Robert Jordan on Writing


I intend to keep writing until the day I die, and if I can manage to get a computer into the coffin, we’ll see what I can work out.   (Source: USA...

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The Changeling: A rich dark fairy tale for the Information Age


The Changeling by Victor LaValle “How do we protect our children?” Cal said quietly. Apollo watched the soft little shape in his hand. “Obviously I don’t...

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Exploration Blues


Welcome to another Expanded Universe column where I feature essays from authors and editors of fiction, poetry, and non-fiction, as well as from established readers and reviewers....

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T-shirts and bookmarks!


Get a T-shirt and bookmarks when you donate to FanLit. This soft white t-shirt features our dragon logo which was painted by author Janny Wurts. Underneath are the words...

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Recent Posts

The Trouble With Peace: A fabulous sequel

The Trouble With Peace by Joe Abercrombie

To my surprise and delight, Joe Abercrombie’s A Little Hatred, the first book in his THE AGE OF MADNESS series, was one of the best books I read last year. As I said in my review, “it’s got everything I’m looking for in a fantasy novel,” including a large cast of interesting and multi-faceted characters, a fascinating setting (a world on the brink of an industrial revolution), and an exciting, often brutal, plot. This review will have spoilers for A Little Hatred.

I’m happy to report that the sequel, The Trouble With Peace (2020), is another winner. ... Read More

The Once and Future Witches: Rage, beauty, and sisterhood

Reposting to include Jana's new review.

The Once and Future Witches by Alix E. Harrow

Our Daddy never taught us shit, except what a fox teaches chickens — how to run, how to tremble, how to outlive the bastard — and our mama died before she could teach us much of anything. But we had Mama Mags, our mother’s mother, and she didn’t fool around with soup-pots and flowers.

Once upon a time there were three sisters, in a world where women’s magic was outlawed and driven underground. They had to battle an evil man and rediscover their own power, but each was filled with so much rage, pain and loss, that seemed impossible.

2020’s The Once and Future Witches is Alix E. Harrow’s sophomore novel. Harrow excels at so much here. The book is angrier than Read More

Abel Salazar Triple Feature: Three doozies from south of the border

Abel Salazar Triple Feature directed by Chano Urueta and Rafael Baledon

Are you ready to settle in with an absolutely dynamite and horrifying triple feature one weekend this autumnal season? Well, then, have I got a doozie for you! These three terror treats from south of the border, all made in the early 1960s, may come as a stunning surprise for the jaded horror viewer who thinks he/she has seen it all. The Mexican filmmakers in the late ‘50s and early ‘60s were enjoying a kind of Golden Age, certainly as regards as the horror film, and the three pictures that I have chosen to spotlight here, all from producer/actor Abel Salazar — and all to varying degrees influenced by the Universal horror outings of the 1940s — are some of the very best of the bunch. I will give my brief thoughts on these three wonderful films in the order that I first saw them, which also happens to mean that I will be discussing the least of the three first, and the film that I dee... Read More

Thoughtful Thursday: What’s your favorite scary movie?

An oversized radioactive octopus wrestling with a mad scientist in a mudpit… that is the earliest image that I have of any horror movie. This B&W scene somehow made a huge impact on my 5-year-old mind, as I sat watching it on a grainy TV screen, and was in part responsible for setting me on the road of horror filmdom.

Today, I have come to realize that the scene in question was just a snippet from – of all things – Ed Wood’s notorious 1955 cheapie Bride of the Monster, a film that elicits mainly laughter in the adult me, instead of scares and awe. But oh, what an impression it made on my kindergarten self back then!

During the intervening decades, my tastes in the arena of horror have matured a bit, and the films that I deem scary these days are a bit more sophisticated in nature. (You can find some thoughts on 22 recent horror watches of mine in this month’s annual Shocktober Film column.)

For me, the most chilling h... Read More

The Trials of Koli: Feels like a middle book, but a good one

The Trials of Koli by M.R. Carey

M.R. Carey’s The Book of Koli was one of my favorite reads this year. I loved everything about it and was eagerly awaiting the sequel, The Trials of Koli (2020), which was, thankfully, released only a few months after The Book of Koli appeared. There will be some spoilers for The Book of Koli in this review, so beware.

