Peter David

Sir Apropos of Nothing — (2002-2003) Publisher: They were dark and stormy knights...and when they had their way with a helpless tavern wench one terrible evening, they had no idea that the result of that twilight brutality was going to come after them years later looking to settle the score... The "result's" unlikely name is Apropos: A rogue, a rascal, a scoundrel, a cheat...and those are his good points. Lame of leg but fast of wit, the only reason Apropos doesn't consider chivalry dead is because he's not yet through with it. Herewith, Sir Apropos of Nothing — his story in the words of the knave himself. Apropos, all too aware of his violent and unseemly beginnings, travels to the court of the good King Runcible, with three goals in mind: to find his father, seek retribution, and line his own pockets. However, Apropos carries the most troublesome burden a would-be harbinger of chaos can bear: He may well be a hero foretold, a young man of destiny. It is not a notion that Apropos finds palatable, having very low regard for such notions as honor, selflessness, or risking one's neck. Yet when Apropos finds himself assigned as squire to the most senile knight in the court — Sir Umbrage of the Flaming Nether Regions, whose squires tend to have a rather short life span — Apropos is forced to rise to the occasion lest he be dragged under — permanently. His difficulties are compounded when a routine mission to escort the King's daughter home after a long absence goes horribly awry. Suddenly Apropos finds himself saddled with trying to survive while dealing with a berserk phoenix, murderous unicorns, mutated harpies, homicidal warrior kings, and — most problematic of all — a princess who may or may not be a psychotic arsonist. Featuring a hero cut from cloth similar to that of such entertaining blackguards as Blackadder and Flashman, Sir Apropos of Nothing is a skewed version of classic, mythic adventure that is by turns hilarious and frightening, slapstick and serious, and filled with drop-dead laughs and drop-dead people.

Sir Apropos of Nothing

I couldn't finish Sir Apropos of Nothing.

It was supposed to be funny, but I ended up finding it unnecessarily violent, sexual, and exploitive.

And that's saying something, coming from me. —Beth Johnson

Stand-alone Novels:

Tigerheart — (2008) Publisher: For all readers who have ever lent an enthusiastic ear to a wonderfully well told tale, or tumbled gladly into pages that could transport them anywhere, now comes novelist Peter David’s enchanting new work of fantasy. Action-packed and suspenseful, heart-tugging and wise, it weaves a spell both hauntingly familiar and utterly irresistible for those who have ever surrendered themselves to flights of fancy, and have whispered in their hearts, “I believe.” Paul Dear is a good and clever boy, doted on by a father who fills his son’s head with tall tales, thrilling legends, and talk of fairy-folk, and by a mother who indulges these fantastic stories and tempers them with common sense. But Paul is special in ways that even his adoring parents could never have imagined. For by day, in London’s Kensington Gardens, he walks and talks with the pixies and sprites and other magical creatures that dwell among the living–but are unseen by most. And at night in his room, a boy much like himself, yet not, beckons to Paul from the mirror to come adventuring. It’s a happy life for Paul, made all the more so by the birth of his baby sister. But everything changes when tragedy strikes, and Paul concludes that there’s only one course of action he can take to dispel the darkness and make things right again. And like countless heroes before him, he knows that he must risk everything to save the day. Thus begins a quest that will lead Paul down the city’s bustling streets, to a curio shop where a magical ally awaits him, and launches him into the starry skies, bound for a realm where anything is possible. Far from home, he will run with fierce Indian warriors, cross swords with fearsome pirates, befriend a magnificent white tiger, and soar beside an extraordinary, ageless boy who reigns in a boundless world of imagination. Brimming with the sly humor and breathless excitement of a traditional Victorian bedtime story, deftly embroidered with its own unique wisdom and wonder, Tigerheart is a hymn to childhood’s happiness and heartbreak, a meditation on the love, courage, sacrifice, and faith that shape us and define our lives, and a splendidly rendered modern fable–for readers of any age–that brilliantly proves itself a worthy brother to the timeless classic that serve as its inspiration.

Tigerheart

Whether you’ve read the original J.M. Barrie play or novel, seen the Disney film, eaten the peanut butter, or been exposed to any of the other countless adaptations out there, most people are probably familiar with the tale of Peter Pan and Neverland, and because of this familiarity, readers should be able to immediately connect with Peter David’s Tigerheart which is an homage to, an original retelling, and a sequel to the classic bedtime story.

As an homage, Tigerheart liberally borrows from J.M. Barrie’s classic including characters, places, and themes — names and certain elements have been changed such as The Boy instead of Peter Pan, Anyplace instead of Neverland, Captain Hack for Captain Hook, Vagabonds/Bully Boys in place of The Lost Boys, Fiddlefix for Tinker Bell, Gwenny instead of Wendy, Seirenes in place of mermaids, a sea serpent instead of a crocodile, and so on — and Peter David even goes so far as adopting the author’s fanciful narrative style, which is actually one of the book’s most endearing qualities, along with the novel’s ability to appeal to readers of all ages.

It is as an interpretation though where Tigerheart really shines, by telling a story that is fresh, imaginative and enchanting while retaining the whimsical nature and enduring spirit of the original. For starters, Paul Dear, or ‘Tigerheart’ as he will come to be known in the book, is really the star of the story instead of The Boy. What I like about Paul is that he’s like the anti-Peter Pan. Where The Boy is cocky, selfish, fearless, and wants to stay a boy forever, Paul wants to grow up, is modest, and cares more about others than himself. In fact, the whole reason Paul travels to Anyplace is not because of grand adventures and having fun, but because he wants to help his mom, and actually spends most of his time there sacrificing himself for others. Other interesting departures include Captain Slash (Captain Hack’s sister, a fellow pirate, and the novel’s main villain), Paul’s best friend, the snow tiger, Noplace, a wonderful subplot involving The Boy’s shadow, and The Boy’s parentage. Also of note is how certain ‘controversy’ was avoided in Peter David’s book compared to the original. In other words, there’s violence and one or two bad words in Tigerheart, it’s dark at times and deals with some adult issues, but the sexual innuendo has been toned down to virtually nothing and Peter keeps things politically correct.

More often than not, adaptations, reimaginings, or sequels rarely live up to the original, but in this case I have to say Peter David’s Tigerheart is even better than J.M. Barrie’s Peter and Wendy. At least, I enjoyed reading Tigerheart more. In fact, Tigerheart is easily one of the most charming novels I’ve ever read and is an instant favorite — the kind of book you just want to read over and over again while sharing the wonderment with as many people as possible. —Robert Thompson

Fable: The Balverine Order — (2010) Publisher: The days of magic and adventure are fading away, giving way to the age of industry and science. As the aged last Hero sits upon the throne of Albion, two friends-the privileged Thomas and his loyal servant, John- set out for the East in search of a legendary beast: the vicious, rarely-seen balverine. But their desire for adventure may be their ultimate undoing-because their quarry has just found them...