Horror of Dracula in 1958, star Christopher Lee decided that he did not wish to participate in any possible sequel, fearing that he might be later typecast in the vampiric role. Thus, despite the sequel's title, Brides of Dracula not only does not feature Lee's participation at all, but the world's most famous neck nosher is nowhere to be found. Rather, what the viewer gets here is another Transylvanian vampire, an acolyte of Dracula's dark religion, if you will. But the results, even without Lee, are still most impressive, and even though Lee would later return in the following decades to appear in no fewer than six Dracula films for Hammer (Dracula, Prince of Darkness in '66; Dracula Has Risen From the Grave in '68; Taste the Blood of Dracula and Sc... Read More

Split directed by M. Night Shyamalan

Over the years, there have been any number of films that have dealt with lead characters who suffer with what the layman might term "split personality." Putting aside all the many iterations of the Jekyll & Hyde story, in 1957, audiences were given both Lizzie, in which Eleanor Parker played a woman with three distinct personalities, and, five months later, the more well-known The Three Faces of Eve, in which Joanne Woodward played a woman with the exact same predicament. In 1960, theatergoers were shocked out of their showers via their introduction to Tony Perkins' Norman Bates, a young man who was also his own mother, in Alfred Hitchcock's Psycho. The situation was played for laughs in 1963's The Nutty Professor, with Jerry Lewis portraying the hapless Prof. Julius Kelp AND his alter ego, the Dean Martin-like Buddy Love. But you would have to take all the preceding alter egos... Read More

Witch House by Evangeline Walton

Ever since British author Horace Walpole kick-started the haunted house genre with his seminal short novel of Gothic romance, The Castle of Otranto (1765), there have been hundreds of short stories and dozens of novels centered on this most shuddery of literary subjects. But for this reader, the two novels at the very top of the ectoplasmic heap have long been Shirley Jackson’s The Haunting of Hill House (1959), still the most spine-tingling book that I have ever read, and Richard Matheson’s ubercreepy Hell House (1971); perhaps not surprisingly, those two were later adapted into exquisitely scary cinematic fare, in, respectively, The Haunting (1963) and Read More

The Mysterious Doctor directed by Benjamin Stoloff

A seeming meld of fog-shrouded Universal horror and the rah-rah wartime propaganda films that were so prevalent during the era, the Warner Brothers offering The Mysterious Doctor turns out to be a minor concoction that should just manage to please modern audiences. Released in March 1943, during the darkest days of World War II, the picture provides some chilling escapism while at the same time inspiring its target audience to greater productivity in the war effort. For today's viewer, the film works as an efficient little chiller and as a showcase for its ingénue female star, Eleanor Parker, who here evinces great charm and ability (and beauty, natch) in this, her second role on screen.

The film manages to engender a chilling mood from its very opening moments, in which the viewer beholds a very tall AND HEADLESS personage stalking through a mist-enveloped woodland. We soon meet the mys... Read More

From Hell It Came directed by Dan Milner

Back in the 1960s, when I was just a young lad and when there were only three major television stations to contend with, The New York Times used to make pithy commentaries, in their TV section, regarding films that were to be aired that day. I have never forgotten the terse words that the paper issued for the 1957 cult item From Hell It Came. In one of the most succinct pans ever written, the editors simply wrote: "Back send it." Well, I have waited years to find out if this hilarious put-down was justified or not, and now that I have finally succeeded in catching up with this one-of-a-kind cult item, have to say that I feel the Times people may have been a bit too harsh in their assessment. Sure, the film is campy, and of course, its central conceit is patently ridiculous, but does the film give the viewer that one necessary ingredient — namely, fun — that all good movies should provide? Oh... Read More