Koli is still on the run. He misses his mother and sisters but can’t go back home or he’ll be hanged. He continues to travel with Ursula, the strange woman who knows a lot about science, medicine, and technology and who is accompanied by a piece of “tech” that is able to diagnose illnesses, shoot down enemies, and other such han... Read More

The Devil’s Hand: The Hole shebang

The Devil’s Hand directed by William J. Hole, Jr.

In the 1943 film The Seventh Victim, just one of nine brilliant horror films produced by Val Lewton for RKO that decade, a character played by Kim Hunter comes to NYC to look for her missing sister, and discovers that that sister has joined a secretive, devil-worshipping cult in the heart of Greenwich Village. It is a superior horror outing, as are all the other Lewton horror outings, featuring wonderful acting, a sharp and compact script, and – typical for these Lewton affairs – a deliciously eerie atmosphere throughout. Flash forward 18 years, and we find still another film dealing with a secret devil cult hidden away in the heart of a great American metropolis, but with nowhere near the previous film’s artful skill and enduring class. That later film is The Devil’s Hand, which was shot in 1959 but not distributed until two years later. Originally released as part of a double bill th... Read More

WWWednesday: October 28, 2020

Cover, Lovecraft Country, by Matt Ruff



Obituary:

He may not be known to many of you. Richard Lupoff, New Wave writer and later a comic writer, passed away earlier this week. Lupoff won a Hugo in 1963 and was a Nebula finalist in 1977. In the 2000s, he was best known for his work with his wife Pat Lupoff in the comics genre. He hosted a radio show on Berkeley, California’s KPFA. Personally, Lupoff was someone who had encouraging words for emerging writers and was a source of inspiration for many of us. Author Marta Randall calls him “one of the good ones.”

Books and Writing:

MacMillan is Read More

Hilda and the Troll: An intriguing start to this graphic novel series

Hilda and the Troll by Luke Pearson

The HILDA graphic novels had been on my radar for a while, but knowing they've recently been adapted into a Netflix original made me finally give them a read (I like to read the source material before watching any adaptations).

In Hilda and the Troll, Hilda is a young girl living with her mother in an unspecified part of the Scandinavian countryside, in a little wooden cabin on a great grassy plain. She spends her days wandering outside, drawing in her sketchbook, and reading texts about mythological creatures — which, the reader soon realizes, are not mythological at all.

Hilda encounters sea spirits and giants and trolls, recording them faithfully in her sketchbook. And this isn’t treated as particularly extraordinary; it’s taken for granted that her world is filled with such things. A little man made out of wood occasionally invi... Read More

The Robot vs. The Aztec Mummy: Diez perfecto on the fun scale

The Robot vs. The Aztec Mummy directed by Rafael Portillo

It was at NYC’s legendary Thalia Theater on W. 95th St. in Manhattan where I first saw the Mexican wonder known as The Wrestling Women vs. the Aztec Mummy (1964), paired with the Ed Wood-scripted The Bride and the Beast (1958) to make for one truly mind-boggling double feature. Ah, what a great theater that was! OK, time for Tales From My Misspent Youth, chapter 135: The Thalia, back when (I’m talking about the late ‘70s/very early ‘80s here), was a wonderful place to see a double feature of this sort, its rear section (a “balcony” reached by climbing one or two steps, if memory serves) permitting smoking…of all manner of dry goods. As for the first film on the bill, my main recollection of that showing was the stoned-out audience laughing uproariously every time one of the characters therein mentioned the word “codex,” an object that served as the Hitchcockian MacGuffi... Read More

A Stitch in Time: A time-slip romance with ghosts

A Stitch in Time by Kelley Armstrong

A Stitch in Time (2020), by Kelley Armstrong, is a time-slip romance with ghosts. Bronwyn Dale has just inherited the old family home on the English moors. When she visited the house as a girl, she discovered she could pass back and forth between her own time and the Victorian era, and fell in love with a boy, William, who lived in the past version of the house. But her uncle died tragically, and Bronwyn was institutionalized for talking about William, and she went on with her life thinking she’d imagined him.

Now she’s thirty-eight and widowed, and needs to decide what to do with the house. When she returns to take stock, she finds that the time-slip and William are still there and very real. Meanwhile, she’s also having some eerie encounters with ghosts in her own ti... Read More