Jonathan Strahan

Swords & Dark Magic: The New Sword & Sorcery — (2010) With Lou Anders. Publisher: Seventeen original tales of sword and sorcery penned by masters old and new. Elric... the Black Company... Majipoor. For years, these have been some of the names that have captured the hearts of generations of readers and embodied the sword and sorcery genre. And now some of the most beloved and bestselling fantasy writers working today deliver stunning all-new sword and sorcery stories in an anthology of small stakes but high action, grim humor mixed with gritty violence, fierce monsters and fabulous treasures, and, of course, swordplay. Don't miss the adventure of the decade!

Swords and Dark Magic: The New Sword and Sorcery: Heavier on the “sorcery” than the “sword” but still great!

As the title suggests, Jonathan Strahan and Lou Anders have gathered seventeen new and original sword & sorcery tales in this anthology. The stories are written by a variety of successful authors, bringing to play a broad range of styles and themes. I’m a huge fan of sword & sorcery (it’s what got me into fantasy). So I was extremely eager to get my hands on this book.

I did find Swords and Dark Magic to be heavier on the “sorcery” than the “sword,” more so than is my preference. (Like the greatest S&S hero, Conan the Cimmerian, I subscribe to the belief that when the gods breathed life into mankind, we were given the gift of strength and the secret of steel. So, there is no sorcerer or demonspawn that cannot be beaten by brute strength or a sharp blade.) Regardless, my enjoyment was no less for it. I was absolutely thrilled when I read the dedication, which pays homage to the masters:

For Robert E. Howard, Fritz Leiber, and Michael Moorcock, the great literary swordsmen who made it all possible

I believe that an anthology is only as good as its introduction, and the one in this book proves my point. The editors detail the birth of S&S and pay respect to the authors noted in the dedication along with the very few others, C. L. Moore and Clark Ashton Smith, who were there at the beginning. This is followed by shout-outs to Lin Carter, L. Sprague deCamp, Andre Norton, and Charles Saunders, who picked up the torch decades after. These authors, especially Howard, have been too long overlooked for their role in creating the genre that was practically the whole of fantasy before Tolkien.

Due to sheer laziness, I usually opt not to review each story of an anthology individually. But since I’ve been belly-aching about the lack of sword & sorcery in mainstream publishing for years, I feel obligated to make an exception. Well.., somewhat of an exception. Instead of a synopsis, I briefly note my take on each. (I don’t want to overdo things.) Not every tale is a winner, but those that are make up for the others and then some.

