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L.J. Smith

Reviewed by
Rebecca Fisher and Amanda Rutter
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L.J. Smith
Lisa Jane (L.J.) Smith writes for young adults. While you wait for her next novel, you can read L.J. Smith's short stories based on her characters at her website.






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The Night of the Solstice — (1987-1990) Young adult. Publisher: Lured to the forbidden house on the hill, Claudia asks Alys and the twins, Charles and Janie, to accompany her, and together they discover a spell that lets them pass through the house's mirrors into another world.

book review L.J. SMith The Night of the Solstice The Night of the Solstice; Heart of Valorbook review L.J. SMith The Night of the Solstice The Night of the Solstice; Heart of Valor

book review L.J. Smith The Night of the SolsticeThe Night of the Solstice

book review L.J. SMith The Night of the Solstice The Night of the Solstice; Heart of ValorThe Night of the Solstice
, followed by its sequel Heart of Valor, were Lisa Jane Smith's first novels, targeted at younger readers, unlike her later (and more popular) horror/teen romance novels surrounding the lives of vampires, witches, shapeshifters and the like.

In her delving into the fantasy world, L.J. Smith introduces us to the four siblings, responsible Alys, normal Charles, kooky Janie and dreamy Claudia who have absolutely nothing to do with each other. All that changes however, when a red vixen lures seven year old Claudia to the strange house upon the hill and asks for her help in saving her mistress, the sorceress Morgana Shee. Convincing Claudia to bring her brother and sisters to the house, the vixen soon enlists all three of them to help her in her quest.

She explains that the house is called Fell Andred — the House of Mirrors, and that it serves as a gateway between this world, known as the Stillworld, and the Wildworld. Each mirror within the house leads to the Wildworld, and it is through these mirrors that Morgana's kidnapper, the twisted and evil sorcerer Cadal Forge, plans to journey through on the Night of the Solstice to exact revenge on the world that once betrayed him.

But when the vixen disappears, the children are left on their own, with only two weeks before the Solstice, to master the mirrors, rescue Morgana and prevent Cadal Forge and his sorcerie from entering their world.

Its seems a magical premise, but often L.J. Smith's writing style falls short of the narrative. She is best at human nature: relationships between people, responses to the supernatural, the meeting of challenges — all this she handles with ease. However, in the context of the fantasy world she presents exposition of how the Wildworld runs in large, confusing chunks, (usually through someone talking or reminiscing) instead of a gradual unwinding of figures and facts, and often dwindles on the wrong situations — rather than conveying the potentially fascinating history and information of her world in an interesting manner, she gives us Janie overhearing a catty conversion between two school friends that really lends nothing to the story. This is unfortunately a constant trend in the novel: skipping over what could be the most interesting scenes and giving them to us in hindsight (such as Charles luring Elwyn, the creation of the Heart of Valor, and the trio of children [minus Janie] being confronted by the sorcerei).

The pacing is exhausting — the conflicts and problems flit by in rapid succession, jumping from scene to scene with no respite in between from one crisis to the next. Some may consider constantly moving action a good thing (one is never in need of excitement during the course of the story), but sometimes the pacing needs a little rest: it is in restful moments were we get to know the characters a little better, and let them reflect on their thoughts and circumstances.

Solutions to problems often fall into the children's heads out of nowhere, or at least from very unlikely drawn conclusions: (Claudia for example identifies an imposter by the size of her feet as compared to barely-glimpsed footprints in the dust, and Charles sudden awareness of how to combat the Groundsler by its scantily-revealed clues seems out of the blue) and for the most part the narrative goes nowhere — the children travel through the mirror, triumph over a certain obstacle and then return, often with little or no progress in their overall quest.

However, despite my criticism, young fantasy fans will enjoy this: it's exciting, suspenseful and inventive, and L.J. Smith paints vivid pictures of family relations and child perceptions. The comparisons between our sunlit world and the shadowy, night-time Wildworld is delightful, with Morgana's house as a clever gateway between the two. She is a master at creating interesting names (Elwyn Silverhair and Thia Pendriel, for example) and all her plot threads flow together nicely.

Though she is certainly not up to the standards of Susan Cooper and E. Nesbit, L.J. Smith's first novel is a strong, colourful and compelling, and leaves room for a sequel — make sure you have a copy of Heart of Valor on hand after finishing this one. —Rebecca Fisher


book review L.J. Smith Heart of Valor The Night of the SolsticeHeart of Valor

book review L.J. SMith The Night of the Solstice The Night of the Solstice; Heart of ValorHeart of Valor is set a year and a half after the events of the previous book in this two-part series (though both can be read as stand-alone novels), in which four siblings helped the sorceress Morgana Shee prevent the evil sorcerer Cadal Forge from emerging through her magic teleporting mirrors and causing havoc on the world. At the end of 'Night of the Solstice' the doorways to the Wildworld were closed, Cadal was destroyed, and his ally Thia Pendriel managed to escape with the immensely powerful Heart of Valor, a magical gemstone.

All has been quiet since then, with the quirky Janie studying magic under Morgana's guidance, Claudia enjoying her newfound gift to speak to animals, and Alys and Charles simply getting on with their lives. But after what seems like a typical Californian earthquake, the children and the sorceress begin to suspect that Thia is up to something — perhaps trying to re-open the portal between the Wildworld and the Stillworld. Morgana hurries north in order to prevent her, while the children begin to experience dangers of their own — the park is now full of strange and dangerous creatures, bizarre signs can be seen in the sky, and finally their house is attacked by groups of strange elementals. With the sword Caliborn, that gives Alys dreams of ancient Arthurian lore, the children hurry to find Morgana and help prevent Thia from whatever she is planning next...

If in the last book you thought the name 'Morgana Shee' rang a bell, your suspicions will be put to rest here — in the Arthurian legends that L.J. Smith mixes into this book, Morgana plays the part of Morgan LeFay and the Lady of Lake, set against the tricky, but somewhat malevolent Merlin, in an interesting re-working of the old myths.

However, the structure of this book is rather shaky — after conveniently disposing of the children's parents via an overseas voyage, the children do not participate in much of the action till over halfway through the book when they go after Morgana, and the events occurring in the Wildworld (when it should get really interesting) are jammed into the last few chapters of the book. What was supposed to be the climactic showdown between Morgana and Thia lasts less than a paragraph, and the ending is so hurriedly wrapped-up that readers might feel a bit short changed (plus confused at how Alys plans to spend a year in the Wildworld without her parent's knowledge).

L.J. Smith's protagonists are always female — three of her four children are girls, and she's at a complete loss as how to handle her only named male character Charles, who ends up being merely a device to draw yet another female character — Elwyn Silverhair — into the plot. I'm all for strong female roles (I am a girl, by the way), but Smith doesn't to much to extend her reading material to the opposite of sex. If you're a parent looking to get your son/nephew/grandson/whatever interested in books, unfortunately Heart of Valor probably won't help you out.

