Lexicon: You’ll never look at words the same way again

Readers’ average rating:

 Lexicon by Max Barry science fiction book reviewsLexicon by Max Barry

Compare two commonly-used adages: “Sticks and stones may break my bones, but words will never hurt me” versus “The pen is mightier than the sword.” In your own life, which saying have you found to be truer? It’s all well and good to claim that an intangible thought, either spoken or written, is less powerful than a physical object, but one can easily come up with several examples to the contrary: Discarded treaties between the United States government and various Native American tribal peoples; Chairman Mao’s infamous little red book; documentation in South Africa upholding the so-called legality of apartheid; Stalin’s issuance of the Great Purge and subsequent refusal to acknowledge its existence; Adolph Hitler’s deranged, inflammatory Mein Kampf. Words are powerful, dangerous things. One might even say that they’re magical. In Lexicon, by Max Barry, they are all that and more.

1. Are you a cat person or a dog person?

Barry tells the story of a world in which people who are gifted with language are taught to use words in ways that are both creative and terrifying. They are known as “poets,” taking on the names of famous authors like Charlotte Brontë and T.S. Eliot, trained to hide their own quirks or weaknesses while exploiting those of the people around them at the behest of a global organization. Every person alive or who has ever lived belongs to a “segment;” this segment is determined by personality type, much like a Myers-Briggs examination or even a simple Internet quiz (“What Super Power Are You Hiding?” “What Internet Meme Are You?”). Skilled poets, with just a few questions, can whittle an individual’s segment down from hundreds of options to one or two, and then use the appropriate trigger words to command that “proselyte” to do the poet’s bidding.

The brain used language to frame concepts: it employed words to identify and organize its own chemical soup. A person’s tongue even determined how they thought, to a degree, due to the subtle logical pathways that were created between concepts represented by similar-looking or -sounding words. So, yes, words did make things real, in at least one important way. But they were also just symbols. They were labels, not the things they labeled. You didn’t need words to feel.

2. What is your favorite color?

Naturally, such power is not used to end world hunger or achieve global peace; the organization seeks to control people and information, find words of great power, and generally keep themselves at the top of the social hierarchy. (The head of the English-speaking division, a frighteningly disturbed man, is named Yeats. His second-in-command is named Sylvia Plath. Poetry fans, rejoice!) One would think that this should be easy, and for thousands of years, it has been relatively so — with a few exceptions, such as social unrest resulting from the tinkerings of a man named Gutenberg — until something terrible happened in the town of Broken Hill, Australia. An ancient word of terrible power has been discovered and used to kill all three thousand people living there, a word so powerful that it hangs in the air, killing anyone who comes into range. Regular people are not safe; even the most skillful poets are not safe; only one man, Wil Parke, inexplicably escaped, and naturally he is the subject of an intense manhunt. The poets want to know how he survived and what the word was, and they will do anything to find out. Wil would rather they not carve his brain open to get the answers which even he doesn’t know, but he may not be so lucky. Whether he will remember what happened in Broken Hill on his own, and whether he can do so without either being killed or accidentally killing everyone around him, drive his narrative.

“I don’t understand how it can be a word.”
“That’s because you don’t know what words are.”
“They’re sounds.”
“No, they’re not. You and I are not grunting at each other. We’re transferring meaning. Neurochemical changes are occurring in your brain at this very moment, because of my words.”

Lexicon‘s pages are split between Wil’s desperate attempts to stay alive in the overwhelmingly strange world around him and a young woman named Emily Ruff, who takes quite well to the life offered at the poet academy until she is banished to Australia for disastrously using her training against another student. Emily is best at survival, though, and while this exile is only the beginning of what the organization has in store for her, they have no idea what she’s truly capable of. Their gradually-revealed connection and involvement is one of the better aspects of the plot.

3. Do you love your family?

As Emily and Wil each learn more about language, Barry reveals bits and pieces of the magic/science holding his conceits together, and at no point did I feel as though he was simply crafting his rationale from whole cloth: the majority of his science, while it may have been seen as magic in the past, is grounded in linguistics and neurochemistry in a satisfying way.

The brain had defenses, filters evolved over millions of years to protect against manipulation. The first was perception, the process of funneling an ocean of sensory input down to a few key data packages worthy of study by the cerebral cortex. When data got by the perception filter, it received attention. And she saw now that it must be like that all the way down: There must be words to attach each filter. Attention words and then maybe desire words and logic words and urgency words and command words. This was what they were teaching her. How to craft a string of words that would disable the filters one by one, unlocking each mental tumbler until the mind’s last door swung open.

If you like language, if you like intriguing plots and fascinating characters, if you like Machiavellian manipulation from all angles, then read this book. Just don’t plan on taking Internet quizzes any time soon.

4. Why did you do it?

Publication Date: June 18, 2013. Stick and stones break bones. Words kill. They recruited Emily Ruff from the streets. They said it was because she’s good with words. They’ll live to regret it. They said Wil Parke survived something he shouldn’t have. But he doesn’t remember. Now they’re after him and he doesn’t know why. There’s a word, they say. A word that kills. And they want it back…

SHARE:  Facebooktwittergoogle_plusredditpinterestlinkedintumblrmail  FOLLOW:  Facebooktwittergoogle_pluslinkedinrsstumblr
If you plan to buy this book, you can support FanLit by clicking on the book cover above and buying it (and anything else) at Amazon. It costs you nothing extra, but Amazon pays us a small referral fee. Click any book cover or this link. We use this income to keep the site running. It pays for website hosting, postage for giveaways, and bookmarks and t-shirts. Thank you!

JANA NYMAN, with us since January 2015, is a freelance copy-editor who has lived all over the United States, but recently settled in Colorado with her dog and a Wookiee. Jana was exposed to science fiction and fantasy at an early age, watching Star Wars and Star Trek movie marathons with her family and reading works by Robert Heinlein and Ray Bradbury WAY before she was old enough to understand them; thus began a lifelong fascination with what it means to be human. Jana enjoys reading all kinds of books, but her particular favorites are fairy- and folktales (old and new), fantasy involving dragons or other mythological beasties, contemporary science fiction, and superhero fiction. Some of her favorite authors are Bradbury, James Tiptree, Jr., Madeleine L’Engle, and Philip Pullman.

View all posts by

11 comments

  1. Ooooooh! Right up my alley! Thanks for introducing me to this one, Jana!

    • It was one of those books that I couldn’t put down for more than about five minutes–I needed to find out what was going to happen next!

  2. This totally looks like it was written for me. Neuroscience and linguistics? I’m going to go look for this one right now.

  3. Sounds like an intriguing premise. And with a character named Yeats, I almost have to get it.

  4. Brad Hawley /

    I want to read this one. I wonder if it’s good on audio . . . .

    • Matt W /

      It is quite good on audio; has two narrators, Heather Corrigan who handles the bits from Emily’s perspective and Zach Appelman who handles Wil. Both are excellent, though neither has a wholly convincing Australian accent.

  5. Matt W /

    I friend recommended this to me a few months ago. I started listening to it on audio, then had to pick up a printed copy so I could keep reading. It is the most rip-roaring, non-stop novel I’ve read in some time. Interesting tidbit: while listening I kept hearing “bear-word” which conjured an image of a word as dangerous and powerful as a bear. “Bare-word”, as it appears in print, makes sense in context but isn’t nearly as cool an image.

  6. Brandon Macintyre /
    Rating - 5/5

Leave a Reply to Matt W Cancel reply

Your email address will not be published. Required fields are marked *

Add your own review

Rating