• Goats of Glory by Steven Erikson — I had to flip pages back and forth a few times to keep track of who is who, but the grittiness and action are pure Erikson; a great choice to get things rolling.
• Tides Elba: A Tale of the Black Company by Glen Cook — This story is all “plotting-n-scheming” without the action one expects in S&S. Still, Cook’s dialog, which is what always stood out in his BLACK COMPANY tales, is as clever as ever, making for a fun read.
• Bloodsport by Gene Wolfe — I hadn’t read Wolfe before, but with his reputation I expected more than this mediocre story. I’d venture to say this is far from Wolfe’s best.
• The Singing Spear by James Enge — This story features Enge’s hero, MORLOCK AMBROSE a.k.a. Morlock the Maker. About a page in and I knew this would be one of my favorites. I immediately purchased the first book in Enge’s series about Morlock, Blood of Ambrose, when I finished this story. Need I say more?
• A Wizard in Wiscezan by C.J. Cherryh — I’m not a fan of Cherryh, but she created charismatic characters here that brought the story to life.
• A Rich Full Week by K.J. Parker — This is a tale about a wizard –or a student of natural philosophy, specializing in mental energies, telepathy, telekinesis, indirect vision or science not yet figured out. Parker seemed to pattern his brotherhood of “wizards” after the medieval Catholic Church to create a very captivating story.
• A Suitable Present for a Sorcerous Puppet by Garth Nix — This is a whimsical and comedic tale that proved entertaining despite not really being something I’d pick to read as a whole book on its own...
• Red Pearls: An Elric Story by Michael Moorcock — This book wouldn’t have been complete without a story by the only living author mentioned in the dedication. However, the last half of this story tends to drag. That aside, Elric still proves to be as interesting a character as he’s always been.
• The Deification of Dal Bamore: A Tale from Echo City by Tim Lebbon — The only book I’ve read by Lebbon was Dusk and I didn’t really like it. So I never gave him a try again. This dark and gripping story in the setting of his upcoming new series has got me re-thinking that decision.
• Dark Times at the Midnight Market by Robert Silverberg — This is a tale from the world of MAJIPOOR which is the setting for Silverberg’s popular series. I never read those stories because they have too many bizarre creatures for my taste. So I was amazed when this tale, weird creatures and all, proved to be such a good time.
• The Undefiled by Greg Keyes — Keyes’ THE KINGDOMS OF THORN AND BONE series is high on my to-be-read-list but, unfortunately, this story just didn’t do it for me. Maybe a re-read is in order because I just didn’t quite follow it all.
• Hew the Tintmaster by Michael Shea — This is the much-anticipated tale that features Cugel the Clever, the infamous character from Jack Vance’s DYING EARTH. Vance fans will be very pleased. It was my introduction to this world and if Shea writes it like Vance does, the DYING EARTH books just got moved up on my TBR list.
• In the Stacks by Scott Lynch — I’m sure many will like this one, but I was disappointed. I’m tired of the whole enchanted school for wizards, or whatever, thing, and it’s been a long wait for another GENTLEMAN BASTARD story. So I was hoping for something more like that series.
• Two Lions, a Witch, and the War-robe by Tanith Lee — Not a bad addition, but the first half of it was much better than the second.
• The Sea Troll’s Daughter by Caitlin R. Kiernan — I had no idea this would be another one of my favorites until the very end, which blew me away.
• Thieves of Daring by Bill Willingham — It’s more along the lines of traditional S&S. Sadly, it fell flat.
• The Fool Jobs by Joe Abercrombie — If you’re a fan of Abercrombie like I am, I’m betting this will be your very favorite too. It’s raw, gritty, dark, and funny; straight-up Abercrombie.

Swords and Dark Magic is a must-have for fellow sword & sorcery fans and just the thing to support our cause. For readers new to S&S, you won’t find a better introduction and it’s the perfect book to round out your fantasy collection. —Greg Hersom

Swords & Dark Magic: The New Sword & Sorcery

Swords & Dark Magic: The New Sword & Sorcery is a book I’ve been eagerly anticipating ever since it was first announced in 2009. I was particularly excited about the anthology’s impressive list of contributors which includes several authors I enjoy reading like Glen Cook, Greg Keyes, Scott Lynch, Joe Abercrombie, Garth Nix, Tim Lebbon, Caitlin R. Kiernan, James Enge, and personal favorite, Steven Erikson. And with highly respected editors Jonathan Strahan and Lou Anders behind the wheel, I knew the book wouldn’t disappoint.

From start to finish, Swords & Dark Magic is an entertaining anthology that will please anyone who is a fan of sword & sorcery. It certainly did the trick for me, kicking off with an exciting one-two combo of Steven Erikson and a new Black Company tale by Glen Cook, and ending on a high note with Joe Abercrombie’s “The Fool Jobs” — basically a preview of the author’s next book, The Heroes, which is set in the same world as The First Law trilogy and Best Served Cold.

As well as the anthology started and ended though, it was the stories found in between that really shined with Scott Lynch’s tale of the Living Library (“In the Stacks”) and Garth Nix’s humorous Sir Hereward and Mr. Fitz adventure (“A Suitable Present for a Sorcerous Puppet”) two of my favorites. Other notable entries included a new Fool Wolf story by Greg Keyes, a Morlock tale by James Enge, Tanith Lee’s “Two Lions, a Witch, and the War-Robe,” and “The Deification of Dal Bamore” which offers a tantalizing glimpse at Tim Lebbon’s forthcoming new fantasy novel, Echo City. The best stories though were those that I didn’t expect to enjoy, namely K.J. Parker’s “A Rich Full Week” and Michael Moorcock’s “Red Pearls.” In the past, I tried reading Parker’s Scavenger trilogy and Moorcock’s famous creation Elric, but both left a bad taste in the mouth. So I was quite surprised by how much I ended up loving “A Rich Full Week” and the new Elric story.