However, despite its faults, this book is a reasonable, entertaining read, and on par with its predecessor Night of the Solstice. L.J. Smith went on to better fame with her teenage-horror-romance novels, but there are a few hints of her books to come in her first fantasy novels, for instance: the dog attack here resembles that in The Fury, Claudia's ability to speak to animals is like that of Anna Whiteraven's in the Dark Visions trilogy, and the name 'Thia' pops up again in her Night World book Spellbinder, with different spelling: 'Thea'. —Rebecca Fisher

The Vampire Diaries — (1991-2009) Young adult.
The Vampire Diaries: The first omnibus edition contains The Awakening and The Struggle. The second volume contains The Fury and Dark Reunion. Publisher: A Love Triangle of Unspeakable Horror... Elena searching for the ultimate thrill, she vowed to have Stefan. Stefan haunted by his tragic past, he struggled to resist her passion. Damon driven by revenge, he hunted the brother who betrayed him. The terrifying story of two vampire brothers and the beautiful girl torn between them.
The Vampire Diaries: The Return: Publisher: Elena Gilbert is alive — again. When Elena sacrificed herself to save the two vampire brothers who love her — the handsome, brooding Stefan and the sleek and dangerous Damon — she was consigned to a fate beyond death. Until a powerful supernatural force pulled her back. Now Elena is not just human. She has powers and gifts that were bestowed on her in the afterlife. What's more, her blood pulses with an overwhelming and unique force that makes her irresistible to any vampire. Stefan wants to find a way to keep Elena safe so that they can make a life together. Damon, however, is driven by an insatiable desire for power, and wants Elena to rule as his princess. When Stefan is lured away from Fell's Church, Damon seizes his chance to convince her that he is the brother she is meant to be with... But a darkness is infiltrating the town, and Damon, always the hunter, is now the hunted; he becomes the prey of a malevolent creature that can possess him at will, and who desires not just Elena's blood but her death.

The Vampire Diaries
L.J. Smith The Vampire Diaries: The Awakening; The Struggle; The Fury; Dark Reunion L.J. Smith The Vampire Diaries: The Awakening; The Struggle; The Fury; Dark Reunion
Available for download at Audible.com.
The Vampire Diaries: The Return
L.J. Smith The Vampire Diaries The Return NightfallShadow Souls Vampire Diaries The Return Book 2
Available for download at Audible.com.

YA young adult urban fantasy book reviews L.J. Smith The Vampire Diaries 1. The Awakening, The StruggleThe Vampire Diaries: The Awakening & The Struggle

L.J. Smith The Vampire Diaries: The Awakening; The Struggle; The Fury; Dark Reunion Elena is the ice-blonde queen of the school, admired by girls and boys alike. With her friends, Bonnie and Meredith, she enjoys her status and uses it to snag the most eligible boys. However, Elena always feels as though something is missing. When new boy Stefan starts at the school, she suspects she has found what she is looking for, but Stefan manages to resist her charms. Elena makes a vow with Bonnie and Meredith that she will have Stefan no matter what — little suspecting that he hides a deadly secret. When Stefan's brother Damon arrives on the scene, Elena may be in more trouble than she realizes.

I am a big fan of L.J. Smith's writing, and have enjoyed a number of her books. I did enjoy both The Awakening and The Struggle, but felt that they suffered due to an unlikable main character. I believe that Smith is deliberately writing Elena in this fashion, since the heroines of her other series have been characters I could relate to. I found myself admiring these heroines for their integrity, honour and humour. Elena, however, is a hard character to like, at least in these first two books of the series. She thinks way too much about boys (although this is forgivable compared to her other faults, especially considering how much I used to think about boys while at school!):

After all, what was more important than boys? They were the mark of how popular you were, of how beautiful you were. And they could be useful for all sorts of things. Sometimes they were exciting, but usually that didn't last long.

She is completely manipulative when she wants to get her own way:

Throughout Tanner's lecture on Europe, Elena repeated to herself, 'Hello. I'm Elena Gilbert. I'm on the Senior Welcoming Committee, and I've been assigned to show you around the school. Now, you wouldn't want to get me in trouble, would you, by not letting me do my job?' That last with wide, wistful eyes — but only if he looked like he might try to get out of it.

I disliked her to the point that when one of her friends says the following, I almost cheered and completely agreed!:

"You only want everybody and everything revolving around Elena Gilbert," he said bitterly. "You only want everything you don't have."

With this in mind, at the start of the book, I wasn't sure I would like it. And yet the story sucked me in. This is mainly because of the brothers, Stefan and Damon. On the one hand, we have the tortured soul and on the other, the brother who has embraced the darkness. It is a mark of L.J. Smith's superlative characterisation that I genuinely didn't know which of the brothers I wanted to end up with Elena.

Some of the plot devices are less than realistic (which teacher invites his student over for a evening to get to know them?) and some of the subplots become extremely tired (Elena's lost diary), but at the heart of this book is a great love story and its quality shines through. Of all the teen writers, I believe that L.J. Smith captures best how utterly and sweetly in thrall one can be when falling in love for the first time. The burgeoning relationship between Elena and Stefan is impossibly fairytale and yet very realistic (if you disregard the vampire aspect!).

I also like the diary entry method of writing part of the story. It helps to convey Elena’s feelings and gets inside her head properly. I enjoyed the switch in point of view over to Stefan — the way he saw Elena was beautifully done, and the flashbacks to his history were entertaining.

In summary, The Vampire Diaries has some major faults but I couldn't help but love the central romance. Elena and Stefan are Romeo and Juliet for the MTV generation! —Amanda Rutter


YA young adult urban fantasy book reviews L.J. Smith The Vampire Diaries 2. The Fury & The ReunionThe Vampire Diaries: The Fury & The Reunion

L.J. Smith The Vampire Diaries: The Awakening; The Struggle; The Fury; Dark Reunion This is the second bind-up for THE VAMPIRE DIARIES. The Fury and The Reunion were originally published as two separate books; in fact, The Reunion was published some time after The Fury, which effectively closes the trilogy begun with The Awakening and The Struggle). In The Fury Elena, alongside her friends Bonnie and Meredith, struggles to control her nature and discover the source of the evil Power that is haunting Fell’s Church. She knows that the only way it can be defeated is if the two vampire brothers Stefan and Damon can put alongside their lifelong enmity and work together. In The Reunion Fell’s Church is once again being terrorised by an ancient evil. Damon and Stefan are summoned by Bonnie, Meredith and Matt to face down a powerful villain, who is determined to have Elena for his own.

