Steel Beach: Did Not Finish

Steel Beach by John Varley science fiction and fantasy book and audiobook reviewsSteel Beach by John Varley science fiction and fantasy book and audiobook reviewsSteel Beach by John Varley

I hate giving up on books I plan to review but, unfortunately, this is the second one in a month that I’ve had to abandon.

Steel Beach (1992) is the second in John Varley’s stand-alone novels set in his EIGHT WORLDS universe in which vastly superior aliens have kicked humans off of planet Earth so they can commune with the dolphins and whales (who are more intelligent, in their eyes, than humans). I liked the first EIGHT WORLDS book, The Ophiuchi Hotline, because, though it had its share of problems — weak characterization, confusing plot, uneven pacing — it was full of interesting ideas. I have also greatly enjoyed a couple of Varley’s award-winning novellas.

Steel Beach, though, in my opinion, committed the worst of literary sins: It’s boring. It’s about a man named Hildy Johnson who is a reporter on Luna where most of the surviving humans are now living. When we meet Hildy in the first scene, he and other reporters are in the audience at a demonstration by a tech company that claims it has made the penis obsolete due to their new advances in human morphology and sex (which they call “Ultra Tingle”). Hildy is unimpressed — he’s seen it all before — and walks out early.

Steel Beach by John Varley science fiction and fantasy book and audiobook reviewsThen Hildy’s boss asks him to do a year-long series of stories about what life used to be like on Earth before the alien invasion. Reluctantly, Hildy goes to live in Disneyland’s version of Texas in the 19th century. He and his protege, a tall young woman who has had her sex organs removed (it’s fashionable) and seems to know nothing of life on Old Earth, also try to recruit others to write stories for them.

But instead of getting an interesting Wild West story, we instead wander around with Hildy as he tells us about how things used to be on Earth and compares them to how they are now (in Hildy’s time). Medicine, food, weapons, fighting, sex and gender, etc. These discussions are interspersed with Hildy’s occasional suicide attempts and his occasional discussions with the Central Computer (an almost god-like piece of software that runs human society and seems to care for them).

Then Hildy decides to change into a woman and now she’s interested in men and fashion and talks for a long time about how certain articles of clothing (like long slim evening gowns) are not suitable for a man’s body (the penis would show).

There’s basically no plot to Steel Beach, and that’s the problem. I got 51% of the way through and was just so bored listening to Hildy talk about sex, people being naked, human morphology, fashion, and how he feels when he’s one sex or the other. Hildy tends to overshare.

My dislike for Hildy’s story has nothing to do with the focus on sex and gender. I think those are fascinating topics and, in fact, just last week I spent two hours discussing sex and gender with my Introduction to Psychology class and it was interesting. Hildy’s thoughts on the subject, however, sound a lot like Heinlein’s adult novels that are full of stuff that may be titillating to 15-year-old boys (cuddle rooms, breast fondling, orgies, spanking), but that seem puerile and creepy to me. And boring.

I thought the Central Computer was cool. I was interested in the alien invasion. There were a few things that happened that made it seem like a plot was developing, but then they’d be dropped and Hildy would be back to his thoughts on sex, or his depression.

Some of Varley’s ideas in Steel Beach would have worked well in a shorter form. He just seems to lose control and keeps dropping the ball in this long (23 hours on audio) format. Perhaps it gets better after the halfway mark, but I had already spent 12 hours on the book when I felt like I had given it enough time.

The audiobook edition, which was recently released by Tantor Audio is pretty good. The narrator, David Stifel, has a voice that fits my perception of Hildy (or perhaps his voice is partly responsible for my perception of Hildy). He sounds like a 1970’s gumshoe.

Originally published in 1992. Audio version published in June 2019. Fleeing Earth after an alien invasion, the human race stands on the threshold of evolution. Their new home is Luna, a moon colony blessed with creature comforts, prolonged lifespans, digital memories, and instant sex changes. But the people of Luna are bored, restless, suicidal – and so is the computer that monitors their existence….

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KAT HOOPER, who started this site in June 2007, earned a Ph.D. in neuroscience and psychology at Indiana University (Bloomington) and now teaches and conducts brain research at the University of North Florida. When she reads fiction, she wants to encounter new ideas and lots of imagination. She wants to view the world in a different way. She wants to have her mind blown. She loves beautiful language and has no patience for dull prose, vapid romance, or cheesy dialogue. She prefers complex characterization, intriguing plots, and plenty of action. Favorite authors are Jack Vance, Robin Hobb, Kage Baker, William Gibson, Gene Wolfe, Richard Matheson, and C.S. Lewis.

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5 comments

  1. I see the 1992 on there, but this sounds very seventies.

  2. I do have to wonder why Varley thought a person who changed sex would suddenly stop thinking about, say, world events, and start thinking about fashion. And I don’t think there’s anything wrong, or even trivial, about fashion. I just think it’s oddly stereotypical. Is he hypothesizing that fashion interest is linked to a chromosome? Or some hormone, maybe?

  3. It does sound like Hildy is not as strong a character as Varley hoped he would be. Every novel does need a plot doesn’t it. Thank you for the review.

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