The Graveyard Book: A near-perfect gem of writing
Ignore the YA label slapped on this one if that gives you pause. Though that won’t be hard to do because The Graveyard Book opens with a hand in the darkness holding a knife wet with the blood of almost an entire family: father, mother, and older child. The knife lacks only the blood of the toddler son to finish its job. Luckily for the reader (and the boy) he escapes into a nearby cemetery where a mothering ghost convinces the cemetery community to protect him. Another reason to ignore the YA label, or better yet, to revel in it, is that Neil Gaiman’s YA-listed material is stronger than his adult work: tighter, more focused, more intense all around. All that holds true here and The Graveyard Book’s clarity and brevity, often seen as constraints in the category, only enhance the book’s impact. READ THE REST OF BILL’S REVIEW.

