Stand-Alone Novels:
Tigana — (1990) Won the 1991 Aurora Award. From Author's website: Tigana is set in the 'Peninsula of the Palm' a land evocative of Italy, in a world with two moons... Two sorcerors, one a petty lordling from Barbadior, the other the king of Ygrath, have come to the Peninsula from overseas, intent on conquest. Brandin, King of Ygrath, wants to carve out a realm for his beloved younger son, Stevan. Having conquered three of the nine provinces of the Palm, he sends Stevan to subjugate the next province whilst he faces Alberico, the other conqueror. Stevan is killed in battle by the people of that last province. Brandin, in bitterest grief, and in revenge against the people who killed his son, lays a curse on that province. After sweeping down and destroying the remnants of their army, burning their books and destroying their architecture and statuary, he makes it so that no one not born in that province can even hear its name. Tigana is a story of the struggle for identity and freedom in the face of brutal oppression.
Tigana:
One man sees a riselka
Tigana is a masterpiece.
It is difficult to summarize the plot, for so much of the story unfolds organically — indeed, as a near-perfect tainflower — that one fears to spoil the pleasure of becoming swept up in the narrative. That said, the tale concerns the Palm, a mythic penninsula reminiscent of Italy, a land divided between two wizard-conquerors. One conqueror has utterly blighted the province of Lower Corte with an undreamt-of dark magic. (Take a fresh look at the map of the Palm mid-way through, and you will grasp the immensity of the spell!) A handful of refugees must undo the spell... yet if the one wizard falls, the other will irrevocably gain control of the Palm, leaving the deadly choice: the breaking of the spell, interminable conquest... or, perhaps, perhaps, the smallest gleam of freedom.
Guy Gavriel Kay's writing flows well, as always, fresh and lyrical and soaked with human understanding. The first chapter is a work of genius for its perspective on the heroes' way of building toward their goal, as is the surprising revelation in the climax, and — perhaps most of all — the heart-tingling last paragraph. (Wait!) The only flaw is Baerd's strange, protracted battle with the Night-walkers (a touch cliched), and (just perhaps) a touch of gratuitous eroticism in Castle Borso. Even so, these flaws are minor and only faintly detract from the beauty of the whole.
"Tigana, may the memory of you be like a blade in my soul!" (And may GGK's work receive its just recognition). —Rob R. Comments
Tigana
Nobody remembers Tigana — a land bright with beauty, culture, and wealth — nobody but those who lived there before the land was cursed by the conqueror Brandin of Ygrath after the prince of Tigana killed Brandin's son in battle. When the now-oppressed Tiganese try to tell outsiders about Tigana, the name just slips out of the listener's mind. Only those born in the land are able to keep its beautiful name in memory.
But the prince of Tigana's son still lives and he and his companions plan to restore their land's name. But, not only must they kill Brandin of Ygrath, but also Alberico of Barbadior, who rules the other half of their peninsula. Otherwise, they will merely be consumed by a different tyrant.
I was entranced by Tigana right from the first page. What I noticed immediately was the passion — this is a story lovingly wrought by an author who loves language, loves his characters, and loves the world he's created. Guy Gavriel Kay's prose is heavy with imagery and emotion yet it reads, for the most part, easily (except for the occasional unexpected shift in point-of-view).
Kay's characters are distinct, well-developed, and likable. The prince's companions are a diverse group, each with his/her own personality, strengths, and weaknesses. The actions and motives of the villains are completely understandable — in fact, I felt sympathetic toward them.
The story of the struggle to free Tigana was fascinating. There were some slightly unbelievable or contrived plot devices, but the rest of the story was excellent enough that I was perfectly happy to overlook them. The end was surprising and bittersweet.
I listened to most of Tigana on audio (and read some it in print). Simon Vance is the reader, and he is one of the very best. If you're an audiobook listener, I'd definitely suggest that format for Tigana. But, either way, Tigana is a must-read. —Kat Comments
 A Song for Arbonne — (1992) Publisher: Arbonne is a lush, fertile land near the sea, and its people revere music and the Goddess Rian. In Gorhaut, the God Corannos and war are the only considerations. These two countries are on a collision course, which ends in a war where brother fight father — and a life-long friendship ends in death.