I enjoyed Volume 1 of THE VAMPIRE DIARIES well enough, my biggest complaint being that the heroine Elena was very hard to take to. I had little sympathy for her plight, feeling that she brought a great deal of her troubles on herself. In The Fury and The Reunion, Elena is a far more well-rounded character — someone I delighted in spending time with. Her remorse for her previous actions is genuine and made me warm to her greatly, especially a very sweet and necessary scene with Matt:

“OK, so you’re here. You’re alive,” he said roughly. “So what do you want?”
Elena was dumbfounded.
“Come on, there must be something. What is it?”
New tears welled up, but Elena gulped them back. “I guess I deserve that. I know I do. But for once, Matt, I want absolutely nothing. I came to apologise, to say that I’m sorry for using you — not just that one night, but always...”


In fact, all of the characters are stronger and more developed in these two novels, particularly Damon, who changed from more of a pantomime villain who did evil because he is evil to a man who is conflicted over his relationship with Stefan and seems to want to do the right thing.

L.J. Smith evokes chilling situations with her flowing and very readable prose. We learn along with the characters the nature of the threat, and fear of the unknown creates plenty of spine-tingling moments.

In these two novels, my only complaint was that at times Smith employed deus ex machina to solve her characters’ problems or ensure that they understood what was going on. It smacked as slightly lazy, but could be forgiven when the actual story was so gripping.

Elena and Stefan remain an extremely likable couple in the world of YA vampire fiction. I think anyone who has tried and enjoyed Twilight will gain a great measure of satisfaction from the writing of L.J. Smith and her version of the vampire with the tortured soul. Readable. —Amanda Rutter


YA young adult urban fantasy book reviews L.J. Smith The Vampire Diaries The Return: NightfallThe Vampire Diaries: The Return: Nightfall

L.J. Smith The Vampire Diaries The Return NightfallElena Gilbert has returned from the Other Side, and has to relearn how to live amongst humans. She is helped by the love of her life — Stefan Salvatore, a vampire — and her three closest friends. However, evil forces are gathering around Fell’s Church, drawn by the beacon of a returned soul, and Stefan is snatched away from Elena when she needs him most. She has to turn to his dark brother, Damon, for help — never knowing for certain what motivates Damon or whether he has been possessed by the dark forces that want to steal Elena for themselves.

Unfortunately, The Return: Nightfall is a horrific mess of a story. It is a long rambling book — almost 500 pages, which is a great deal longer than any of L.J. Smith’s previous novels — and seems to leap from event to event without any obvious connection. Some of the writing is terrible, and disappointed me greatly because usually Smith’s prose is so very good. I just didn’t understand some of the descriptions Smith used, such as in the following passage:

Tears pooled in Bonnie’s brown eyes. “I didn’t mean-”
But she didn’t get to finish. Meredith and Elena drew in protectively around her in the solid phalanx of what they called ‘velociraptor sisterhood.’ It meant that anybody messing with one of them was messing with them all.


I honestly didn’t get this reference, and it was mentioned a couple of times through the book — why would anybody refer to themselves as a velociraptor sisterhood? What does that even mean?

There is also a quote from the book which seemed to indicate the way in which L J Smith wrote this novel:

The knowledge seemed to come moment by moment as she needed it.

It felt as though Smith was never in control of this story — that she was throwing ideas at the pages and hoping they would stick to create a coherent whole. None of her characters are consistent with how they are written in the four previous novels. Sure, on the surface Bonnie is still impetuous and fiery, Meredith cool and collected; but at times they would do something so wildly out of character that it jarred me from the story horrendously.

What made this so disappointing is the fact that during brief periods, the prose still soared in the way I have come to expect from L.J. Smith. When she is on form, I genuinely believe that there is no other YA author who can touch her, but sadly there is very little of that in Nightfall, the below excerpt being a rare exception:

She had seen him when she was a human girl, and she had defied him and desired him in equal measure, and he had seemed to love her best when she was defying him.

She had seen him when she was a vampire and had been drawn to him with all her being, and he had cared for her as if she were a child.

He was a womaniser, he could be callous, he drifted through his victims’ lives like a chimera, like a catalyst, changing other people while he himself remained unchanging and unchanged...

In all honesty, I was never sure why Smith revisited The Vampire Diaries after the first three books, which presented an excellent tale with a very natural and moving ending. I could sort of accept book 4, since there was clearly a decent story in place. Book 5 is a step too far, and ensures that I shall not be picking up any further novels in the world of Elena and Stefan. Some authors need to learn to quit while they’re ahead. I recommend pretending that this book doesn’t exist. —Amanda Rutter

The Secret Circle — (1992) Young adult. Omnibus editions available. Publisher: Seduced by the Secret Circle, a coven of young witches whose power has controlled New Salem for three hundred years, Cassie falls hopelessly in love with the leader's boyfriend and falls prey to dark powers.

L.J. Smith The Secret Circle The Initiation; The Captive; The PowerL.J. Smith The Secret Circle The Initiation; The Captive; The PowerL.J. Smith The Secret Circle The Initiation; The Captive; The Power

YA fantasy book reviews L.J. Smith The Secret Circle 1. The InitiationThe Initiation

L.J. Smith The Secret Circle The Initiation; The Captive; The PowerCassie Blake is distraught when her mother decides to uproot to the small town of New Salem in order to take care of a grandmother who Cassie had never even met before. But that is only the start of her problems. Starting a new school, trying to make new friends — and discovering that some of the people she would most like to befriend are all part of some secret Club that Cassie is not permitted to join. Then a girl dies and Cassie is finally initiated into the Secret Circle, learning that magic is more than just a folktale.

These days the YA market is flooded with paranormal activity — witches amongst them. But in 1992 when LJ Smith first wrote The Secret Circle trilogy it was something fresh and new — and should be reviewed with that in mind. LJ Smith was producing well-written compulsive novels about teenagers in love LONG before Edward Cullen was even a glint in Stephenie Meyer's eye.

The opening book of The Secret Circle reads at a breakneck speed. Smith does not linger on too many opening details, just sets the scene so that Cassie is placed in New Salem ready for the main action to begin. This, as far as I am concerned, is a positive because Cassie's life prior to her move is not of interest and therefore need not be lovingly expanded.

The biggest strength of Smith's writing is the characters. Here she handles a main cast of twelve with some peripheral characters who will play a further role in the subsequent two novels. To sufficiently flesh them out and give them strong characteristics that ensure you want to read more about them in such a slight novel (my edition is only 287 pages) takes real skill. And her physical descriptions are just wonderful:

It occurred to her, quite incidentally, that these were probably the three most beautiful girls she'd ever seen. It wasn't just that each had perfect skin, free of the slightest trace of teenage blemishes. It wasn't their gorgeous hair: Deborah's dark disordered curls, Faye's pitch-black mane, and Suzan's cloud of reddish gold. It wasn't even the way they set each other off, each one's distinctive type enhancing the others' instead of detracting from them. It was something else... A kind of confidence and self-possession... An inner strength, an energy...


