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Richard Harland

1947-
Reviewed by Rebecca Fisher
and Bill Capossere
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Richard Harland
is an Australian author who also writes in other genres and for all ages. You can read extracts from his novels at his website.






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Heaven And Earth Trilogy (FERREN) — (2004)  Young adult. Publisher: In the year 2010 after the Invasion of Heaven, human psychonauts trample the sacred fields of Heaven, & the angels retreat to higher altitudes to avoid the contamination of the physical. In the year 2520 the Millennial Wars have reduced the Earth to a devastated battleground. In the year 3000 the evil Humen are determined to destroy the power of Heaven, while the Residuals, a primitive race of people, live fearfully in the ruins of civilization. In the midst of this hatred & fear is born a unique friendship that could change the course of history.

Richard Harland Heaven and Earth Trilogy review1. Ferren and the Angel 2. Ferren and the White Doctor 3. Ferren and the Invasion of HeavenRichard Harland Heaven and Earth Trilogy review1. Ferren and the Angel 2. Ferren and the White Doctor 3. Ferren and the Invasion of HeavenRichard Harland Heaven and Earth Trilogy review1. Ferren and the Angel 2. Ferren and the White Doctor 3. Ferren and the Invasion of Heaven

Ferren and the Angel: Heaven and Earth trilogy Richard Harland fantasy book reviewFerren and the Angel

Richard Harland Heaven and Earth Trilogy review1. Ferren and the Angel 2. Ferren and the White Doctor 3. Ferren and the Invasion of HeavenNever before have I read a book with such epic proportions, such potential, and such originality — and yet was written so carelessly and simplistically. What promises to be a future-fantasy-adventure along the lines of Philip Pullman's amazing His Dark Materials trilogy, instead reads like sci-fi pulp fiction.

Ferren and the Angel is set in the year 3000AD, after a series of scientific discoveries and heavenly experiments that resulted in a full out war between Heaven and Earth. The beginning of the book includes a time-line that includes entries such as “The Rising of the Undead,” the “Depopulation of New York,” “The Great Collapse,” and of course “The Invasion of Heaven,” as well as a map of the world in the future, which show that Asia is now known as “The Burning Continents,” North America is covered in ice, and there is an Atlantic Bridge reaching from Africa to South America.

What's left of life is divided into three groups: Celestial Beings (angels) that are divided into many ranks of hierarchy, Humens who are ruled by the Doctors and wage war on the angels, and Residuals — the remains of ordinary humanity who live meager, post-apocalyptic lives in the wastelands. In this group is Ferren, a young man who watches the lights and flashes of battle from underneath the roof of the Dwelling Place each night. It is here that he witnesses the fall of an angel from the skies, and investigates the next morning.

Miriael is a junior angel who is devastated to find herself on the defiled Earth, and even more horrified once Ferren tells her that he has given her food and water whilst she was unconscious. Now in a physical body, she longs to return to Heaven, but at the same time is fascinated by the reason and kindness that Ferren displays, after being taught all her life that they were savages.

But once Ferren's tribe (who has an alliance with the Humen and every year allows them to take recruitments for their armies) finds that he's had dealings with an angel, the two of them are captured and plans are made for them to be handed over the to the Humens. Ferren makes his escape, and believing that Miriael has already been taken to the Humen Camp, he begins the journey to rescue her — finding out the Humen's terrible secret on the way. Meanwhile, Miriael is uncovering secrets of her own, including the history of the world since 2005AD that resulted in such devastation.

As you can see, the premise is utterly ingenious, and Richard Harland has meticulously mapped out the history of the world since the fateful experiment of two scientists that brought back the dead from Heaven to a full-out war between Heaven and Earth that occurred once humans tried to exploit it. Now the Earth is ruled by the sinister doctors, who despise Heaven and the mysteries in it that go against their reasoning and logic.

But the book suffers from a lack of pacing and poor characterisation. Chapters are only three pages long, and switch continually back and forth from Ferren and Miriael's point of view, making it difficult to really connect with what's going on. Although Miriael comes across nicely as a somewhat haughty angel that is half-disgusted, half-fascinated with the physicality of Earth, Ferren remains bland and uninteresting, with no real distinguishing features or talents (except his supposed intelligence, which we are told he has rather than shown). All of the members of Ferren's tribe are named, but none have any individuality, except the wretched Zondra who is thoroughly unlikeable.

As well as this, there are some confusing aspects to the story; for instance, Ferren's tribe worships a range of objects from the time when humanity ruled the Earth, including a can of Fly Spray, which they herald as “the Guardian Fly Spray.” But we are also told that these people cannot read — so how do they know it's fly spray? And even presuming that they did know what it was — why are they worshipping a can of Fly Spray?

One of the most obvious questions presents itself right from the start: where is God during all of this? Harland does not even mention the presence or even the existence of an actual deity at work, but the most forgiving reader would probably raise questions as to why God permits Heaven to be overrun, and such tampering with human souls to occur in the first place.

