Jennifer Fallon

The Hythrun Chronicles — (2000-2005) Publisher: According to legend, the last king of the Harshini sired a half-human child, known as the Demon Child, born to destroy a god... The Sisterhood of the Blade rules Medalon with an iron fist — an iron fist within the steel gauntlet of the Defenders, elite warriors sworn to uphold the sisters and keep Medalon free of heathen influence. R'shiel, daughter of the First Sister of the Blade, has pulled against the short leash of her mother ever since she was a child. Her half-brother, Tarja, is the dutiful son who serves as a Captain in the Defenders. But when they run afoul of their mother's machinations, they must flee for their lives. They soon find themselves caught up in the rebellion against the Sisterhood, though they revile their fellow conspirators heathen belief in the Harshini — a fabled race of magical beings thought long extinct. But then Tarja and R'shiel encounter Brak, an Harshini outcast, who forces them to face the most shocking fact of all: the Demon Child, thought to be nothing more than legend, may have been loosed in Medalon.

The Demon Child Trilogy

The Wolfblade Trilogy is a prequel to The Demon Child Trilogy

Medalon: Highly entertaining, even with some absurdities

Jennifer Fallon's Medalon is the first book in The Demon Child Trilogy, which makes up the larger Hythrun Chronicles. The Sisterhood of Medalon has made it illegal to practice religion (the worship of pagan gods), persecutes all believers of the gods, and has forced the Harshini, a race of long-lived beings who interact with the gods, into hiding. The sisters use a highly trained army of male Defenders to enforce their orders across the country. But, the First Sister has just been murdered, and while the sisters are plotting and jockeying for position amongst themselves, the Demon Child — a human/Harshini half-breed — is coming to maturity in Medalon and the gods, who are involved in their own plots, need to find the child because it's the only creature capable of killing another god.

The main characters, R'shiel and Tarja, are the children of Joyhinia, a sister whose one goal is to be the First Sister. Though she claims to not have a concept of "sin," Joyhinia commits a lot of it as she seeks to fulfil her ambition. Even her children are not permitted to get in her way, and are used as pawns in her scheming. Eventually, R'shiel and Tarja find themselves allied against their mother and the Sisterhood, and their beliefs are challenged as they actually meet gods and Harshini who, they thought, don't exist.

Medalon was a quick and entertaining read. The pace is fast and there is plenty of action. The characters are mostly well-developed, interesting, and likeable (or hateable where appropriate). A couple of characters are over-the-top enough to be unbelievable (it's hard to believe that Joyhinia dislikes her own children more than she dislikes other people), but they are interesting enough that I found myself over-looking that. The writing, while not particularly beautiful like Carey, Clarke, Valente, or Bujold, is completely competent, clear, and often witty.

I really have only a couple of objections: Medalon is a society based on "law" and "common sense," not ideas of "sin" or "morality." Yet we learn that lust, rape, betrayal, stealing, lying, treason, murder, incest, abortion, premarital sex, and tardiness are "wrong." Whores and bastards are looked down on, paternity of Joyhinia's son is kept secret, abortionists are run out of town, and the man who defends the First Sister is required to take an oath of celibacy. For a society without a belief in sin, they sure spend a lot of time condemning it.

Second, while the antics of the gods were meant to be funny and entertaining, I found them annoying. For example, the goddess of love styles herself as a little girl and demands that everyone loves her. She casts a spell to make one of the characters fall in love with another and then declares that she hopes another god won't be mad. Well, I don't know if the other god got mad, but I did. The love of the one character for the other (I'm trying not to spoil the plot here) is a major plot element, but its unnatural contrivance makes it seem shallow, and I felt cheated. Some of the other gods and their interactions with disrespectful humans (who remind them to stay vigilant and tell them to "shut up") was just silly. And then there are the ugly but cuddly demons who can become gods if they get enough followers to believe in them. Somehow, this didn't work for me.

But, even with these issues, I found myself really enjoying Medalon; it's not great literature, but it's fun. And I admire Jennifer Fallon for having a bunch of gossiping and scheming unlikeable women being defended by brave and mostly honorable and likeable men. I don't want to ruin the plot, but I'll say that only a female writer could get away with it.

I have picked up (at my library) the next three books, and I look forward to starting Treason Keep soon. I'll let you know. —Kat Hooper

Treason Keep: ditto

Treason Keep, the sequel to Medalon, is more of the same: a fast pace and fun characters overshadow the not-so-tight plot.