Cassie is a very strong main character — by her own admission, she is shy and not very outgoing. However, these traits never become the absolute focus of Cassie — rather, they are just a part of who she is. She has massive potential for growth and character development which I am looking forward to exploring in future novels. In fact, most of the characters feel very real — they have foibles, and both good and bad qualities. The Henderson brothers and Sean suffer a little in The Initiation from not gaining much 'screen time,' but this will be remedied later.

I also love the innocence of the romance — this is definitely early 90s YA. Kissing is as far as these teens are prepared to go, and I for one love this. In more recently published YA there is often far too much focus on young girls going further than they perhaps should, and The Initiation harks back to a more chaste time.

The only real problem with The Initiation is that it is very much the opening book in a trilogy, so we are really only getting to know the characters and touching on the main gist of the plot, which will be fleshed out in The Captive.

Anyone who has come to the YA paranormal romance genre recently should definitely check out this opening novel in a classic trilogy. I adore all three books beyond reason and very nostalgically. LJ Smith has a fine ability to write characters you will end up caring deeply about, and her prose is magnificent. Highly recommended. —Amanda Rutter


YA fantasy book reviews L.J. Smith The Secret Circle 2. The CaptiveThe Captive

L.J. Smith The Secret Circle The Initiation; The Captive; The PowerThe Captive is the second book in the Secret Circle trilogy by L.J. Smith. In this book Faye tightens her hold around Cassie, blackmailing her over her love for Adam and forcing her to betray Diana. At the same time the Circle learns that a dark power is on the loose and killing, and Cassie begins to suspect that the crystal skull recovered from Black John's articles is behind the deaths.

L.J. Smith has written a number of trilogies in the YA paranormal arena, and excels at the format. The middle book of her trilogies draws upon and builds the characters introduced in the first novel, while laying the groundwork for the main thrust of the plot that will be delivered in the final book. There is little overall resolution to any of the plotlines in The Captive. In fact, it ends on something of a cliffhanger, so you might like to have the third book to hand prior to starting, or else risk frustration at wanting to know what happens!

Here, we see Cassie grow and develop as a character. She begins to use her power more, and interact with all the members of the Secret Circle — which, in turn, brings some characters to the fore who were merely brush-stroked in the first book. For instance, we get to know Deborah better and are able to relate to her more.

The reason I like The Captive — and indeed, the whole Secret Circle trilogy — is that the writing is simple yet flowing. It is very easy to read; I swept through it in a single sitting. The main strength in the writing, as pointed out with the first book, is the excellent characterisation. You want to read about these characters; you care about what happens to them.

One negative point for me is that the magic is very simplistic — candles, crystals, herbs, that sort of thing. There is no real evidence of the innate magic that these teenagers are supposed to have within them, and suspension of disbelief is a little hard.

Regardless, the whole trilogy is worth picking up, if only to see how paranormal fantasy for young adults should be written! Recommended for anyone who is currently enjoying the explosion of fiction in the YA arena on the back of the Twilight craze. —Amanda Rutter


YA fantasy book reviews L.J. Smith The Secret Circle 3. The PowerThe Power

L.J. Smith The Secret Circle The Initiation; The Captive; The PowerThe Power is the third and final book in The Secret Circle trilogy by L J Smith. In this story, the Circle are shattered by Faye's revelations at a time when they need to be at their strongest. Black John is back, and Cassie is horrified when it is revealed why she feels such a strong connection with him. He has returned to claim the Master Tools and become the leader of the coven of twelve that he had such a hand in creating — which means that one member of the Circle must die...

L J Smith writes perfect teenage escapist fiction — as long as you suspend your disbelief and don't look for the plot holes. Although the first two books in the trilogy (The Initiation and The Captive) are pretty strong, and thoroughly enjoyable reads, The Power is not as captivating.

My main problem was the sudden switch in focus between Nick and Adam, the two men who Cassie is attracted to. Because Adam is with Diana, and forbidden to Cassie, she looks to Nick for a relationship — and that relationship is written in a very sweet manner. Nick becomes a character who I really enjoyed reading about — the gradual thawing of his cold manner and the way he becomes so protective of Cassie are extremely well-written. So it was a disappointment to discover the way that L J Smith chose to resolve the situation, and this coloured my reading experience.

There was not enough book for the plot development that L J Smith added concerning the change in attitudes of the 'outsider' school children, and then the switch to something approaching truce. It all rattled through at a breakneck pace, which felt a little too fast. In the first two books the pace was balanced well with the plot development and the strong characterisations, but here Smith tried to pack in too much.

As with The Initiation and The Captive, I did love the way Smith wrote these characters. Over the course of all three books she has managed effectively to juggle twelve personalities, depicting their different attitudes, abilities and emotions with rare skill. There was never a moment when a name was mentioned and I thought 'Who is this one again?'

I read this trilogy with great nostalgia and fondness for characters that I first discovered in my teens, and I was pleasantly surprised to realise that the books stand up to both adult eyes and a second read. They give a lesson to any YA authors who wish to write strong female characters and genuinely gorgeous male characters. The Secret Circle is recommended as a trilogy, despite the fact that the third book is not as strong. —Amanda Rutter

The Forbidden Game — (1994) Young adult. From the Author's website: Jenny wants to get her boyfriend, Tom, a special game for his birthday party. However, she can’t help but be fascinated by the boy with the white-blond hair who sells her a strange game as a present. It turns out that the boy, Julian, is the youngest of those from the Shadow Lands, a race of evil beings who live invisibly just beside our own world. Once Jenny opens the game, she is in his land. Julian is determined to seduce her, but he has to work by a set of inflexible rules, only touching Jenny where she has reached for him.  In the fantasy house that Julian has created, where everyone at the party must face their greatest fear, Julian himself is Jenny’s worst nightmare... and maybe her dream lover, as well.

Original Trilogy:
book review L.J. Smith The Forbidden Game The Hunter; The Chase; The Killbook review L.J. Smith The Forbidden Game The Hunter; The Chase; The Killbook review L.J. Smith The Forbidden Game The Hunter; The Chase; The Kill
Omnibus:
book review L.J. Smith The Forbidden Game The Hunter; The Chase; The Kill

fantasy book reviews L.J. Smith The Forbidden GameThe Forbidden Game

book review L.J. Smith The Forbidden Game The Hunter; The Chase; The KillWell, I do have to thank the Twilight phenomena for one thing at least, and that's that the collected trilogies of Lisa Jane Smith have been pulled out of the Simon and Schuster publishing vault, given brand spanking new covers, and re-released for both a new reading audience, and old-time fans who are ready to fill in the gaps on their bookshelves.