The Dunwich Horror directed by Daniel Haller

Having enjoyed great success with a string of some seven pictures based on the works of the writer who has been called the greatest horror author of the 19th century, Edgar Allan Poe, American International Pictures (AIP) soon turned its attention to the horror author who has been called the greatest of the 20th, the so-called "Sage of Providence," Howard Phillips Lovecraft. For their first Lovecraft attempt, the studio came out with the Boris Karloff outing Die, Monster, Die, loosely based on the author's 1927 story "The Color Out of Space." And five years later, the film in question, The Dunwich Horror, was released, in January 1970 (just weeks before the studio came out with the Peter Cushing/Vincent Price/Christopher Lee outing Scream and Scream... Read More

Creature from the Haunted Sea directed by Roger Corman

On the front cover of Ed Naha's indispensable book The Films of Roger Corman there is a subtitle that reads "Brilliance on a Budget," and a look at Corman's working schedule and method of production will surely bear out that statement. Take, for example, the background for his 1961 film Creature from the Haunted Sea. As the story goes, Corman and crew were in Puerto Rico in 1959, where Corman was executive producing the film The Battle of Blood Island at the same time as he was directing his own film The Last Woman on Earth. Realizing that if he had another week on the island he could just manage to come up with still ANOTHER picture, Corman instructed his oft-time screenwriter Charles Griffith (who had previously worked on no fewer than seven Corman films, including such immortal classics as It Conquered the World, Not of This Earth, Read More

The Night Visitor directed by László Benedek

In 1968, Swedish director Ingmar Bergman released what might be arguably deemed his closest attempt to create an outright horror film, Hour of the Wolf, starring Max von Sydow and Liv Ullman. The three would go on to work together several more times in the coming years, and although the following pictures that they made together (such as Shame and The Passion of Anna) WERE fairly emotionally devastating, none could be termed outright horror.

Viewers desirous to see Max and Liv together in another film that is indisputably in the horror domain, however, may be confidently steered to a picture that they made together in the early '70s, entitled The Night Visitor. Released in February '71, this was a Swedish production (its Swedish title is Papegojan), filmed in English by Hungarian director László Benedek (of The Wild One fame) and co-starring Brit... Read More

Invisible Invaders directed by Edward L. Cahn

Offhand, I can think of few actors (other than perhaps Richard Denning) who have gone up against so many 1950s sci-fi horrors and monstrosities as Chicago-born John Agar. From 1955 - '58 alone, the former husband of Shirley Temple battled The Creature in Revenge of the Creature, a giant arachnid in Tarantula, a lost subterranean race in The Mole Men, a floating alien cerebrum in The Brain From Planet Arous, and a mad scientist in Attack of the Puppet People, all of which I had hugely enjoyed. There WAS one film of Agar's from the late '50s that I had never seen, though, to complete this list of sci-fi menaces, and that film is Invisible Invaders. Fortunately, I have at long last caught up with this one, and can report that it is yet another fun (although undeniably shlocky) outing to add to Agar's roster. The film was released in May 1959 and thus has bee... Read More

Necroscope III: The Source by Brian Lumley

Warning: This review will contain spoilers for the previous books, Necroscope. And Necroscope II: Vamphyri!. You’ll want to read those books before picking up this one.

Harry Keogh is back and now he’s got a body again. How that came about is a sad tale that you need to read about in Necroscope II: Vamphyri!. You’d think that all would be well now — Harry could get back with his wife and son and maybe life could somewhat normalize, though Harry, of course, still hears from the dead and can travel through time and space on the Mobius Continuum, so maybe Harry is never going to be normal or even really desire a normal sort of life….

… ... Read More

The Swarm directed by Irwin Allen

Immediately before the release of his $21 million disaster epic The Swarm in July '78, producer/director Irwin Allen boasted to the press that he thought the film would be "the most terrifying movie ever made." And the so-called "Master of Disaster" had good reason to feel confident; his previous films, The Poseidon Adventure and The Towering Inferno, had been monster hits, performing remarkably well at the box office. But The Swarm, which dealt with an attack of African killer bees in the American Southwest, failed to live up to expectations, and indeed brought in a mere $7 million in box office returns.