Jennifer Fallon keeps things interesting by expertly developing a couple of characters who were briefly introduced in her first book: Damin Wolfblade, an intelligent barbarian warlord (always a good thing, in my opinion), and Adrina, a spoiled princess whose daddy wants to marry her off because he's tired of paying for her escapades — she just demolished the city's wharf while trying to dock a nobleman's yacht while she was drunk (the yacht sank). I was impressed with how Ms Fallon gave us very short but meaningful glimpses of Damin and Adrina in the first novel — their personalities in Treason Keep were completely consistent with what we had previously learned about them, and it was clear that Ms Fallon had consciously prepared that. I noticed this sort of preparation for the future in this novel, too. For example, at one point, Tarja tells Damin that he'll owe him a big favor, and I'm sure we'll be seeing the fulfillment of this in a later installment.

So Damin and Adrina join Tarja and R'shiel, the established main characters who we already know and love, and several other old and new characters, making this novel both familiar and fresh. Fallon effectively uses different characters' points of view to tell the story (Adrina's point of view is particularly entertaining) and there is enough humor and romance to counterbalance some of the disturbing and violent events.

There were a few things that just didn't make sense to me, however. For example, Joyhinia is now out of commission and a large group of the Defenders have broken off from the Sisterhood and gone north to defend Medalon from the Kariens without permission of the Sisters. There is a lot of fretting about how to trick the quorum into making Mahina First Sister so that she can sanction their plans and send more Defenders. An elaborate and unreliable scheme is contrived when it seems safer, and more likely to work, to just go to the quorum and tell them the truth: "Hey sisters, look at Joyhinia. She's lost her mind and there's a bunch of our enemies massed at the border. Could we appoint a new leader and send some troops to defend the country?"

Also, the religious and magical systems seem arbitrary and convenient. It's not quite clear what gods and demons can do (and when), why R'shiel can call them to help her sometimes but not other times, what kinds of powers she has, and how the magic works. And why does she wear Harshini dragon rider leathers but never rides a dragon?

The plot of Treason Keep is not drum-tight, but the characterization and pleasant writing style make this an enjoyable read nonetheless. —Kat Hooper

Harshini: Fallon finally fails

Up till now I've enjoyed Jennifer Fallon's Demon Child trilogy; her writing is competent (not beautiful, but competent), her characters intriguing, and the story was interesting enough. But I always had this feeling... the same feeling I get when I watch my 2 year old daughter constructing a tower of blocks by stacking the big ones on top of the smaller ones...

Sure enough, just like my daughter's tower, in Harshini, it all comes crashing down.

R'shiel finally embraces her role as Demon Child and we at last see her putting her riding leathers to good use — she actually rides dragons in this novel (though it doesn't help much when taking a trip on a flying dragon takes just as long as it does in a rowboat). And that's probably the nicest thing I can say about R'shiel. She was never a particularly loveable heroine, but in Harshini, she's just a bitch. She is suddenly an outspoken expert in world politics and military tactics and the rulers of all the lands jump to obey her (even though she has no political or military experience and her grand plan in the last novel was a complete disaster). If they don't obey, she threatens to sic the gods on them. She's a bully, and it's hard to like people who act like that.

Then we still have the problem with the arbitrary activities of the gods, the demons, and the Harshini. Gods and demons are called on to help at random times in random ways. I was really ticked when a demon popped out of nowhere to protect Brak from a crossbow bolt and Brak informed us that "the demons live to protect the Harshini." Huh? If this is true, why haven't we seen them protecting Harshini before now? R'shiel is supposedly undertaking this very dangerous and important mission, so where were the demons when she was beaten, raped, captured, stabbed in the gut, etc.? And, if they exist to protect the Harshini, why are they running around trying to gather believers so they can become gods? And, about the Gods: okay, I can understand a goddess of love, but a god of thieves? And, if Xaphista (the "bad" god) can so easily coerce people to try to kill R'shiel, why does he only try it with one person (who fails)? Why not several people? He's bad, but he's not smart. And I won't even get into the hypocricy of the Harshini not being able to do anything that might indirectly cause death — there are too many logisitcal problems with that.

The climax and ending of the novel was also random — R'shiel's weird idea for killing the "bad" god was just plain silly. Most of what R'shiel does to solve problems is arbitrary and easy. She puts on a glamour to escape. She puts on a glamour to help other people escape. She threatens someone into doing what she wants them to. She gets crazy ideas that end up working. This randomness causes the reader to never be concerned that things won't work out in the end. I never felt any sort of fear or tension. Got a problem? Call a god or a demon, or do some random magic trick. Fantasy novels needs tension, and Fallon fails to deliver it in the last Demon Child novel.

But, she's a good author — I will not hesitate to pick up another Fallon series someday.
—Kat Hooper