Out of all Smith's body of work, it was The Forbidden Game that I was least familiar with. First published as a trilogy, the middle book was on the shelf of my school library, but the preceding and concluding installments were impossible to get hold of. For the last six years or so, all I had experienced was a story with no beginning and no end. As such, it was with immense satisfaction that I settled down with all three books handily bound together in one omnibus volume, previously published separately as The Hunter, The Chase, and The Kill.

Jenny Thornton is preparing a party for her boyfriend Tom, and is exploring the neighborhood in search of a game that will entertain her core group of friends. Escaping from a couple of intimidating young men leads her into an unusual shop that seems to have exactly what she's looking for: a unique and unforgettable game — or so the shop owner promises her. Unnerved by his white hair and intense gaze, Jenny buys the game and hurries home where her friends await: sophisticated Audrey, spunky Dee, introverted Zach, cheerful Mike, winsome Summer, and of course, her football star and ruggedly handsome boyfriend. Though Jenny is having second thoughts, her friends immediately pounce on the mysterious game.

They're going to get more than they bargained for. Though I don't want to give away the specifics of a marvelously twisty plot, the teenagers find themselves sucked into a real-life game in which they are forced to confront their darkest fears, all of which has been planned by the Shadow Man, a mysterious and malignant youth who gets a kick out of tormenting them, but has a particular interest in Jenny...

Divided into three books, each one is based on a particular type of game that the protagonists are forced into: a race, hide-and-seek, and finally a treasure hunt, with the stakes escalating each time. Amazingly, this formula avoids feeling repetitive, mainly because the characters grow and change over the course of their adventures, the format of each game is radically different, and the prize at the end of the game changes each time.

In terms of genre, The Forbidden Game sits squarely between Smith's usual paranormal-romance fare, and her earlier (and less known) work: two fantasy adventure stories for children; in this case it's also quite reminiscent of the cult-classic Labyrinth. Since I still harbor suspicions that Stephanie Meyer was very heavily influenced by the writing of L.J. Smith, it's safe to say to any young YA reader who slavishly worships at the shrine of Edward Cullen will also find something to enjoy here. Smith uses the same storytelling elements to great effect: love triangles, a basis in well-known myths and legends, the power of friendship, and the melding of teenage issues with the supernatural realm. She also excels in her creation of what is generally known among literary types as "the cute but troubled bad boy." Put a supernatural spin on an insanely good-looking suitor who is completely undone by our young heroine and you'll have your target audience swooning in the aisles.

I must say however, that I found myself slightly puzzled over Julian's obsession over Jenny; not because she wasn't a strong and likeable female character, but because she was flanked by two best friends that were far more interesting: Dee, the brave and reckless Amazonian, and Audrey, the worldly yet sensitive Intellectual. If I was an immortal with a fascination for humanity, I'd have my eye on those two...

Still, Jenny deserves the title "heroine," particularly by the end of the three parts. Amusingly though, Julian admits to Jenny at one stage that he's been watching her throughout her lifetime, even at night when she's sleeping. Being a sensible young woman, Jenny is hardly impressed by this; rather she feels disturbed and violated. Are you listening, Bella Swan? Despite my uneasiness about the entire mindset (not just here, but in YA books in general) that postulates that a dangerous, abusive, malevolent male can be "saved" or "redeemed" by the love of an innocent young woman, I appreciate that Jenny's entire story arc is ultimately summed up in the mantra: "I am my only master." I can get behind that message for young girls.

The Forbidden Game ends up being Smith's best trilogy since The Secret Circle, a frantic and exciting story, littered throughout with clever riddles and twists, in which the teens must rely on their wits, courage and each other in order to survive the ordeal ahead of them. Smith can make situations truly frightening without veering off into gore or vulgarity, and has a wonderful grasp of these characters and what they're capable of. The bittersweet ending is handled well, and like many others have admitted, I too was up reading till the early hours of the morning.

As far as lightweight YA reading goes, L.J. Smith's nineties material is still relevant, and a welcome re-addition to the bookstores. —Rebecca Fisher

Dark Visions — (1994-1995) Young adult. Publisher: Kaitlyn Fairchild's prophetic drawings frighten her, but she is offered a scholarship to the Zetes Institute with four other psychically gifted students that seems like a new beginning — until they discover an experiment that can destroy them all.

book review L.J. Smith Dark Visions The Strange Power; The Possessed; The Passionbook review L.J. Smith Dark Visions The Strange Power; The Possessed; The Passionbook review L.J. Smith Dark Visions The Strange Power; The Possessed; The Passion
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fantasy book reviews L.J. Smith Dark Visions
Omnibus edition

fantasy book reviews L.J. Smith Dark VisionsDark Visions

fantasy book reviews L.J. Smith Dark VisionsIf You've Got Darkness in Your Nature, You Might as Well Enjoy It...

One of the beneficial side effects of the sudden surge in paranormal teen romance is that Lisa Jane Smith's novels have been republished. They were essential reading material in my adolescence and getting the chance to reread them in my twenty-something-hood has been lots of fun. Supernatural creatures, love triangles, empowered heroines, a solid story, and clear narrative with just a hint of purple prose are the staple ingredients in any L.J. Smith trilogy.

Kaitlyn Fairchild is isolated and ostracized in her small town, considered a witch by her peers and plenty of adults too due to her ability to draw precognitive visions. She can never find a way of preventing her dark visions from coming true, leading to circulating rumors that she not only sees the future, but is responsible for it too. A life-line comes in the form of admission to the Zetes Institute after a viewing test confirms her physic powers.

The administrator Joyce Piper promises that the research will grant her control over her powers, as well as a college scholarship for the future, and Kaitlyn accepts. At the Zetes Institute she is joined by four other young teenage psychics with different powers, with the added complication of one having been recently released from juvenile prison. Despite this, Kaitlyn finds herself at home and accepted amongst her fellow psychics: Rob Kessler (a healer), Lewis Chao (psychokinetic), Anna Whiteraven (communicates to animals) and Gabriel Wolfe (a telepath; and yes, that's really his name), whose powers can be fatally harmful to other people.

But soon it becomes clear to Kait that things aren't all they seem at the Institute, particularly not with Mr. Zetes. An assistant whispers ominous warnings, there are rumours of past experiments that ended badly for the subjects, and Kaitlyn herself draws several cautionary pictures.

This particular story (like most of L.J. Smith's works) is divided into three parts, having been originally published separately as The Strange Power, The Possessed and The Passion. The best part about this republication is that the story is contained within one volume for the first time, negating the need to go hunting for three different books. A side-effect is that parts two and three contain "info-dumps" within the first few chapters that recount what's been happening in the previous book, something that could have been fixed with a little editing in order to let the narrative flow more smoothly. However, the fact remains that this particular story works better as one complete publication, with The Strange Power dealing with the young group of psychics adjusting to their powers and one another, The Possessed(which, oddly enough, involves no possession of any kind) chronicling their "fugitive field trip" in which they try to find answers and sanctuary in a mysterious house that's been haunting their dreams, and finally The Passion involving Kaitlyn's solo mission to infiltrate her previous home as a spy amidst a host of dark psychics.