Negatively, there were a few rocky bumps along the way — which is not unexpected with an anthology — but even the weaker stories had something worthwhile to offer. For instance, Gene Wolfe’s “Bloodsport” provided an enticing taste of what I’ve been missing from never having read anything by Mr. Wolfe before; Robert Silverberg’s “Dark Times at the Midnight Market” left me wanting to visit the world of Majipoor; Michael Shea’s “Hew the Tint Master” was imaginative and elicited a chuckle or two out of me; and Caitlin R. Kiernan’s “The Sea Troll's Daughter” does a good job of twisting a few fantasy conventions.

Apart from these weaker entries, I felt that some of the short stories provided by authors I like reading (Steven Erikson, Glen Cook, Greg Keyes, James Enge, etc.) were somewhat lacking compared to their previous efforts, even if I still had fun with them. I also thought most of the stories found in the anthology were largely formulaic, but then again, sword & sorcery is not exactly a genre known for its originality.

All in all, reading Swords & Dark Magic: The New Sword & Sorcery was time well spent, and I can’t thank Lou Anders and Jonathan Strahan enough for making this anthology happen. Enthusiastically recommended to anybody who reads fantasy. —Robert Thompson

Swords & Dark Magic: The New Sword & Sorcery

Swords & Dark Magic: The New Sword and Sorcery is an excellent new anthology of original short fantasy fiction, featuring an impressive mixture of established genre masters and newer, highly talented authors. The book’s introduction, by editors Lou Anders and Jonathan Strahan, does an excellent job defining the sword & sorcery sub-genre and placing it in its historical context. This is an interesting read for anyone who wants to learn more about the history of the genre and doesn’t have a copy of John Clute and John Grant’s The Encyclopedia of Fantasy handy, but the main value of any anthology lies in the stories, and in that area it doesn’t disappoint in the slightest.

Most of the stories in Swords & Dark Magic: The New Sword and Sorcery are good, several are great, and even the few less successful entries are still interesting and well worth the time spent to read them, often because they are less impressive stories by otherwise very impressive and famous authors, such as Steven Erikson, Glen Cook and Gene Wolfe. If those authors had brought their top game to the table here, this anthology would be nothing less than a must-own, but as it is, it’s still an excellent collection.

Here are a few of my favorite stories, in order of their appearance in the anthology:

• K.J. Parker’s “ A Rich Full Week” has to be one of the strangest zombie tales ever, and definitely features the most reasonable undead you’ll ever find. I enjoyed the way this story put a new, metaphorical twist on the traditional “zombies eating brains,” as well as its smart-alec main character.
• Michael Moorcock’s “Red Pearls”. Put plainly and simply, if you are a fan of the seminal ELRIC OF MELNIBONÉ series, you must read this story. It adds an (as far as I know) entirely new side to the novels’ world, and even though it’s not the strongest story in the anthology, for that reason alone it’s a must-read for fans.
• Tim Lebbon’s “The Deification of Dal Bamore” is a dark and disturbing story of religion and magic. It’s is an excellent teaser for the author’s forthcoming novel, Echo City, which shares its setting.
• Robert Silverberg’s “Dark Times at the Midnight Market” (set in the MAJIPOOR universe) is an old-fashioned and utterly charming tale about the effects of a love potion. The ending is a bit predictable, but what comes before has a Jack Vance-like charm I really enjoyed.
• Greg Keyes’ “The Undefiled” offers a dark, mysterious view on godhood and possession, and is one of the most intriguing stories in the anthology.
• Michael Shea’s “Hew the Tintmaster” is listed as a “fully authorized new Cugel the Clever adventure,” and if you’re at all familiar with Cugel, that’s probably enough to get you very excited. When Michael Shea describes his main character (Bront the Inexorable) as having “shoulders as muscled as a titanoplod’s thigh,” and has Cugel introduce himself as an “itinerant entrepreneur,” you know that Jack Vance’s famous character is in very good hands here. This is probably my favorite story in the anthology, although...
• ... Scott Lynch’s “In the Stacks” is a very close competitor. If (like me) you were hoping for Locke Lamora, you’ll be disappointed, but fortunately “In the Stacks” is just as entertaining as the author’s GENTLEMAN BASTARDS novels. This story, about students venturing into a magical library that resembles a significantly less friendly version of Terry Pratchett’s Unseen University library, is simply a blast to read.
• Caitlin R. Kiernan’s “The Sea Troll’s Daughter” is a beautifully told story and maybe the purest actual “sword & sorcery” tale in the anthology.
• Joe Abercrombie’s “The Fool Jobs” is a perfectly entertaining, smoothly told story that ends the anthology on a high note. If (like me) you haven’t had the chance to try the author’s novels yet, you’ll probably feel very motivated to do so, especially after this story’s hilarious ending.