A Song for Arbonne:
Reverberates with the slow, sweet music of humanity
In this homage to the troubadours and the "court of love" of medieval France, Guy Gavriel Kay comes down from the dizzying heights of The Fionavar Tapestry trilogy and creates a beautiful and memorable tale of mere mortals ensnared by political intrigue, enmity and love. (GGK does allude to Fionavar quite nicely, however, in a brief lullaby.)
While the plot is perhaps too complex for adequate summarization here, it's certainly not too complex for your reading pleasure. At the heart of this tale of an alternate medieval reality is Blaise of Gorhaut (Germany), a knight who has traveled to "sun-blessed" Arbonne (France) for the primary purpose of leaving his past behind. As events unfold, however, Blaise is carried higher and higher into the ranks of Arbonne's ruling class, and soon he must confront the daunting destiny that his past has placed before him...
Guy Gavriel Kay writes well, as always, and like a good troubadour, he pays tribute to the fantasy genre while ensuring that the reader/listener is surprised and touched by his work. Perhaps most importantly, GGK believes in the beauty of Art and power of Art's beauty to make more beautiful the things which it depicts, in this case Mankind, Men and Women striving to preserve what is good and noble — that is, to ensure that life's music does not become harsh noise, but remains forever a soft, bright song... (Thus savor the book's lyric harmonies.)
Note: If you enjoy GGK's work, you may wish to see his excellent website. —Rob R. Comments
 The Lions of Al-Rassan — (1995) Publisher: The ruling Asharites of Al-Rassan have come from the desert sands, but over centuries, seduced by the sensuous pleasures of their new land, their stern piety has eroded. The Asharite empire has splintered into decadent city-states led by warring petty kings. King Almalik of Cartada is on the ascendancy, aided always by his friend and advisor, the notorious Ammar ibn Khairan — poet, diplomat, soldier — until a summer afternoon of savage brutality changes their relationship forever. Meanwhile, in the north, the conquered Jaddites' most celebrated — and feared — military leader, Rodrigo Belmonte, driven into exile, leads his mercenary company south. In the dangerous lands of Al-Rassan, these two men from different worlds meet and serve — for a time — the same master. Sharing their interwoven fate — and increasingly torn by her feelings — is Jehane, the accomplished court physician, whose own skills play an increasing role as Al-Rassan is swept to the brink of holy war, and beyond. Hauntingly evocative of medieval Spain, The Lions of Al-Rassan is both a brilliant adventure and a deeply compelling story of love, divided loyalties, and what happens to men and women when hardening beliefs begin to remake — or destroy — a world.
The Last Light of the Sun — (2004) Publisher: Guy Gavriel Kay turns his gaze to the northlands, brilliantly evoking the Viking, Anglo-Saxon and Celtic cultures of a turbulent age. There is nothing soft or silken about the north. The lives of men and women are as challenging as the climate and lands in which they dwell. For generations, the Erlings of Vinmark have taken their dragon-prowed ships across the seas, raiding the lands of the Cyngael and Anglcyn peoples, leaving fire and death behind. But times change, even in the north, and in a tale woven with consummate artistry, people of all three cultures find the threads of their lives unexpectedly brought together… Bern Thorkellson, punished for his father's sins, commits an act of vengeance and desperation that brings him face-to-face, across the sea, with a past he's been trying to leave behind. In the Anglcyn lands of King Aeldred, the shrewd king, battling inner demons all the while, shores up his defenses with alliances and diplomacy-and with swords and arrows-while his exceptional, unpredictable sons and daughters pursue their own desires when battle comes and darkness falls in the woods. And in the valleys and shrouded hills of the Cyngael, whose voices carry music even as they feud and raid amongst each other, violence and love become deeply interwoven when the dragon ships come and Alun ab Owyn, chasing an enemy in the night, glimpses strange lights gleaming above forest pools.
 Ysabel — (2007) Publisher: Saint-Saveur Cathedral of Aix-en-Provence is an ancient structure of many secrets-a perfect monument to fill the lens of a celebrated photographer, and a perfect place for the photographer's son, Ned Marriner, to lose himself while his father works. But the cathedral isn't the empty edifice it appears to be. Its history is very much alive in the present day-and it's calling out to Ned.