Though this is not Smith's best or most creative trilogy (in fact, if you've read her other works, it can feel quite formulaic) it still serves as a strong, interesting, diverting story of mystery, suspense, empowerment and choices, containing what feels like legitimate research on psychic phenomenon. Like all L.J. Smith's heroines, Kaitlyn is drop-dead gorgeous, and even has "magical eyes," (described as smoky blue with dark blue rings in them) but she also has a backbone and a sense of her own self-worth. Even better, she's not a shrinking violet to either one of her love interests, and in her finest moment she tells one of them, who is trying to forcibly remove her from a situation: "I am not an object, something to be picked up or carried away or passed around!"

Wow — can you imagine Bella Swan saying this to Edward Cullen? I can't.

Okay, I wasn't going to bring in the inevitable TWILIGHT comparison, but my copy of this book had a small purple sticker on it that stated: "If you like Edward, you'll love Gabriel." So, since the publishers have deliberately opened themselves up for the contrast, how do these two series measure up against one another?

They are geared toward the same target audience with many of the same components, and so it's safe to say that if TWILIGHT appeals to you, so will Smith's canon of work (with the added advantage of better writing and faster pacing). Despite being first published in the 1990s, Smith's work has aged well thanks to a lack of attention given to clothing trends and technology, giving it a slightly timeless context.

As supernatural romances go, both Stephenie Meyer and L.J. Smith have an interest in the "bad boy" persona. Gabriel, for the record, isn't that much better than Edward as a suitor you'd want your adolescent daughter to be longing for. He acts like a jerk, has a criminal record, steals a car, makes sleazy remarks, betrays her trust, has casual sex with another girl (if there was another reason for why Laurie Frost exits his bedroom first thing in the morning, followed by a half-dressed, "satisfied" looking Gabriel, it's never explained), physically prevents Kait from leaving a room, threatens her, and causes her deliberate psychic pain in the attempt to take something valuable from her (though she doesn't feel resentment toward him because — you guessed it — he didn't really mean it). Kaitlyn also has the choice of Rob Kessler as a potential boyfriend, and though nothing could ever top the amount of times Edward Cullen is likened to an angel, Smith comes pretty darn close with Rob.

But as a female protagonist, Kaitlyn is an eminently sympathetic and strong role model; moving from a moody and bitter teenage girl who longs to find her place in the world, to a strong and capable young woman who has mastered her abilities, she adheres to a strict moral code in a world that is filled with shades of grey and isn't defined by what boy she's dating.

There are some narrative problems: Mr Zetes makes for a rather cardboard cutout villain whose only motivation is monetary gain (though the name is quite clever: to get its full significance, consult a book of Greek mythology), and although Anna and Lewis have the most useful powers, they seldom get the chance to use them in creative ways.

But I am sincerely enjoying my trip down memory lane with the republication of my teenage years' reading material, and I've been happily surprised to find that L.J. Smith's books have more or less held up to my fond memories of them: hardly great literature, but a fun, rewarding read nonetheless. —Rebecca Fisher

Night World — (1996-2010) Young adult. These have been re-released in omnibus editions, but you can find used copies of the original versions by clicking through to Amazon. The first omnibus contains Secret Vampire, Daughters of Darkness, Spellbinder. The second omnibus contains Dark Angel, The Chosen, Soulmate. The third contains Huntress, Black Dawn, Witchlight. Publisher: The pain was something Poppy couldn't ignore. The diagnosis was death. There was no hope — until James appeared in the darkened hospital room. James, her best friend and secret love, the handsomest boy in El Camino High. But this was a James she didn't know, menacing yet irresistible as he offered Poppy the gift of eternal life. Only he could open the door to the Night World, and spirit her into its lonely, secret universe. One dizzying kiss and she can see into his soul. She finds that he has always loved her. They're soulmates — but can she follow him into death and beyond? It's a desperate choice, and Poppy's time is running out...

L.J. Smith Night World: 1. Secret Vampire 2. Daughters of Darkness 3. Spellbinder 4. Dark Angel 5. The Chosen 6. SoulmateL.J. Smith Night World: 1. Secret Vampire 2. Daughters of Darkness 3. Spellbinder 4. Dark Angel 5. The Chosen 6. SoulmateL.J. Smith Night World review Soulmate Huntress Black Dawn Witchlight Strange FateL.J. Smith Night World review Soulmate Huntress Black Dawn Witchlight Strange Fate
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book review L.J. Smith Night World Secret Vampire, SpellbinderThe Night World: Volume 1

L.J. Smith Night World: 1. Secret Vampire 2. Daughters of Darkness 3. Spellbinder 4. Dark Angel 5. The Chosen 6. SoulmateSo This is the Night World…

First published between 1996-1998, Lisa Jane Smith's Night World series was released as a ten-book series...only the final book never arrived. Smith took a ten-year hiatus from writing, leaving the final book unwritten and the steadily-building story incomplete. But now, finally, the end is in sight. Simon and Schuster are republishing the series in three-book omnibuses in anticipation for Strange Fate the last in the series that has left us hanging for over ten years.

Like so many, I was a teenager when I first began reading her books and it was a certain sense of nostalgia that brought me back again. Although her stories stretch a certain amount of credibility, they are undoubtedly superior to most run-of-the-mill supernatural teen books. The basis premise is a winner: "the Night World" is a secret society made up of vampires, witches and shapeshifters that live in total secrecy among humankind. The superior numbers of humans have driven them into hiding, but they still consider themselves superior to the "vermin" that surround them. As such, there are only two rules regarding their treatment to the human race: that they are never to be told about the Night World, and never to fall in love with one of them.

What follows is a series of somewhat interrelated stories that tell just what happens when (wait for it) these rules get broken. Although the beginning of the series tells more stand-alone stories, later on the series begins to deal with plot-points and characters that cross-over from book to book, including the coming apocalypse and the measures that both good and evil take in order to prepare for it. Although the first four or so books tend to be less exciting than later installments, they do set the ground-work for the series as a whole, introducing us to several concepts and characters, as well as the mythos and history of the Night World that provide background and resonance. One fun aspect is the use of cameos and namedrops of characters that appear in past/future books (Ash pops up frequently), and a surprisingly complex history of the Night World.

Secret Vampire deals with life-long friends vivacious Poppy and stoic James, who reassess their relationship when Poppy is diagnosed with cancer. Since it is terminal, James comes up with a new solution: turn Poppy into a vampire, like himself, despite the fact that such a thing is forbidden by the laws of the Night World.

It is an intriguing premise, but not quite as strong an opening into the series as it could have been. Poppy is a bit of a nitwit, doing something amazingly stupid toward the end of the story, and there's a contrived dues ex machine ending (yes, it's foreshadowed...but still).