The reviews were scathing, with The New York Times calling the film "the surprise comedy hit of the season" and London's Sunday Times deeming it "simply the worst film ever made." Time Out has gone on to call it a "risibly inadequate disaster... Read More

Necroscope II: Vamphyri! by Brian Lumley

Warning: This review will contain spoilers for the previous book, Necroscope.

Suggestion: Try to ignore the horrible cover art.

Necroscope II: Vamphyri! Or (Wamphyri!) is the second book in Brian Lumley’s NECROSCOPE series. These horror novels follow the life and death of Harry Keogh, the Necroscope. As the only person who can talk to the dead, he is beloved by them and, since most people who have ever lived are currently dead, he has more friends than anyone else in the world... and these friends are willing to do favors for Harry. One thing they do is teach him, so Harry has become extensively educated by geniuses who have... Read More

The Bat directed by Crane Wilbur

Although Vincent Price had appeared in a number of scary films before the late 1950s, it wasn't until 1958 and '59 that the beloved actor really began to concentrate his efforts in the fright field and thus become one of the true titans in the arena of horror. During those two years, Price starred in The Fly, House on Haunted Hill, The Tingler and The Bat, thus getting the ball rolling for one legendary horror career. This viewer, up until recently, had long enjoyed every one of those films except for The Bat, which had somehow escaped me. Thus, how pleased I was to discover that this film fits in very nicely with those other great three!

The Bat was based on a 1908 novel by mystery writer Mary Roberts Rinehart entitled The Circular Staircase, which I had enjoyed; Rinehart and playwright Avery Hopwood had later turned this book... Read More

What’s the Matter With Helen? directed by Curtis Harrington

One of the more curious subcategories of the horror field, the genre known as hagsploitation (sometimes called psycho-biddy films, Grande Dame Guignol and, as my buddy Rob calls it, aging-gargoyle movies) got its jump start with the release of the seminal What Ever Happened to Baby Jane?, starring Bette Davis and Joan Crawford, in 1962. After the success of that truly remarkable film, the crone gates were opened, and it was quickly followed by others, in which formerly glamorous actresses, now advanced in years, got to play aging biddies on the verge of madness. Such films as Hush ... Hush, Sweet Charlotte (1964, with Davis, Olivia de Havilland and Agnes Moorehead), Strait-Jacket (also '64, with Crawford again) and What Ever Happened to Aunt Alice ('69, with Geraldine Page and Ruth Gordon) proved marvelous entertainments, and thus, as the '70s began, the ha... Read More

The Beast From 20,000 Fathoms directed by Eugène Lourié

As I have mentioned elsewhere, it is a keynote of all the films that appear on my personal Top 100 Films list that they are capable of bearing up under repeated viewings with undiminished enjoyment. And indeed, of those 100 films, many of them have been seen by yours truly dozens of times, if not more, with just as much pleasure as when I saw each picture for the very first time. But of all those films, the one that I have probably sat down with the most is The Beast From 20,000 Fathoms.

A bit of personal history here: When I was a kid, growing up in 1960s NYC, we only had perhaps a half dozen television stations to choose from. There were the big three, of course — CBS, NBC and ABC — in addition to two or three local stations, one of which was WOR, channel 9. As memory serves, WOR only had a single program that it showed repeatedly, all week long; a little something called Read More

The Snow Devils directed by Antonio Margheriti (aka Anthony Dawson)

During the 1960s, the Italians proceeded to make impressive strides in their historic cinematic output. The old-master auteurs such as Fellini, Antonioni, De Sica, Visconti and Pasolini continued to put out quality product (to put it mildly, in the case of the first two), while up-and-comers such as Mario Bava and Sergio Leone helped to jump-start the nascent genres of Italian Gothic horror, the giallo film, and the so-called "spaghetti Western." The Italian comedies continued to flourish, as did the country's truly one-of-a-kind "sword and sandal" films. But there was one area in which the Italians, try as they might, just couldn't seem to make much of an impressive dent, it seems to me, and that was in the arena of sci-fi. Case in point: the 1967 film The Snow Devils.

Despite its ambitious story line, a top-tier actor in front of the camera and a respected director in c... Read More