Despite all of this, I would still recommend Ferren and the Angel. Its originality cannot be doubted, and it is an intriguing, swift-moving story that any fans of His Dark Materials might like, though Harland takes the opposite view of Pullman in his opinions of Heaven, technology and atheism. Yet despite my enjoyment of it, I couldn't help but feel that it could have been so much more. —Rebecca Fisher


fantasy book review Richard Harland Heaven and Earth: Ferren and the White DoctorFerren and the White Doctor

Richard Harland Heaven and Earth Trilogy review1. Ferren and the Angel 2. Ferren and the White Doctor 3. Ferren and the Invasion of HeavenThis Heaven and Earth trilogy is original, exciting, interesting reading, but I still feel that with a little more work it could have gone from good to excellent and been placed among the likes of Philip Pullman's His Dark Materials. Like those books, these deal with conflict between the forces of Heaven and the beings on Earth, but are set in this world, many years into the future.

After scientists discovered that there was indeed life after death, mankind went about exploiting Heaven, resulting in a collapse of the lower Altitudes onto Earth, an expulsion of all souls from Heaven (which now exist as woeful Morphs) and ongoing conflict between angels and Humens: the soulless mechanics ruled over by the Doctors. In between these two factions are the Residuals, ordinary people who are shunned by both sides and trying to scrape out a living on the wasted Earth.

All that changed however when Miriael the angel crashed to Earth and was nursed back to health by Ferren, a young tribesman. Finding herself in a physical body, Miriael began to explore the world of the Residuals and realised they were not as savage as she once believed. Ferren himself explored the Camp of the Humens, and found out the terrible secret behind what they were doing with the tribesmen selected for military duty.

Now the two of them travel the land, urging scattered Residual tribes to join together in a Residual Alliance. At the beginning of this second book in the trilogy, they have come upon the tribe of the Nesters, and are attempting to coax the Guardian Elders to join up against the Humens. The older population is not so keen, but they may have better luck convincing the younger generation. Amongst these youths are Kiet, a young woman who is struck by Ferren's ideas and stories and vows to come along with him when he moves on.

Meanwhile, Miriael is being visited by a fellow angel named Asmodai who promises to speak on her behalf in the levels of Heaven and together with Kiet and Ferren, she discovers a new threat from the giant Doctor Saniette and his force of new war machines.

Ferren and the White Doctor seemed to be a better read than the previous book, though perhaps that was because my expectations were not so high. Once again the chapters were too short (only three pages long), but because the characters were together for most of the story, it was easier to keep track of what was happening (unlike before, when the chapters were continuously switching viewpoints). Ferren is a much more interesting character this time around, perhaps because he's got more to do rather than simply watch other events unfolding, and Miriael is as good as ever. Kiet comes across a bit too much like Zondra of the previous book (what with a bad temper and rapid mood swings), but improves as the story goes on.

Richard Harland has created a vivid representation of a future-Earth, along with a time-line and map that shows up what has gone on between 2005-3000AD, and how things stand when we enter the story. Likewise there is a range of interesting tribes and the customs they keep, and he has drawn on real angel-lore in order to create the hierarchical system that Miriael is a part of. One of my grievances of the first book was the lack of God in all the proceedings (surely a story set in Heaven warranted at least a mention of Him), but here there is reference to the “Supreme Trinity” in the Seventh Altitude of Heaven. It's not much, but it'll have to do.

The best comparison of these books I can give is the Mortal Engines books by Philip Reeve. It has the same simple structure, clear writing, and inventive post-apocalypse way of life. The third part of this trilogy is called Ferren and the Invasion of Heaven, and I'm interested enough to keep reading. —Rebecca Fisher

 

Worldshaker — (2010-2012) Ages 9-12 Publisher: Young adult. Steampunk. Col Porpentine understands how society works — the elite families enjoy a comfortable life on the Upper Decks on the great juggernaut Worldshaker, while the Filthies toil Below. And Col himself is being groomed by his grandfather, the supreme commander of Worldshaker, to be his successor. He has never questioned his place in the world, nor his illustrious future. When Col meets Riff, a Filthy girl on the run, his world is turned on its head. All his life he has been taught that the Filthies are like animals, without the ability to understand language or think for themselves. He has always known that all they are good for is serving in the Below, keeping Worldshaker running. But Riff is nothing like he ever expected. She is clever and quick, and despite the danger, Col is drawn to her. Can all the Filthies be like her? If Riff is telling the truth, then everything Col has always believed is a lie. And Col may be the only person with the power to do something about it — even if it means risking his whole future. Richard Harland's sweeping steampunk saga of romance, privilege and social conscience will take readers on the ride of a lifetime to an enormous moving city that is at once strange and familiar.