Daughters of Darkness follows a murder-mystery plotline, as three vampire sisters arrive at Briar Creek only to find that the great-aunt they've arranged to stay with has been staked through the heart. From a nearby hill, astronomer Mary-Lynette watches with astonishment as the girls bury a body-bag in the front garden, and soon has her young brother Mark helping her investigate the three newcomers.

But when the girls' older brother Ash comes to town in order to drag his sisters home, he finds himself caught up in the mysteries that pervade Briar Hollow, particularly his strange connection to Mary-Lynette. Ash is probably one of Smith's most popular characters, and the Ash/Mary-Lynette relationship is the only one in which the destined-soulmates deal actually works for me. Maybe it's because neither character is too keen on the idea, maybe because the story ends a little bittersweetly. Either way, Smith pulls it off.

Finally, in Spellbinder Smith turns her attention away from vampires and focuses on witches, namely two witchy cousins: Thea and Blaise Harman. Thea tries to stay out of trouble, whilst Blaise enjoys playing with the human world for fun — making boys fall in love with her before discarding them. But Thea is the one in deep trouble when she falls in love with a human, something that only endangers him from both Blaise and the Night World.

Once again, this installment is a little weak. The main plot has too many fits and starts, and is littered with numerous subplots. There are several elements that have been borrowed by Smith's previous trilogy The Secret Circle (in fact, Thea and Blaise themselves are pretty much carbon-copies of Diana and Faye) and Thea/Eric simply aren't that interesting, especially on the heels of Ash/Mary-Lynette.

If you enjoy teen-supernatural-romance-thriller type books, but find that this particular omnibus is a bit bland, then I'd recommend hanging on for just a bit longer. On the whole, the three stories are interesting and competently told, despite a few shortcuts taken in the narrative (often they rely on someone acting like an idiot, and the concept of "soulmates" is a way of forming insta-couples out of thin air). But they are still entertaining reads, and the series as a whole improves significantly by book five.

Even though this series is veritably full of good-looking vampires, the female protagonists have more to do with their lives than moon over them incessantly. They have their own friends and family, their hobbies, dreams and ambitions, and more often than not choose humanity over vampirehood. Furthermore, they themselves play essential parts in decision-making, take personal responsibility for their actions, and more often than not, end up saving both their love interests and the day.

Many teenage girls goes through a stage of crushing on a fictional vampire anti-hero and wishing they could be a female protagonist in a book. They could do worse than one of LJ Smith's characters. MUCH worse.

For a trip down memory lane, it was great to catch up with this familiar “world-within-a-world” and the characters that inhabit it. LJ Smith has recently begun a new trilogy that serves as a sequel to her most famous series The Vampire Diaries: The Return: Nightfall, which sadly has not been well-received by readers. Let's hope things shape up before Strange Fate. —Rebecca Fisher


book review L.J. Smith Night World 2. Dark Angel, The Chosen, Soulmate The Night World: Volume 2

L.J. Smith Night World: 1. Secret Vampire 2. Daughters of Darkness 3. Spellbinder 4. Dark Angel 5. The Chosen 6. Soulmate There Is Plenty of Darkness...

The first omnibus edition of The Night World sets up the basic premise of the Night World, introducing several concepts and characters that pop up again in later books, and are quick, entertaining reads. But it's not until the fifth story (found in this collection) in the series that things really get moving, and Smith begins to draw on her established history of the Night World, bring back past characters, and begin to set the scene for more epic things to come.

Dark Angel is unfortunately the weakest book in the entire series, namely because it has little to do with the Night World at all. Gillian Lennox is walking home from school one day when she's overcome by hypothermia and succumbs to the cold. Yet on her way up the infamous "tunnel of light" she is met by a spirit who calls himself her guardian angel and sends her back to earth, claiming that it is not yet her time.

But when she revives, she realizes that her "Angel" has come with her and acts as her guide in gaining much-coveted popularity in her school, as well as the attention of her long-time crush David. And yet, as time goes by, Angel starts to make more sinister demands of her that begin to have dangerous repercussions to those around her.

To introduce a character by having her wander off alone into the woods to investigate a strange noise is certainly not the best way, and Gillian never comes across as particularly bright. Likewise, her connection with David is undoubtedly the blandest romance in the entire series (and he doesn't seem to be a particularly good catch anyway, only noticing her after she's changed her physical appearance, and almost kissing her whilst already having a girlfriend). Although Gillian does have a connection to the Night World, and we do get a cameo appearance from Ash, it doesn't make up the bulk of the story, and this story would have been better as a stand-alone novel rather than a book in a series.

But it is the next two stories in this collection in which things really start to get interesting.

The Chosen centers around Rashel Jordan, a young woman whose mother and brother were killed by a vampire when she was just a child. Now she spends her nights hunting down vampires, sometimes with a group of fellow vampire-hunters, but often by herself. However, during a mission to investigate the disappearance of several girls in the area, she is horrified to discover that she's compelled to let a captive vampire go free after her fellow hunters resort to torture.

Thus she is forced to act alone when she rescues a teenage girl and discovers that the vampires in the area (including the one she spared, Quinn) have been kidnapping humans for the slave trade. Going undercover, she plans to get into the local club, become one of Quinn's "chosen" and get herself into one of the hidden vampire enclaves. Of course, it doesn't quite go as smoothly as that, but The Chosen is suspenseful, surprising and even rather poignant at times.

Finally Soulmate really brings Smith's idea of the soulmate principal to the fore, in the installment that is probably more centered on romance than any of the others (and has the most convincing couple since Ash/Mary-Lynette). Hannah Snow goes to a psychiatrist in order to understand the reason for her nightmares and the strange warning notes that she's subconsciously writing to herself. Undergoing hypnosis, Hannah travels back through her numerous past lives in which she is apparently the victim of a vampire that stalks her down through the ages.

Despite several plot-holes, Soulmate is one of the better ones simply because we get a large chunk of the Night World's history as well as plenty of foreshadowing as to what's to come (namely, our first mention of the apocalypse) and appearances from nearly all of the main characters of the previous books. Smith has always had fun with cameos and namedropping in previous books, but for the first time we finally get a sense of the collective movement of certain organizations and the impact they have on Smith's created sub-world.

The Night World series shouldn't be mistaken for anything other than light reading for young teenagers, but there is a certain weight and gravitas to Smith's stories that lift them above your standard vampire/supernatural/romance fare (or maybe that's just the nostalgia talking). In either case, the series goes from strength to strength, as by the next omnibus, things get even darker for our assorted heroes. The female characters are intelligent, self-sufficient, and never wait around for their boyfriends to come save them, and the stories themselves are brisk, interesting, and build on a solid-gold premise of mystery and danger.