Ysabel
What can I say about this book? If I see a new Guy Gavriel Kay book on the shelf at the bookstore, I buy it. It didn’t work out this time, though, and the reason is that the way this story is told makes no sense to me as a reader, and I cannot fathom why Kay wrote this book from the perspective of a teenager.
The story is about a fifteen year-old boy from Canada who accompanies his father, a world-renowned photographer, on a trip to Provence (southern France). Very quickly into this trip, the characters get caught up in a centuries-old love triangle contest to win the love of Ysabel, which has been waged between a Gaul and a Roman for over 2000 years. The book is short enough that summarizing the plot further will spoil it completely.
What is good about this book? Kay’s lyrical style has always enthralled me, and I must say that it shone through in several parts of the book. The descriptive passages put me in Provence, and I could almost smell coffee and French cigarettes at times, and feel the strong Mediterranean sunshine. The fantasy part of the book was typical of Kay’s historical fantasy style, but it could have used much more explanation. Kay’s research, as always, is impeccable. The historical detail that I expected was present throughout the book.
What did I not like about this book? I was severely let down. I have read every novel that Guy Gavriel Kay has done, but Ysabel was truly disappointing. The telling of the story from the teenager’s point of view did not work. It seemed juvenile instead of new, like the idea of a new writer doing a coming-of-age novel. The dialogue was appropriate, but that may be what I didn’t like, because it was teenagers talking. Also, the mixing of the modern world and the fantastic and magical of Gallic France didn’t work for me. There is a direct tie-in to Kay’s brilliant Fionavar Tapestry, but it was not done in a way that I liked. My overall impression was of a book that was quick. Quickly planned and quickly written, and published more-or-less as a filler between Last Light of the Sun and whatever great Kay novel will come up with next. Perhaps this was a short story that was turned into a novel, but there was not enough plot to go around. The characters were similarly superficially explored. There was also great potential for digging into a family dispute going back decades that was resolved a little too easily.
I am keeping this book, merely to keep my Kay collection complete, and I give it two stars for the good bits. Don’t buy the hardcover, unless like me you want a complete Kay collection. Buy the softcover for a quick beach read and wait for Guy Gavriel Kay to return to form with his next book. —Angus Comments
Under Heaven — (2010) Synopsis: Shen Tai is the son of a general who led the forces of imperial Kitai in the empire’s last great war against its western enemies, twenty years before. Forty thousand men, on both sides, were slain by a remote mountain lake. General Shen Gao himself has died recently, having spoken to his son in later years about his sadness in the matter of this terrible battle. To honour his father’s memory, Tai spends two years in official mourning alone at the battle site by the blue waters of Kuala Nor. Each day he digs graves in hard ground to bury the bones of the dead. At night he can hear the ghosts moan and stir, terrifying voices of anger and lament. Sometimes he realizes that a given voice has ceased its crying, and he knows that is one he has laid to rest. The dead by the lake are equally Kitan and their Taguran foes; there is no way to tell the bones apart, and he buries them all with honour. It is during a routine supply visit led by a Taguran officer who has reluctantly come to befriend him that Tai learns that others, much more powerful, have taken note of his vigil. The White Jade Princess Cheng-wan, 17th daughter of the Emperor of Kitai, presents him with two hundred and fifty Sardian horses. They are being given in royal recognition of his courage and piety, and the honour he has done the dead. You gave a man one of the famed Sardian horses to reward him greatly. You gave him four or five to exalt him above his fellows, propel him towards rank, and earn him jealousy, possibly mortal jealousy. Two hundred and fiftyis an unthinkable gift, a gift to overwhelm an emperor. Tai is in deep waters. He needs to get himself back tocourt and his own emperor, alive. Riding the first of the Sardian horses, and bringing news of the rest, he starts east towards the glittering, dangerous capital of Kitai, and the Ta-Ming Palace — and gathers his wits for a return from solitude by a mountain lake to his own forever-altered life.
Under Heaven
Rob's and Stefan's reviews coming soon .... |