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Joy Chant

1945-
 
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Joy Chant is the pseudonym used by Eileen Joyce Rutter. Ms Chant won the Mythopoeic Fantasy Award for Red Moon and Black Mountain in 1972 and When Voiha Wakes won it in 1984. The Grey Mane of Morning was nominated for that award in 1981. The High Kings was nominated for a Hugo Award and won the World Fantasy Special Award for Professional Work in 1984.



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The House of Kendreth — (1970-1983) Publisher: The Starlit Land of Kendrinh fell to Fendarl, the banished Lord of Black Mountain. He was the evil Enchanter of Star Magic. Nowhere in the stricken land was there a champion who could stand against him, who could fend off the black sorcery that became a horrifying reality with each rising of the Red Moon. But unbeknownst to Fendarl, a child was being raised by the Hurnei. A child who would grow to become their greatest warrior. A child who would become a man and learn the paradox of conquest and victory — and the dangers of a prophecy preordained to triumph!

Joy Chant House of Kendreth 1. Red Moon and Black Mountain 2. The Grey Mane of Morning 3. When Voiha WakesJoy Chant House of Kendreth 1. Red Moon and Black Mountain 2. The Grey Mane of Morning 3. When Voiha WakesJoy Chant House of Kendreth 1. Red Moon and Black Mountain 2. The Grey Mane of Morning 3. When Voiha Wakes

book review Joy Chant The High Kings The High Kings — (1983) Publisher: The Celts — that artistically rich, magnificent people whose legendary history culminated in the heroic reign of King Arthur — have long been a source of wonder for many. Their heritage is a treasure — trove: stories of epic heroism, of women who fought alongside their men, of giants and towering challenge, of ultimate sacrifice joyously given, of magnificent courage and high humour, of myth, magic, marvel — and through it all, the scarlet thread of tragic realism that governed a people beset by the constantly recurring threat of extinction. Because the Celts themselves had no written tradition, Joy Chant has chosen to tell their magnificent legends as they had been told in their own time — by bards around a campfire, or at the courts of their High Kings. And for time and place she has chosen the last great Celtic court — that of King Arthur — setting each tale within a framework that includes a note about the historical or cultural background. Each legend is illuminated by the paintings of George Sharp, who worked closely with the author and editor every step of the way. In addition to the full colour plates and the illustrations, David Larkin, art designer for the book, has selected Celtic decorative patterns, maps and reproductions of their marvellous bronze and gold artifacts to enhance the stories and notes. The result is high drama, an extraordinary overview of the legends of the Celts, placing them in relation to the state of mind of Arthur's people as they gathered themselves for the final defense of their way of life. Here, then, is a unique volume that combines rich visual imagery with sweeping epic, and captures the lives of the Celts through the great historic myths that bred them.


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