Next SFF Author: Jeaniene Frost
Previous SFF Author: Teresa Frohock

SFF Author: Gregory Frost

Gregory Frost fantasy author(1951- )
Gregory Frost teaches writing at Swarthmore College in PA, at Write By The Lake in Madison, WI, and at various writers’ conferences. He has participated in writing workshops with Judith Berman, Ann Tonsor Zeddies, Karen Joy Fowler, John Kessel, James Patrick Kelly, Kelly Link, Jonathan Lethem, and Nalo Hopkinson. Here’s Gregory Frost’s website.



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Fitcher’s Brides: Unforgettable rendition of Bluebeard

Fitcher’s Brides by Gregory Frost

A widower, with a little help from his cold-hearted new wife, has fallen under the spell of Elias Fitcher, an apocalyptic preacher who predicts the world will end within the year. Packing up all his earthly belongings, and his three daughters — romantic Vernelia, neurotic Amy, and practical, skeptical Kate — he and his wife move to a tiny village in upstate New York to await the end of days. There, the charming, charismatic, and utterly horrifying Fitcher takes a shine to Vernelia, and sweeps her off her feet in a whirlwind courtship.


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Shadowbridge: Exquisite imagery and magic

Shadowbridge by Gregory Frost

Gregory Frost graduated from Clarion Workshop, authored five novels and the critically-acclaimed short story collection Attack of the Jazz Giants & Other Stories, and has been a finalist for nearly every major award in the fantasy field including the Hugo, the Nebula, the James Tiptree, and the World Fantasy Award.

Impressive, but what did I think of Shadowbridge? Well, for the most part I enjoyed reading Shadowbridge and while I may have liked the novel,


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Lord Tophet: Better than its predecessor

Lord Tophet by Gregory Frost

Creatively Shadowbridge is a marvelous work of invention, embodied by the imaginative Shadowbridge setting — a world of linked spiraling spans of bridges on which all impossibilities can happen — the intriguing art of shadow play, and the many enchanting tales and fables that are interwoven into the main narrative. Yet because of issues that I had with not being able to emotionally connect with the characters, worldbuilding that I felt could have been more penetrating, uneven pacing and narrative structure, and an unsatisfying cliffhanger,


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Magazine Monday: The Empress of Mars

The Empress of Mars is a new quarterly production of Dreadnought Press. The inaugural issue of January 2012 is a lovely glossy magazine with good art, starting with the cover image of a trio of idealized spaceships by Martin Rotherham. Alas, the fiction within rarely matches the promise of the cover. And the magazine desperately needs a copy editor, one who can fix the run-on sentences, sentence fragments, and the many instances where “it’s” was used when “its” was meant. Perhaps, as with many magazines, these are merely labor pains, and future issues will be better;


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Magazine Monday: Apex Magazine, Issues 31 through 33

Apex Magazine is a monthly e-magazine that publishes two short stories, one reprint story, a nonfiction piece and an interview in each issue, together with the occasional poem. In the three issues I read, the reprint fiction tended to outshine the original fiction — which doesn’t mean the original fiction was bad, just that it couldn’t quite live up to the standard set by the well-chosen older stories. The interviews are thoughtful and generally go well beyond the usual topics, either to discuss the author’s work in considerable detail or to go into areas not normally explored in most interviews.


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The Faery Reel: Tales from the Twilight Realm

The Faery Reel: Tales from the Twilight Realm edited by Ellen Datlow & Terri Windling

The Faery Reel is an indispensable tome for anyone who has a mania for faeries. Aside from the short stories in this anthology, the comprehensive introduction of Terri Windling on the fey and the illustrations by Charles Vess are worth the price of admission in themselves. Moreover, the last few pages feature a Further Reading section on the topic of faeries. The typography of the book is appropriate to the faery theme and makes the text quite readable.


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Supernatural Noir: A Datlow anthology

Supernatural Noir edited by Ellen Datlow

Ellen Datlow suggests in her introduction to Supernatural Noir that noir fiction and supernatural fiction, with its roots in the gothic, have a lot in common. The main character in each tends to be a hard-living guy, usually down to his last flask of scotch, haunted by a sexy dame whose middle name is trouble. So it seemed natural to her to combine the two genres for an original anthology.

Despite my general rule that any anthology edited by Ellen Datlow is one I want to read,


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Futurdaze: An Anthology of YA Science Fiction

Futurdaze: An Anthology of YA Science Fiction edited by Hannah Strom-Martin and Erin Underwood

In their introduction to Futurdaze: An Anthology of YA Science Fiction, editors Hannah Strom-Martin and Erin Underwood offer up their motivation for the collection:

We hope to inject the short-fiction market . . . with an extra serving of undisguised wonder at the possibilities the future may hold [and] give the next generation of speculative readers and writers a taste . . . of the infinite possibilities inherent in both the science fiction genre and the short story form [and to] represent a wider range of viewpoints than is typically seen in American popular culture.


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Dark Duets: A horror anthology

Dark Duets edited by Christopher Golden

Christopher Golden explains in his introduction to Dark Duets that writing is a solitary occupation right up until that moment an alchemical reaction takes place and a bolt of inspiration simultaneously strikes two writers who are friends. Golden has found that the results of collaboration are often fascinating and sometimes magical, as when Stephen King and Peter Straub teamed up to write The Talisman. Writing is an intimate,


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Next SFF Author: Jeaniene Frost
Previous SFF Author: Teresa Frohock

We have reviewed 8275 fantasy, science fiction, and horror books, audiobooks, magazines, comics, and films.

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