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Emily Gee

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fantasy author Emily Gee
Emily Gee
is the daughter of famous New Zealand novelist Maurice Gee. She loves to travel and has recently visited China, North Africa and the Middle East. Learn more at Emily Gee's website.





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Broken Kingdoms — (2011- ) Publisher: Her magic may be the only thing that can save a prince — and the Seven Kingdoms. In a distant corner of the Seven Kingdoms, an ancient curse festers and grows, consuming everything in its path. Only one man can break it: Harkeld of Osgaard, a prince with mage’s blood in his veins. But Prince Harkeld has a bounty on his head — and assassins at his heels. Innis is a gifted shapeshifter. Now she must do the forbidden: become a man. She must stand at Prince Harkeld’s side as his armsman, protecting and deceiving him. But the deserts of Masse are more dangerous than the assassins hunting the prince. The curse has woken deadly creatures, and the magic Prince Harkeld loathes may be the only thing standing between him and death.

fantasy book reviews Emily Gee The Sentinel Mage

fantasy book reviews Emily Gee The Sentinel MageThe Sentinel Mage

fantasy book reviews Emily Gee The Sentinel MageAs The Sentinel Mage by Emily Gee begins, a curse is sweeping across the Seven Kingdoms, starting in the east and slowly trickling westwards across the land. Anyone who drinks curse-tainted water becomes a mindless, bloodthirsty monster, attacking friends and family alike. There’s only one way to stop the curse: a royal who is also descended from witches must touch and spill some blood on three stones spread throughout the land. Unfortunately, witches are considered monsters by most of the Seven Kingdoms: victims of an unfounded prejudice that thinks them guilty of a list of unlikely crimes, including blood sacrifice and bestiality. Because of this, it comes as a surprise when a diplomatic delegation of witches arrives at the royal court of King Esger, announcing that one of Esger’s sons, Prince Harkeld, has the blood of witches in his veins. Harkeld is forced to flee the court with the witches, pursued by his father’s soldiers, because Esger wants to take advantage of the devastation caused by the curse and invade a neighboring kingdom... and his own son is the only thing that could save the Kingdoms but hamper his father’s imperialistic plans.

From this basic premise, Emily Gee spins out three main narrative threads. The main one follows Prince Harkeld as he flees his father’s kingdom, pursued by soldiers and protected by a band of mages. Because he is repulsed by anything witch-related, the mages are forced to take turns posing as Justen, a common armsman who can stay at Harkeld’s side, despite the taboo against shape-changing into a different human form. Innis is one of the strongest mages, so she spends most of the time as Justen, but as she is female and forced to remain close to the prince in her male form, some predictable tensions ensue. A second story thread follows Brigitta, Harkeld’s younger sister, who is about to be married off to the much older Duke Rikard, commander of King Esger’s army. Brigitta’s maid Yasma and her trusty armsman Karel are both bondservants, forced to serve the royals so their own families can be free, but they are loyal to their princess because of her innate kindness. The third and final narrative follows Yaumé, a young farmboy whose family members become some of the curse’s first victims. He flees his home and tries to survive as he runs for safety. While this is initially a minor story-line, there are indications towards the end of The Sentinel Mage that Yaumé will become more important in future volumes of the BROKEN KINGDOMS trilogy.

The Sentinel Mage, about 500 pages long, consists of 70 short chapters, so the book reads quickly, and because Emily Gee knows how to tell a story, it reads smoothly too. The pages practically turn themselves, as they say. Unfortunately that’s about the only positive aspect of the book, because from the summary above you can probably tell that the story is so unoriginal and predictable that anyone who reads enough fantasy will probably have encountered at least one or two of its elements before. A prince with forbidden magic in his blood; a princess forced to marry an older noble; a young farmboy forced to flee his home... It almost feels like painting-by-numbers fantasy, which is unfortunate because Emily Gee's story-telling skills are great and could have been applied to a much more interesting tale.

Another issue is the overly repetitive emphasis on certain story elements. Early on in the book, you’ll all too frequently find Harkeld thinking about the mages who save him as monsters. It happens almost every other page for a while, setting up the tension between his prejudices and his latent magical powers in such a grating way that the eventual (and predictable) revelation almost comes as a relief. Later on, Brigitta’s armsman Karel mourns the fate of his princess almost every time he’s on scene, which almost always includes a reference to Duke Rikard “rutting” or “tupping” her against her will. Also, Karel being a relative outsider means he gets mocked and taunted by his colleagues — seemingly almost every time he is in their company. Some of these things could have been mentioned just once or twice, not over and over.

Admittedly, there are some great scenes and clever turns in the novel. The battle scenes involving the shape-shifting mages are exciting — in fact, most of Harkeld’s story line is one big chase scene, so if the issues mentioned above don’t distract you, this could still be a captivating read for you. Also fun: as the mages take turns playing Harkeld’s armsman Justen, they educate the prince in the ways of magic and the nature of the curse by having Justen, feigning ignorance, pose leading questions to the others, which is a neat way of handling an info dump. Unfortunately the entire ruse of having a gender-bending mage-in-disguise who can remain close to the prince is a bit overplayed throughout the book, but the one thing I’m curious about in future volumes of the Cursed Kingdoms is exactly how extreme the prince’s reaction will be once he finds out about this trickery.