Although the "soulmate principle" does feel like a somewhat lazy way of bringing too people together without them having to get to know each other (hmm, sounds like another vampire/human girl couple I know...) at least in this case the concept has a purpose in the larger story-arc of the Night World and humankind reaching some kind of peace together, and both parties have to work in order to enjoy their togetherness. Hopefully, our ten-year wait for the final book in the series Strange Fate, will be worth it.
Rebecca Fisher


book review L.J. Smith Night World 3. Huntress, Black Dawn, WitchlightThe Night World: Volume 3

L.J. Smith Night World review Soulmate Huntress Black Dawn Witchlight Strange FateFour to Stand Between the Light and the Shadow...

Whereas the first Night World omnibus set up the basic concept for the Night World and the rules in place for its existence, the second began to give the sense that all the stories were interconnected rather than one-off stories. With each installment, more was learned about the history of the sub-world, the concept of soulmates, and (particularly in this final omnibus) the coming of the end of the world. Such was the case for the first nine books in this series, but unfortunately, the final book in the series was never published, leaving readers hanging as to how the story ended.

For example, despite the fact that each book features a new female protagonist, other secondary characters often pop up in cameo appearances, and there is the sense that the world around them is changing as each book goes on. Concepts such as Circle Daybreak and the soulmate principal grow and adapt in meaning, and we get assorted clues that we are headed toward an apocalyptic battle between good and evil.

This is especially clear in this, the final omnibus in the series, in which Smith introduces the idea of the Wild Powers and the apocalypse. It is prophesied that at the turn of the millennium (hmm, since that's come and gone without a hitch, I think we can assume that the good guys were successful) the world will be plunged into chaos and darkness, and only four individuals known as the Wild Powers have any chance of stopping it. But since the prophesied "chaos and darkness" is of the unspecified sort, many Night World inhabitants believe that this is their chance to take back control of the world and see the Wild Powers as a threat.

Therefore, it is up to Circle Daybreak, an organization committed to securing peace between all the races, to not only identify the Wild Powers, but to keep them save from the Night World, secure their cooperation in the coming battle, and help them harness their inherent ability to call up blue fire. All they have to help them in this task is a prophesy that provides clues as to who these Wild Powers are:

One from the land of kings long forgotten,
One from the hearth which still holds the spark,
One from the Day World where two eyes are watching,
One from the twilight to be one with the dark.


Huntress concerns Jez Redfern, a young vampire who is horrified to discover that her mother was a human, making her an unheard-of human/vampire hybrid. Leaving her close-knit gang of vampires, she turns her back on her past and joins Circle Daybreak, living with her mother's human family and secretly hunting down renegade Night World citizens in her spare time.

She isn't quite successful in juggling her double-life (especially not with her suspicious cousin Clare), but that's hardly her most pressing concern when Circle Daybreak recruits her for a new mission. It would seem that they have information on a Wild Power: someone in the Night World claims to have found one. The reason Jez has been chosen is because the person who is proposing to sell this information to the highest bidder is none other than Morgead Blackthorn, a member of her old gang.

Going undercover into her old territory, and hiding the terrible secret of her lineage as she investigates Morgead's claim, Jez attempts to uncover the mystery of the potential Wild Power before any of her former-friends catch on to what she's really up to.

It is in Black Dawn that a suspenseful complex story and the strongest protagonist of the entire series are united in order to make the undisputed best book of the entire series. When Maggie Neely learns that her brother disappeared and is presumed dead whilst mountain climbing, she immediately suspects that his girlfriend's story is a lie. Trailing Sylvia back to her apartment, she confronts the older girl, only to pass out and wake up in a slave-trader's cart.

While unconscious, Maggie has been transported to a secret enclave within the Night World: a hidden kingdom in the mountains that is permanently cut-off from the human world save for the kidnapping of slaves to work in the castle that lies at its center. Along with three other slaves (that include a mysterious young blind girl) Maggie manages to escape only to find herself caught up in the fate of the kingdom and the people therein.

Even out of the context of the rest of the series Black Dawn is a great story. Smith manages to juggle several subplots, including Maggie's search for her brother, her escape from the slave-traders, her relationship with the vampire Prince Delos, the identity of the next Wild Power (the one from "the land of kings long forgotten"), and the political machinations that go on in the Night World. Maggie is without a doubt her strongest, most realistic protagonist who manages to be both tough and compassionate.

In Witchlight Smith finally turns her attention toward shape-shifters, the race that we know the least about. Here, a werepanther called Keller leads a three-person team consisting of herself, a witch and a vampire to retrieve the third Wild Power. As well as this, Iliana Dominick also happens to be the Witch Child: the young woman prophesied to marry the son of the First House of shape-shifters and in doing so unify the shape-shifter and witch families.

Keller's problems are threefold. Firstly, Iliana is a "lost witch," raised as a human, who has no knowledge or intention whatsoever in doing what is expected of her. Secondly, Keller is horrified to discover that a dragon (one of the original shape-shifters) has been awakened, and instigating serious trouble among the shifters. Thirdly, she herself has fallen in love with Galen Drache, the man to whom Iliana is to be betrothed to in order to secure peace.

Witchlight was my favorite when I was young, and so it was perhaps inevitable that it would be a little disappointing on revisiting it. There's so many plot-holes, unlikely scenarios and assorted silliness that credibility is stretched a little too far, even for what is essentially a series that was never meant to be taken too seriously. Why does the team risk war just because Iliana wants to go to a party? Why doesn't Keller recognize her own crown-prince? What exactly does it mean to be the "Witch Child" and why haven't we ever heard of it before? And why, why, WHY does an elite swat team, specializing in covert missions and secrecy drive around in a white limousine? Yes, you read that right. A white limousine.

As a general critique, I've never been a big fan of "the soulmate principal," which basically concerns two characters falling in love without taking the time to get to know each other, just because they're "destined" for one another. This concept in the previous books has always been hit-and-miss, sometimes successful (Ash/Mary-Lynette, Thierry/Hannah) sometimes unconvincing (Thea/Eric, Gillian/David). By this final omnibus, it just feels formulaic. Two characters meet, have a weird outer-body experience with pretty lights in which they find themselves able to read each other's minds, and then announce themselves in love (whether they like it or not).

But on the whole, this final installment in the series contains three of the best stories in the series, in which threads that have been started in previous books begin to weave together in preparation for the final book. There is plenty here that Smith needs to wrap up, including the final line of the prophesy "one from the twilight to be one with the dark," the cryptic words of the dragon who claims it was awoken by "a witch who is not a witch," and the ominous words of the Night World portend which says: "In blue fire, the final darkness is banished. In blood, the final price is paid."

And as a special bonus, we get a sneak peek at the first chapter of the forthcoming final book in the series. I've waited ten years for the end of this series. My inner-teen has been embraced, a space has been cleared on my bookshelf. I'm all primed and ready for Strange Fate. —Rebecca Fisher


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