If you happen to have any friends who are under the impression that all fantasy is elfy-welfy, gauzy, long-winded fluff, this showcase of tight, gritty, hard-edged and occasionally very funny fantasy fiction is a great way to rectify their misapprehensions. It’s also a great anthology to get started with some of the genre’s major authors and find out about newer, noteworthy writers. Despite a few disappointing entries by otherwise excellent authors, the overall quality of Swords & Dark Magic: The New Sword and Sorcery is very high. Recommended. —Stefan Raets

Wings of Fire — (2010) With Marianne S. Jablon. Publisher: Dragons: Fearsome fire-breathing foes, scaled adversaries, legendary lizards, ancient hoarders of priceless treasures, serpentine sages with the ages' wisdom, and winged weapons of war... Wings of Fire brings you all these dragons, and more, seen clearly through the eyes of many of today's most popular authors, including Peter Beagle, Holly Black, Orson Scott Card, Charles De Lint, Diana Wynne Jones, Mercedes Lackey, Ursula K Le Guin, Dean R Koontz, George R. R. Martin, Anne McCaffrey, Elizabeth Moon, Garth Nix, and many others

Wings of Fire

I don't like dragons.

This is probably not the first sentence you'd expect to find in a review of Wings of Fire, an anthology devoted exclusively to dragon stories, but I thought it best to get it out of the way right from the start.

There's nothing inherently wrong with dragons. They're just terribly overused, one of those tired genre mainstays that people who typically don't read a lot of fantasy will expect in a fantasy novel because they were practically unavoidable for a long time. To this day, I confess to having to suppress a mental groan whenever I encounter them.

For a long time, I actively avoided reading any fantasy novel with the word dragon in the title. Granted, I made several exceptions to this rule in the past, most notably The King's Dragon by Kate Elliott, Dragon by Steven Brust, and (back when I still read THE WHEEL OF TIME novels) The Dragon Reborn by Robert Jordan. However, the perceptive reader will note that none of the dragons in those titles actually refers to the traditional fire-breathing flying reptile (instead, they refer to an army unit, a Dragaeran noble house, and, well, some guy called Rand). So, I considered all of those exceptions perfectly allowable.

(I should also add here that, despite my dislike for dragons in general, I'm of course a big fan of Mettlestorm the Bookwyrm, seen on FanLit's logo, and designed by the multi-talented Janny Wurts.)

So, with all of this out of the way, I'm here to inform you that Wings of Fire, an anthology of short stories about dragons, is excellent. The line-up of authors is great. The stories deal with a huge variety of dragons, so there isn't too much repetition. Most of the stories are good, a few of them are stunning, and only one or two (out of 26) are disappointing. In short, this is a great anthology.

You may just want to avoid reading it cover to cover, and instead read a few stories here and there between other books, unless you 1) urgently need to turn in your review of the book, and/or 2) have a dragon phobia and are attempting to overcome it by applying prolonged exposure. (In which case, may we suggest one of the lovely tea mugs or t-shirts bearing the likeness of Mettlestorm the Bookwyrm? Just imagine the progress you'll make, seeing your entire family decked out in dragon-decorated gear!)