If you’re in the mood for a light, fun fantasy novel and don’t mind some predictability and lack of originality, The Sentinel Mage by Emily Gee might be worth a try. Unfortunately, even though light popcorn fantasy can be fun at times, this popcorn is just a bit too bland and stale to be enjoyable.
Stefan Raets

Stand-alone novels:

Thief With No Shadow — (2007) Publisher: Melke is a wraith, which means she has the abilty to walk unseen. After being forced to steal a necklace, she is hunted down by the victim of the crime, Bastian sal Vere. He explains that the necklace was strung with tears, and that without it, Bastian cannot break the curse that is destroying his family. He orders Melke to regain the necklace, in exchange for her brother to be healed. But she had given the necklace to the salamanders, the fire breathing creatures that live underground. She must risk her own life. Meanwhile, Bastian becomes involved in solving a brutal murder of a young pregnant girl in theEmily Gee Thief With No Shadow Witch-Eyetown of Theirry. This is a strong character-based fantasy, full of romantic tension and gritty storylines.


fantasy  book review Emily Gee Thief With No ShadowThief With No Shadow

Ah, Thief With No Shadow. Add this one to the ever growing list of books that leave me utterly baffled as to what the term "romantic fantasy" is supposed to mean. Whatever else it is, this delightful little romp of a fantasy tale is no romance novel.

Though Thief With No Shadow is of a serious nature, it has the benefit of not being extremely bogged down and dreary as seems to be the current fantasy trend. There's no hoards of starving peasants living in mud and dung and no evil overlords acting in ways that really ought to get them killed but don't due to contrivance. The book focuses more around its characters than its world-building, making for a delightfully light, easy read.

Thief With No Shadow centers mainly around Melke and Bastian, but also involves Melke's brother Hantje and Bastian's sister Lianna. Despite a little bit of melodrama and angst, the characters are mostly very sympathetic. In a longer novel they might seem a bit underdeveloped, but Thief With No Shadow, being standalone, leaves the reader with a sense of events before the setting of the book having developed the characters, and also a sense that they will go on developing after (or, you know, would if they were real). And though it may not be overwhelming with mysteries and twists, the plot is still very satisfying, leaving the reader with a feeling of closure that seems to be getting ever rarer in books.

Even her prose, though perfectly competent, is simple in a way that is mostly easy on the brain, pleasantly so in fact. I like when an author can write beautifully or poetically and pull it off, but Emily Gee's simpler style is also much appreciated.

The book isn't without problems, of course. Gee's lack of world building leads to a few issues. One of them is confusion as to why Bastian's hatred for wraiths (as Melke and Hantje are, due to the nature of their magic) is so intense. It seems a bit hypocritical of him to hate them for having magic when both he and his sister do as well. Eventually it's sort of alluded to that wraiths often use their magic for ill purposes, and eventually Bastian comes to understand Melke and why she did what she did. But for a lot of the novel I found him irritating and, when misfortune kept befalling him, I couldn't help feeling like he deserved it. Though while also a bit on the angsty side himself, even Bastian becomes likable by the end. Still, if the problem with wraiths had been explained better and sooner (and Bastian's own personal problems) it would've gone a long way for the character and the book as a whole.

The other thing was the explanations of the magical creatures and their behavior. Intriguing though some of it was, it was built on so little that it left me with some questions. Why, if these creatures have such power (particularly over humans) are they mostly content to leave them be? Saying "well they're just different than humans" doesn't quite cut it, especially when three of them are humanoid in nature. These things wouldn't stand up well in a trilogy or series, but are easy enough to push aside for a single book.

As to the "romantic" aspect of it...well, I suppose technically there is some eventually, but it's hardly a major facet of the novel. Thief With No Shadows is simply driven more by its characters than its world. —Beth Johnson


Emily Gee The Laurentine Spy book reviewThe Laurentine Spy — (2009) Publisher: Following on from the success of Emily's award nominated first novel, comes The Laurentine Spy. Two spies must work together to avoid being caught at whatever cost.


fantasy book review Emily Gee The Laurentine SpyThe Laurentine Spy: Deserves more than 5 stars

Saliel is in over her head. Masquerading as a noble lady in the fortress of Laureant’s greatest enemy, she sneaks into the old disused catacombs every other night to meet One, Two, and the Guardian, other Laurentine spies whose true identities she doesn't know.

After foiling an enemy plan to take over another fought-over land, Saliel learns that the Prince and his consort know there are spies in the fortress and have hired a notorious and feared spycatcher. Saliel and the other spies still have work to do however, and must stay one step ahead of him in order to accomplish their goal. All the time Saliel must play a part — a part she know she has no business playing — and longs to be back home in Laureant, independent and finally free from playing roles. And free from her past.

I could not put down The Laurentine Spy. From the first chapter, Gee pulled me into the Laurentine spy network. My heart was racing throughout the entire book and I often found myself murmuring advice to the characters in order to keep them one step ahead of the evil spycatcher who was all too real and incredibly scary.

Gee’s knack for creating suspense could rival Alfred Hitchcock’s. Gee also was able to do something that too many authors can't: she made me care about the characters from the very first chapter. I could relate to Saliel and shared in her fear and frustration throughout the entire book — she was an engaging character who I could wrap my head around. It was fantastic.

The Laurentine Spy was truly an engrossing novel. This is what good fantasy should be: edge of your seat, page-turning, late-night reading, heart-racing entertainment. I was captivated and I will definitely be reading more of Gee’s works.

My only complaint is that there was no map to refer to. I would have loved to have had a map of the world so I could gauge the distances. A map of the citadel would have also been very welcome. This was truly a minor thing however, definitely not a reason not to pick up The Laurentine Spy.

Props to Solaris for finding Emily Gee! —Julie Waineo

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