The Passage, by Justin Cronin, is one of “those” novels. What kind? Well, it’s one of those literary page-turners: a sleek, fast-paced, shoot-em-up, chase-em-down bestseller, destined for huge film success, that “sophisticated” readers don’t have to turn their nose up at. It’s one of those mainstream bestseller books that make use of a multitude of plot points and genre tropes lovingly claimed by fans of said genre, who will surely sniff “I was reading about army-spawned vampire-like genetic mutations wiping out the human race ages ago,” akin to those guys who only like a band when their fan base can fit into a camper van but who mock the new fans who flock to concert sites in the tens of thousands.
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