Richard Harland WorldshakerRichard Harland Worldshaker 2. Liberator

YA fantasy book reviews Richard Harland WorldshakerWorldshaker

Richard Harland WorldshakerWorldshaker
by Richard Harland may, on first blush, remind potential readers of Philip Reeve’s Hungry City Chronicles, with both of them focused on huge mobile steampunk cities crisscrossing Europe. Harland’s work, however, is much more focused setting-wise, taking place entirely within the confines of the eponymous Worldshaker, and mostly within a few small decks of the immense craft. There are lots of other differences as well. Worldshaker is more focused on class themes, has much more over-the-top characters, and is more fully YA than Reeve’s work, by which I mean I’m not sure it will appeal as much to adults or older high school students.

The setting is a Victorian-era Europe that veered off our own historical timeline around the time of Napoleon. Now, great juggernauts (France and Germany have their own for instance) cross the world in near-perpetual motion, stopping only rarely at a few fueling stations. Inside the Worldshaker, the upper decks are reserved for the upper classes, who themselves divide up into various strictly observed levels, and are served by speechless “menials.” Meanwhile, the machine’s engines are powered by the hordes of “Filthies” in the lower decks.

Col Porpentine is the grandson of the Supreme Commander, top of the class system. The book opens with his being named successor by his grandfather, who intends to send him to school and train him. But Col’s future has already begun to twist out of its clear-cut path when Riff, a young Filthy girl escaping from being turned into a Menial, took refuge in Col’s stateroom, though why Col sheltered her even he at first doesn’t know.

Soon, Col begins to learn that perhaps the world isn’t as he’s been brought up to believe. This lesson begins with Riff’s arrival, but continues as Col begins to move in several worlds: the upper class society which has taken notice of him now that he’s been named successor; the world of boys his own age as he leaves his tutor behind and enrolls in a school for the first time; and the world below decks, which at first he sees indirectly through Riff’s eyes and then directly through his own. And eventually this knowledge will lead him to the cusp of a decision: when the long-dreamed of revolution of the Filthies begins, which side will he take?

The plot is fast-paced with little back-story or exposition, few side plots, and hardly any digressions from the straightforward movement toward the personal and social climax at the end. Everything happens pretty quickly, with one revelation or change after another, and we don’t spend much time in any single scene. This meant the book at times felt oddly unbalanced (an escape scene lasting as long as a stroll down a corridor, say). Older readers might wish for a bit more complexity to the plot, but younger readers (I’d say 4th to 10th grade) will appreciate the streamlined sense of constant motion and inevitable change. Harland takes the same streamlined approach to the setting and outer world; we get a very rough sense of the Worldshaker but I can’t say it really felt like an entire world unto itself. While the greater world outside is very, very sketchy (and I’m not sure all that plausible either, but as it plays such a non-existent role it’s easy to just write it off as a suspension of disbelief).

Characters are a bit undeveloped as well and move in pretty predictable fashion. Changes usually come after a single experience rather than in fits and starts and backslides and perhaps they come a bit too easily. I can’t say I really felt attached to either of the main characters or that they really came alive for me as real people. The side characters vary from thin (Col’s scholarly friend or somewhat absentminded tutor) to purposely over the top (his grandfather or his new teacher). I’m not quite sure how I felt about the teacher; I’m guessing younger readers will find him more endearingly funny than I did.

The tone is a mix of grim and absurdly humorous. There’s a light touch throughout, but Harland doesn’t shy from the horrors of below decks (though he also doesn’t spend much time on them) or the finality and graphic nature of battle.

The book comes to a full resolution and could easily end where it does, though it also clearly has room to continue: there are other juggernauts out there after all, and if history tells us one thing, it’s that battles for liberation seldom remain contained.

Worldshaker makes for a good YA steampunk action fantasy with some major if unsubtle themes of class and justice and honor. But I would say it’s more for the Y than the A: younger readers will appreciate its fast, streamlined and simple plot movement as well as clear-cut themes and ethics. Older young adults (and adults) will probably react less positively, desiring more character and world development. —Bill Capossere

Stand-alone novels

Richard Harland The Black CrusadeThe Black Crusade — (2004) Publisher: A gothic fantasy, grotesque and macabre with elements of bizarre comedy. It tells of a journey made by Basil Smorta in the company of a group of 'Fundamental Darwinists' across Eastern Europe in the year 1894. Along the way, the crusaders encounter memory-ghosts, love-vampires and a bomb-throwing police force. Basil cares only for the Australian singer with whom he has fallen in love or lust; unfortunately she's locked up inside an iron box. It's a book that defies categories and is almost impossible to describe. Think of a cross between Edgar Allan Poe and Jasper Fforde, or Mervyn Peake and South Park! The Black Crusade won the Golden Aurealis Award for Best Novel in Any Genre of SF/Fantasy/HorrorRichard Harland Walter Wants to Be a Werewolf: Will Walter Grimm Ever Fit In?.


Walter Wants to Be a Werewolf: Will Walter Grimm Ever Fit In? — (2006) Ages 9-12. Publisher: Every time the full moon shines, the Grimm family begin their transformation into werewolves-except for Walter, the youngest of the pack. But one moonlit night, his tale takes a surprising turn.


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