Listing the 27 authors included in Wings of Fire would lead to a list of names that's too long to read without having your eyes glaze over, but trimming the list down is almost impossible, because almost all of them are big names in the genre. I just wouldn't know who to leave out. So, at the risk of glazed eyes, and in order of appearance: Peter S. Beagle, Ursula K. Le Guin, George R.R. Martin, Holly Black, Michael Swanwick, Nina Kiriki Hoffman, Patricia McKillip, Orson Scott Card, Barry N. Malzberg, Jane Yolen, Margo Lanagan, Elizabeth Bear, Anne McCaffrey, James Blaylock, Pat Murphy, Naomi Novik, Gordon Dickson, Elizabeth A. Lynn, Robert Reed, Charles de Lint, Tanith Lee, Harlan Ellison © and Robert Silverberg, C.J. Cherryh, Roger Zelazny, S.P. Somtow and Lucius Shepard. Only 2 of the 26 stories included here are originals (by Holly Black and Margo Lanagan), so there's a chance that you'll have encountered some of the other ones already, but as editors Jonathan Strahan and Marianne S. Jablon set out to compile "the best and most widely loved stories" they could find, this is perfectly understandable and acceptable.

The variety of dragons included here is amazing (and likely to blow any reviewer's silly preconceived notions about dragons being a "tired mainstay" right out of the water). Fire-breathing dragons, ice dragons, mechanical dragons, dragons built in a garage in the suburbs. Inter-dimensional dragons, and dragons who appreciate classical music. Little dragons that fit on a bookshelf, and dragons so big that entire cities are built around them. Funny dragons and tragic ones. If the anthology has one possible weakness, it's that many people will have a specific idea of what constitutes a dragon (say, something similar to J.R.R. Tolkien's Smaug), and Wings of Fire jumps from one idea to the next, some of them quite non-traditional. On the other hand, it's sure to expand those readers' horizons significantly.

The stories are likewise a mixed bag, from traditional high fantasy to urban fantasy, steampunk, YA, and even one poem. In an anthology that's this varied in terms of styles, almost everyone will have different favorites. Nevertheless, here are the five stories that made the biggest impression on me:

• Elizabeth Bear's "Orm the Beautiful" applies the economics concept of scarcity on dragons in a beautiful, melancholy way.
• Margo Lanagan's "The Miracle Aquilina" (one of the two stories originally commissioned for this anthology) is a powerful, feminist story of quiet strength and independence.
• Gordon Dickson's "St. Dragon and the George" is a funny, touching portal fantasy story that's plays on the legend of St. George, just like Roger Zelazny's hilarious "The George Business."
• S.P. Somtow's "Dragon's Fin Soup" somehow combines a powerful story of changing cultural values with one of the more memorable dragons in the anthology.
• Lucius Shepard's "The Man Who Painted the Dragon Griaulle" impressively closes out Wings of Fire with a layered and intriguing story that mixes art, politics and romance — and like a few other stories in the anthology, it contains enough material to merit a full novel.

But again, other readers may have entirely different favorites, or prefer one of the stories set in established fantasy or SF universes, such as the PERN story by Anne MacCaffrey, the TEMERAIRE story by Naomi Novik, or the EARTHSEA story by Ursula K. Le Guin.

Most themed anthologies will have some armchair quarterbacks complaining that certain authors or stories are missing. I would have loved to see a Terry Pratchett story (his dragons, to be able to generate their fiery breath, have such a complex digestive system, involving a few dozen separate stomachs, that feeding them the wrong thing will occasionally cause one to explode tragically in mid-flight) and a Steven Erikson story (his "Eleint" dragons are simply one of the most powerful and mysterious representations in the genre). Then again, I perfectly understand why they weren't included here — for one, I don't think there actually are any short stories featuring their dragons.

Just like all the best anthologies, there's something in Wings of Fire for everyone. It's a good stepping stone for readers looking for new authors or series to read, and a worthy attempt to show how varied the concept of dragons has become. It makes a good nightstand book, to dip into once in a while. Just don't read all the stories back to back, lest you end up seeing little dragons everywhere. —Stefan Raets