Nancy A. Collins

Golgotham — (2010-2011) Publisher: Like most Manhattanites, aspiring artist Tate can't resist a good rental deal — even if it's in the city's strangest neighborhood, Golgotham, where for centuries werewolves, centaurs, and countless other creatures have roamed the streets. Her new landlord is a sorcerer name Hexe, who is determined to build his reputation without using dark, left-hand magic. As Tate is drawn into Hexe's fascinating world, they both find that the right hand does not always know what the left hand is doing — and avoiding darkness is no easy trick...

Right Hand Magic

Tate, a young New York artist, needs a new apartment right away. She makes metal sculptures out of car parts and other odds and ends, and it seems her landlord isn’t too happy with the noise level. Tate discovers an available room at a reasonable price and jumps at the chance, even though the building is in Golgotham, New York’s magical neighborhood.

Golgotham itself is a fantastically intriguing setting and the best part of Right Hand Magic. It inspires a sense of wonder akin to what you might have felt when first discovering J.K. Rowling’s Diagon Alley. Nancy A. Collins stocks Golgotham with a wealth of detail, from leprechaun pubs to secret subway tunnels to huldra strip clubs to Tate’s new landlord, Hexe, a handsome sorcerer. I wish Golgotham were real so I could go there and wander around for a day. Golgotham traces its history to a centuries-old conflict (and resultant prejudice) between humans and the magically-gifted, Technicolor-haired Kymeran race.

Tate and Hexe, it turns out, are both scions of wealthy families trying to make it on their own rather than coasting on their famous names. They learn they have a lot in common, and a cute romance begins. They court danger, though, when they take in a teenage were-cougar who has escaped from a fighting arena owned by Golgotham’s magical mob boss.

Right Hand Magic has its ups and downs. On the one hand, it’s always nice to see an artist heroine, and I love the way Tate’s work eventually ties in with the main plot. And if you don’t think you could become emotionally attached to a statue, you might be surprised!

On the other hand, there’s some clunky dialogue and several scenes around the middle of the book that don’t seem to advance the story much. Most problematically, Tate is underpowered. She isn’t able to do much during the climactic scene, a scene that ends up requiring several dei ex machina. This isn’t necessarily a bad thing in the first book of a series. It’s not uncommon for a character to start out on the weak side. I’m worried, though, about whether Tate will have a chance to — pardon the RPG terminology — level up. The way the world is set up, there’s a fundamental divide between Kymerans, who can use magic, and humans, who can’t. It doesn’t appear that humans can simply learn magic through practice. She doesn’t have mundane fighting skills either, and the one way she does contribute to the final fight — while admittedly awesome — is something that can’t be done on the spur of the moment and requires Hexe’s assistance.

The Golgotham series shows a lot of promise. The setting is fascinating, and it’s peopled with interesting characters. I only hope Collins will find a way for Tate to become stronger as the series goes on. —Kelly Lasiter

Left Hand Magic

In Left Hand Magic, Nancy A. Collins delivers a satisfying follow-up to last year’s Right Hand Magic. Tate Eresby, a trust-fund baby turned avant-garde sculptor, is still living in the rich setting of Golgotham with her Kymeran lover, Hexe. But new troubles are brewing in Golgotham. A magazine spread has made Golgotham a hip hot spot for human tourists, and racial tensions are growing between these tourists and Golgotham’s magical natives.

The racism that Collins depicts is, sadly, all too realistic and plausible. It threatens to tear apart the relationship between Tate and Hexe, as both are seen as race traitors. But it’s far worse than that too: bullying, then rioting, then murder take their toll on the neighborhood. Some of the victims are characters we’ve already met and liked, making their fates hit harder.

A mystery lies behind all this. Are the crimes random, or is the racial hatred being manipulated by another party for personal gain? And how does all this tie in with the strange favor Tate was obliged to fulfill for a friend?

Tate is more of a major player this time around. Her special skills play a large role in the novel’s events, even more so than last time (though the back cover blurb reveals too much about that). She makes great strides with regard to her intimidating family. And though she’s not a combat character at heart, she gets to kick some butt this time.

There’s still a little clunkiness in the dialogue, especially when Golgotham’s history is recounted (though the topic itself is fascinating) or when the villain’s henchman conveniently rants about the whole dastardly plot while Tate is eavesdropping.

Overall, though, Left Hand Magic is a fun read. I read it in one day and greatly enjoyed it. And with the greater amount of agency given to Tate here, it’s superior to the first installment. Readers who like their urban fantasy worlds intricately built and fleshed out in rich detail will enjoy the GOLGOTHAM series.
—Kelly Lasiter