The Dragon in the Sea: Submarine treachery

fantasy book reviews science fiction book reviewsThe Dragon in the Sea by Frank Herbert speculative fiction book reviewsThe Dragon in the Sea by Frank Herbert

The East and the West rule the world, but the West is running out of oil. The West has been sending subtugs (specialized submarines) to smuggle oil from the East, but the last twenty missions have failed. It’s treachery! Security knows that the East has a lot of sleeper agents among their ranks, so they assign John Ramsey, who specializes in psychology and electronics, aboard the next mission in order to uncover the sleeper agent.

There are four men aboard the subtug, and since one of them is Ramsey, his search seems pretty simple. He even has fancy new technology that monitors the crew’s hormone levels. Unfortunately, things don’t go as planned. The crew discovers a dead man aboard the subtug — was he a sleeper agent or the victim of one? They also find gadgets designed to give away their location. And there’s sabotage, too. (How many sleeper agents does the East have?) Worse, Ramsey struggles maintain his psychological objectivity because he wants to trust that the captain can protect his safety.

Despite its near future setting and its gadgets, The Dragon in the Sea reads more like a cross between a spy novel and a whodunit than science fiction. Frank Herbert employs an omniscient narrator that hops from one character’s mind to the next. Ironically, I found the characters opaque and flat, which was frustrating since, like Ramsey, I was trying to identify the traitor. Ramsey’s job is not easy, but the endless number of minute events the crew encounters makes it harder. A dead body is found, then sabotage, then, etc. For a novel that is marketed as a psychological thriller, I couldn’t help thinking that a little more psychological introspection and more personalized dialogue would have made for a better novel. Full disclosure, I rarely solve mystery novels before the final reveal; nevertheless, I found The Dragon in the Sea a clumsy mystery and Ramsey a limited spy.

The Dragon in the Sea is more fun if read as a tense submarine adventure novel, and I often compared it to Michael Crichton’s Sphere. Like Herbert, Crichton casts a psychologist as his hero and, like Herbert, he allows the pressure of the deep to add to the psychological strain his characters endure. Crichton, however, is better at creating tension using psychological theories than Herbert, who alludes to symbolic birth canals but does not explain how they might lead someone to betray his country. Some readers will be disappointed to find that The Dragon in the Sea is less obsessed with technical details than Tom Clancy’s The Hunt for Red October, but for what it’s worth, the method by which the subtugs steal oil is pretty neat.

Though The Dragon in the Sea more strongly recalls Isaac Asimov’s 1966 novel, Fantastic Voyage, than Herbert’s later masterpiece, Dune, there are some hints of what was to come. For example, Herbert was already worried about the automation of mundane tasks. At one point, one of the submariners recalls that:

There had been a time, he knew, when captains conned their vessels away from the dock, shouting orders through a megaphone. Now, it was all automatic — done by machines and by men who were like machines.

And Dragon’s premise — a global conflict driven by a lack of oil — especially recalls Dune’s galactic conflict driven by a threat to the spice.

Actually, it was this concern over oil in a novel written in 1955-1956 that most impressed me. While Herbert’s contemporaries were writing about a future powered by amazing wonders like nuclear garbage disposals, he envisioned a world in which progress did not simply keep on keeping on but instead created dependencies that would escalate into global conflicts. And Herbert seems especially concerned about the paranoia created by the Cold War and the Red Scare. More than once, Ramsey and his captain think about the power of Security and the air of paranoia that it fosters. Over time, Ramsey becomes skeptical that Security helps anything.

One part science fiction, one part spy novel, and one part submarine adventure, The Dragon in the Sea tries to do a lot, but it mostly reads like a typical adventure novel published in the 1950s. The premise is fun, Ramsey has gadgets that James Bond would envy, and the dialogue and characterization never get in the way. Having said that, interesting dialogue and complex characterization (not to mention female characters) would have added a lot to this “psychological thriller.” Readers that enjoy adventure novels from this period will probably enjoy The Dragon in the Sea, but others should approach with caution.

The Dragon in the Sea — (1956) Publisher: In the endless war between East and West, oil has become the ultimate prize. Nuclear-powered subtugs brave enemy waters to tap into hidden oil reserves beneath the East’s continental shelf. But the last twenty missions have never returned. Have sleeper agents infiltrated the elite submarine service, or are the crews simply cracking under the pressure? Psychologist John Ramsay has gone undercover aboard a Hell Diver subtug. His mission is to covertly observe the remainder of the four-man crew — and find the traitor among them. Sabotage and suspicion soon plague the mission, as Ramsay discovers that the stress of fighting a war a mile and a half under the ocean exposes every weakness in a man. Hunted relentlessly by the enemy, the four men find themselves isolated in a claustrophobic undersea prison, struggling for survival against the elements… and themselves. A gripping novel by the legendary author of Dune.

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RYAN SKARDAL, on our staff from September 2010 to November 2018, is an English teacher who reads widely but always makes time for SFF.

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4 comments

  1. I was thinking how much it sounded like those spy-thriller books from the early 1960s. He was right about the issue with oil, though, so good for him.

    I caught myself wondering how Herbert would have managed an involved woman character, in a submarine story written in the 1950s. Perhaps the smart assistant back on dry land, communicating via radio. I don’t think even he could have gotten away with putting her on the actual boat. From the little I know about submarines (my brother in law was on the Bonefish,) the lack of privacy means forget the whole “disguised as a boy” thing.

    • Ryan /

      I also wondered about the practicality of female characters in this story, though I think there are probably ways to make it happen. Regardless,I didn’t make it a major part of the review but felt I should include that detail for any readers that like seeing female characters represented in the stories they read.

      • I think Herbert could have added a small group of women, back on dry land, who were “coffee cart girls.” They exist only to serve stimulating beverages and tasty treats to the hardworking men at HQ — at least that’s what they say. Secretly, though, they are engaging in serious genetic research with a goal of world dominion. That could have worked.

  2. Definitely an interesting blend of genres and a very perceptive view that resources could become scarce in the future. Frank Herbert is a bit of an enigma for me. Dune was such a monumental achievement and success for him that he ended up writing five sequels, but most of his other books didn’t get much traction. Thanks for unearthing one of his earlier books and bringing it up to the surface!

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